116 shellac records · mostly British pressings, 1900s–1950s
116 records matching · page 3 of 3
Lanin (likely Sam Lanin, the American dance-band leader) performing two period dance numbers on Bell — 'I'm On My Way Home' and 'Bird's Eye View of Kentucky' — likely from the 1920s.AI summary
Bell 444 Dance
Lou Gold on 'Just the Same' and 'Dawn of Tomorrow'. Released on Bell Records 514, a short-lived small British label of the late 1920s.AI summary
Bell 514 Dance
Lyster & Cooke performing light classical or sentimental material on Bell, a minor early label.AI summary
Bell 6 Instrumental
Phyllis Lett recorded 'Daddy' and a violin piece, Chanson Polonaise by Opferman, for the Bell label, a British imprint of the 1920s.AI summary
Bell 107 Voice
Randy Hudges on Bell 1036, performing 'I really Don't Want to Know' and 'Slowly' — a soul or rhythm-and-blues artist on the small Bell label, likely late 1950s.AI summary
Bell 1036 Voice
Sam Mayo, the music-hall comedian, on the Bell label — an obscure British imprint — catalogue 84, with 'The Toreador' and Williams's 'Put a Bit of Powder on It Father'. The Bell label is not identified in standard references; a Mayo pressing on this imprint warrants investigation.AI summary
Bell 84 Music Hall
Bell 94 Music Hall
Sam Mayo recorded two songs for Bell, a small British label: 'The Toreador' and '(Williams) Put a Bit of Powder on It'.AI summary
Bell 84 Voice
Stanley Kirkby singing two sentimental ballads on Bell, a minor British imprint, likely 1920s-30s based on the catalogue number.AI summary
Bell 238 Voice
Stanley Kirkby, a prolific British ballad singer who recorded for many labels throughout the 1920s–30s, recorded these sentimental items for Bell, a small British label. Kirkby was a house singer for multiple record companies.AI summary
Bell 389 Voice
Sydney Barnes with In the Moonlight, Dear Louise and, by a band, Teddy Bear's Picnic on Bell 116.AI summary
Bell 116 Voice
T F Kinniburgh recorded religious and sentimental vocal numbers for Bell, a minor label; the artist is not documented in standard sources.AI summary
Bell 34 Voice
Tom Foy recorded 'Yorkshire Lad in London' parts 1 and 2 for Bell, a small British label, probably in the early 1920s. This is the same Yorkshire dialect comedy piece as his Empire recording (id 16557), here pressed on a different imprint.AI summary
Bell 203 Music Hall
Tom Foy on Bell label, this pressing of 'I'm in Trouble Again' and '(H Foy) Playing the Game in the West' is an unidentified artist's vocal or comic song.AI summary
Bell 204 Voice
The Varsity Eight Hollywood Ramblers, an American jazz or novelty group, recorded two popular jazz standards for Bell catalogue 351. This is likely a 1920s jazz or dance recording.AI summary
Bell 351 Jazz
A violin soloist performing 'Slow Movement' from Mendelssohn, coupled with 'Road to Loch Lomond', recorded for Bell 392. Bell was a small British label; the artist is unidentified, but the classical/folk programme suggests a serious musician recorded for the budget market.AI summary
Bell 392 Classical
Will Evans on Bell 210, performing 'The Mermaid' and 'Reading a Novelette'. Evans was a British music-hall comedian popular in the early 1900s; Bell was an early British label. This is an acoustic-era recording and is scarce.AI summary
Bell 210 Music Hall
Will Evans on Bell 211, performing comedic music-hall songs 'All about Jim' and 'Butcher'. Bell was a small British label of the early 1900s–10s.AI summary
Bell 211 Music Hall
William Ditcham performed two novelty titles, 'Alabama Skedaddle' and 'Go as You Please Polka', for Bell Records, a minor British label of the early 1930s.AI summary
Bell 231 Comic
W.W. Whitlock recorded 'Laughing all the Way' and 'What a Very Dreadful Thing' for Bell Records catalogue 96. Bell was a small early British label active in the 1900s-1910s.AI summary
Bell 96