293 shellac records · mostly British pressings, 1900s–1950s
293 records matching · page 2 of 7
Bidgood on Broadcast 241, with 'What'll you do' and 'Let a Smile be your Umbrella'.AI summary
Broadcast 241 Voice
Another vocal duet by Bidgood on Broadcast, from the early 1930s.AI summary
Broadcast 255 Voice
Bidgood performs 'All by Yourself in the Moonlight' and 'I Think of What You Used to Think of Me' on Broadcast, a British label. The artist is not well documented.AI summary
Broadcast 315 Dance
Bidgood on Broadcast 330 with 'I can't give you anything but love' and 'Minnetonka'.AI summary
Broadcast 330 Voice
Credited to Bidgood on Broadcast (344), with 'Sonny Boy' and 'Just an Hour of Love'; Broadcast was a cheap British marque of the 1920s–1930s.AI summary
Broadcast 344 Voice
Bidgood, an unidentified artist, recorded popular songs for Broadcast in the early 1930s.AI summary
Broadcast 355 Voice
Bidgood on Broadcast 388, a short-lived British budget label of the late 1920s and early 1930s; 'My little Fella and me' and 'She's funny that Way'.AI summary
Broadcast 388 Voice
Bidgood was a singer recorded for Broadcast, a small British budget label of the early 1930s. 'Hello Sunshine Hello' is a novelty song typical of the period. Very little biographical information survives about the artist.AI summary
Broadcast 389 Voice
Bidgood, a vocalist, recorded for Broadcast, a British label of the early 1930s. This is a standard dance-band vocal on a scarcer and shorter-lived label than Columbia or Decca.AI summary
Broadcast 407 Voice
Bidgood performing popular love songs on Broadcast, a short-lived British label of the early 1930s.AI summary
Broadcast 409 Voice
Bidgood, an unrecognised singer, performing popular songs on Broadcast, a British label of the 1920s-30s.AI summary
Broadcast 412 Voice
Bidgood on Broadcast 420, performing 'Sing a Little Love Song' and 'Hittin' the Ceiling'. Broadcast was a small British label of the early 1930s.AI summary
Broadcast 420 Voice
Bidgood, an unidentified artist, recorded popular sentimental songs for Broadcast in the early 1930s.AI summary
Broadcast 435 Voice
Bidgood performing 'Mean to Me' and 'Louise' on Broadcast, a British budget label — likely a 1920s or 1930s vocal novelty or sentimental side.AI summary
Broadcast 436 Voice
Bidgood recorded novelty or character songs 'Down Among the Sugar Canes' and 'Building a Nest for Mary' for Broadcast 449, a short-lived British label of the late 1920s.AI summary
Broadcast 449 Voice
Bidgood recorded this novelty or sentimental song for Broadcast, a small British budget label of the early 1930s. Very little is known of the artist or this particular recording.AI summary
Broadcast 460 Voice
Credited to Bidgood on Broadcast, a cheap British marque of the early 1930s.AI summary
Broadcast 461 Dance
Credited to Bidgood on Broadcast, a minor British label, this recording couples 'Through' and 'Come on Baby', two compositions of unclear origin from the early 1930s.AI summary
Broadcast 463 Dance
Bidgood (and S Powell), performing comic novelty material on Broadcast, a small British label of the 1930s.AI summary
Broadcast 475 Comic
Bidgood, credited alongside S. Powell, with 'World's Greatest Sweetheart Is You' and 'Moscow' on Broadcast 481.AI summary
Broadcast 481 Voice
Bidgood, a performer on Broadcast, a minor British label, performing light sentimental material.AI summary
Broadcast 498 Voice
Bidgood on Broadcast with 'A Little Kiss Each Morning' and 'Punch and Judy Show', a minor artist on a minor label.AI summary
Broadcast 526 Dance
Bidgood performing two popular songs on Broadcast, a minor British label: 'My Love Parade' and 'Nobody's Using It Now'.AI summary
Broadcast 541 Voice
Bidgood on Broadcast 542, performing 'Little by Little' and 'I Want to Be Happy'.AI summary
Broadcast 542 Voice
A vocal duet by Bidgood on the short-lived Broadcast label, a British marque of the early 1930s, performing popular sentimental ballads of the period.AI summary
Broadcast 556 Voice
Bidgood recorded 'Go to Bed' and 'Wouldn't it be wonderful' for Broadcast, catalogue 557, a minor British label of the late 1920s–1930s.AI summary
Broadcast 557 Voice
Bidgood performs two sentimental songs on Broadcast 565, a short-lived British label of the early 1930s.AI summary
Broadcast 565 Voice
Bidgood, an unidentified artist, recorded 'Amy' and 'There will never be another Mary' for Broadcast, catalogue 570, a small British imprint of the 1920s–30s. Broadcast label issues are scarce.AI summary
Broadcast 570 Dance
Harry Bidgood performing 'I'm Singing My Way Round the World' and 'When It's Springtime in the Rockies' for Broadcast Records 607.AI summary
Broadcast 607 Voice
Bidgood singing 'Telling It to the Daisies' and 'Falling in Love Again' for Broadcast Records, catalogue 619; an unconfirmed artist on a small British label.AI summary
Broadcast 619 Voice
Credited to Bidgood on Broadcast, a cheap British marque of the early 1930s.AI summary
Broadcast 621 Voice
Bidgood on Broadcast 622, performing 'She's My Secret Passion' and 'Beware of Love'. The artist is not identified in standard references; Broadcast was a small British label.AI summary
Broadcast 622 Voice
Bidgood performing 'In the Valley of Dreams' and 'Moonlight on the Colorado' on Broadcast 672, a British label of the 1920s or early 1930s.AI summary
Broadcast 672 Voice
Credited to Bidgood on Broadcast, this early 1930s recording offers two jazz standards, 'Memories of You' and 'You're Driving Me Crazy', both well-known hot-jazz numbers of the late 1920s.AI summary
Broadcast 691 Dance
Bidgood performing 'Excuse Me Lady' and 'I'll Always Be in Love with You' on Broadcast 2520.AI summary
Broadcast 2520 Voice
Bidgood recorded two jazz standards, 'High and Low' and 'Body and Soul', for Broadcast Records, catalogue 2546. Broadcast was a small British label.AI summary
Broadcast 2546 Instrumental
Credited to Bidgood on Broadcast catalogue 2550, a minor British label of the 1920s-30s. The titles suggest a sentimental vocal ballad recording.AI summary
Broadcast 2550 Voice
Bidgood, recorded on Broadcast 2550, performed 'Wouldn't it be wonderful' and 'A little Kiss each Morning,' popular sentimental songs. Broadcast was a minor British label of the 1920s–30s; Bidgood is unidentified.AI summary
Broadcast 2550 Voice
Two songs credited to Bidgood on Broadcast, a cheap British label of the 1920s and early 1930s.AI summary
Broadcast 2584 Voice
Bidgood performing 'Bubbling over with love' and 'Would you like to take a Walk' on Broadcast 3060, a small British label.AI summary
Broadcast 3060 Voice
Broadcast 3157 Dance
Bidgood performing four sentimental and comic songs on Broadcast, a cheap British budget label. The credits suggest material from the music-hall and novelty traditions.AI summary
Broadcast 505 Music Hall
Bidgood on Broadcast 524, a small British label. This side couples two instrumental novelties; Broadcast was a minor imprint active in the late 1920s–early 1930s, and Bidgood's identity is uncertain.AI summary
Broadcast 524 Instrumental
Bidgood on Broadcast, a small British label, performing light sentimental material.AI summary
Broadcast 2598 Voice
Bidgood on Broadcast 2594, a popular song recording from the 1930s on a budget British label. The artist Bidgood is unidentified.AI summary
Broadcast 2594 Voice
Bidgood performing a Sophie Tucker song selection and Baynes' 'Follow a Star' overture on Broadcast 5198.AI summary
Broadcast 5198 Voice
Bidgood, with vocalist Jack Morrison, recorded 'Oh what a silly Place to kiss a Girl' and 'We're uncomfortable' for Broadcast, catalogue 569, a minor British label of the late 1920s–1930s.AI summary
Broadcast 569 Comic
Bidgood and Jerome recorded two dance selections, 'Bow Bells selection' and 'Cat and the Fiddle selection', for Broadcast, a minor British label.AI summary
Broadcast 3173 Dance