1,216 shellac records · mostly British pressings, 1900s–1950s
1,216 records matching · page 11 of 26
Francis Luther, an American popular singer, recorded the Depression-era novelty songs 'Hallelujah, I'm a Bum' and 'The Bum Song' for Brunswick.AI summary
Brunswick 3858 Voice
Frank Luther was an American singer and guitarist popular in the 1920s–1930s, active in both popular song and Western repertoire; this Brunswick pressing features typical material of the period.AI summary
Brunswick 3927 Voice
Frank Marvin with Slu Foot Lou and Yodeling the Blues Away on Brunswick 384.AI summary
Brunswick 384 Country
Frank Marvin on Brunswick with 'They Cut Down the Old Pine Tree' and 'I'm Gonna Yodel My Way to Heaven'—two novelty or country-vocal sides from the early acoustic or early electric era.AI summary
Brunswick 05052 Country
Frank Marvin was a yodeller and Western-themed entertainer active in the 1920s–1930s. Brunswick was a major American and British label, and this record represents the popular yodelling novelty tradition of the period.AI summary
Brunswick 25064 Country
Frank Marvin performing two popular songs on Brunswick — 'My Baby Just Cares for Me' and 'You're Simply Delish' — likely from the 1930s.AI summary
Brunswick 01052 Voice
Frank Munn on Brunswick 3682. Munn was an American tenor and recording artist active in the 1940s-1950s, and Brunswick was a major international label. This pressing captures him performing popular ballads, and his recordings are moderately available to collectors of mid-century American popular song.AI summary
Brunswick 3682 Voice
Frank Trumbauer, legendary jazz saxophonist, on Brunswick 01979 with two classic jazz standards from the hot jazz era. Trumbauer is a major figure in jazz history; Brunswick early catalogue numbers are scarce in UK copies.AI summary
Brunswick 01979 Jazz
Frank Trumbauer, an American saxophonist and bandleader famous for his C-melody sax and smooth jazz style, on Brunswick 7663, performing 'Swonderful' and 'Mayor of Alabam'—jazz standards from one of the 1920s-30s' most distinctive voices.AI summary
Brunswick 7663 Jazz
Fred Astaire performing two songs from the 1936 film 'Follow the Fleet' on Brunswick 7609: 'I'm Putting All My Eggs in One Basket' and 'We Saw the Sea'. Astaire (1899–1987) was one of the greatest entertainers and dancers of the twentieth century.AI summary
Brunswick 7609 Personalities (Prs)
Fred Astaire recorded 'You Were Never Lovelier' and 'On the Beam' for Brunswick 03427. Astaire was the cinema's greatest dancer and a major recording star; 'You Were Never Lovelier' was from the 1942 film of the same name, co-starring Rita Hayworth.AI summary
Brunswick 03427 Personalities (Prs)
Fred Astaire performing 'Shorty George' and 'Dearly Beloved' on Brunswick, recorded during his early Hollywood period in the late 1930s–40s. Astaire's dance-related recordings remain popular with collectors.AI summary
Brunswick 03429 Personalities (Prs)
Fred Astaire, the legendary American dancer, singer and film star, recorded these two numbers for Brunswick: 'You Were Never Lovelier' and 'On the Beam'. Both are from his 1940s film repertoire, capturing Astaire in the smooth, rhythmic vocal style that complemented his dancing.AI summary
Brunswick 03427 Personalities (Prs)
Fred Astaire performing 'The Piccolino', a number from the 1935 film Top Hat, recorded for Brunswick. Astaire was already the pre-eminent popular dance entertainer of the era, and his recordings from this period remain highly sought by collectors of 1930s popular music and film soundtrack material.AI summary
Brunswick RL298 Personalities (Prs)
Fred Astaire, the American dancer and singer, recorded 'Beginner's Luck' and 'Slap That Bass' from the 1937 film *Shall We Dance* for Brunswick. These are among Astaire's most famous recorded songs.AI summary
Brunswick 02424 Personalities (Prs)
Fred Astaire dancing to 'They Can't Take That Away from Me' and 'Beginner's Luck', from the 1937 film Shall We Dance, on Brunswick 7855.AI summary
Brunswick 7855 Personalities (Prs)
Fred Astaire was the most celebrated American dancer of the twentieth century, a star of stage, film and record; this Brunswick disc of 'Things Are Looking Up' and 'Nice Work If You Can Get It' captures two of his songs from the 1937 film 'Damsel in Distress', with his own distinctive vocal style.AI summary
Brunswick 7983 Personalities (Prs)
Fred Astaire dancing to two George Gershwin songs from the 1936 film 'Shall We Dance', recorded for Brunswick: the bright novelty 'Beginner's Luck' and the rhythmic 'Slap that Bass', both showcasing Astaire's rhythmic precision and the orchestral sparkle of the era.AI summary
Brunswick 02424 Personalities (Prs)
Fred Astaire, the legendary American dancer and entertainer, recorded 'Let's Call the Whole Thing Off' and 'Shall We Dance' for Brunswick, songs from the 1937 film *Shall We Dance*.AI summary
Brunswick 02425 Personalities (Prs)
Fred Astaire, the American dancer and entertainer, recorded 'Things are Looking Up' and 'Nice Work if You can Get It' for Brunswick. Both are songs from Cole Porter and other 1930s musical sources; Astaire's recordings were hugely popular and widely pressed.AI summary
Brunswick 02533 Personalities (Prs)
Fred Astaire performing two popular songs on Brunswick, catalogue 03287. Astaire was already a major star by the time of this recording; these are likely 1930s sides from his early film and recording career.AI summary
Brunswick 03287 Personalities (Prs)
Fred Astaire, the legendary American dancer, singer and entertainer, recorded 'You're Easy to Dance With' and 'I Can't Tell a Lie' for Brunswick (03386) in the late 1930s. Both are standard popular songs from Astaire's film catalogue. Astaire's records are widely sought and commonly available.AI summary
Brunswick 03386 Personalities (Prs)
Fred Astaire recorded 'Isn't This a Lovely Day?' and 'Top Hat, White Tie and Tails' for Brunswick, catalogue RL297. These are standards from Astaire's film work, and his vocal records are sought-after by collectors of American popular song on 78s.AI summary
Brunswick RL297 Personalities (Prs)
Fred Astaire, the legendary dancer and vocalist, recorded 'The Piccolino' and 'A Sweet Beginning Like This' for Brunswick, catalogue RL298; these are from the mid-1930s and reflect Astaire's work for the film and stage.AI summary
Brunswick RL298 Personalities (Prs)
Fred Astaire, the legendary dancer and entertainer, recorded 'You're Easy to Dance With' and 'I Can't Tell a Lie' for Brunswick 03386, likely 1942–43.AI summary
Brunswick 03386 Personalities (Prs)
Fred Astaire, the legendary dancer and entertainer, recorded "Foggy Day" and "I Can't Be Bothered Now" with Ray Noble's orchestra for Brunswick (7982), two numbers he famously performed in the 1937 film Damsel in Distress. This is a significant popular-music recording from his peak entertainment years.AI summary
Brunswick 7982 Personalities (Prs)
Fred Elizalde, a British jazz bandleader and pianist, performing 'Music and Moonlight' and 'Shy Anna' on Brunswick 158. Elizalde's Savoy Hotel sides from the late 1920s are highly sought by hot-jazz collectors.AI summary
Brunswick 158 Jazz
Fred Elizalde, the Spanish-born dance bandleader who recorded extensively in London, performing 'My Pet' and 'Chanson' on Brunswick 183, an early catalogue number. Elizalde led one of the most important British dance bands of the late 1920s; low Brunswick numbers indicate early pressing.AI summary
Brunswick 183 Dance
Fred Elizalde, the Spanish-born pianist and bandleader, recorded 'Tiger Rag' and 'Dixie' for Brunswick, likely from 1927 or the late 1920s. Elizalde led one of the most important British dance bands of the era and recorded extensively for Brunswick.AI summary
Brunswick 147 Jazz
Fred Elizalde, a British bandleader and pianist, recorded 'Clarinet Marmalade' and 'Sugar' for Brunswick in 1928–1929. Elizalde was a central figure in the British hot-jazz and dance-band movement of the late 1920s, and his Savoy Hotel broadcasts were influential in spreading jazz taste in Britain.AI summary
Brunswick 02330 Jazz
Fred Elizalde, British bandleader of the late 1920s Savoy Hotel orchestra, on Brunswick 202. Elizalde's hot-jazz sides are sought by collectors of 1920s British dance-band music, and early Brunswick catalogue numbers are scarce.AI summary
Brunswick 202 Jazz
Fred Elizalde, the British-born hot-dance bandleader, recorded 'Rhythm Step' and 'Paree' for Brunswick in the late 1920s on one of the earliest Brunswick 78s.AI summary
Brunswick 114 Dance
Fred Elizalde, a Filipino bandleader based in Britain, recorded "Roam On My Little Gypsy Sweetheart" and the jazz composition "Chopinata" for Brunswick 186 in the late 1920s. Elizalde's Savoy Hotel recordings and jazz sides are collected by hot-dance enthusiasts.AI summary
Brunswick 186 Dance
Fred Elizalde's orchestra recorded "I Ain't Got Nobody" and "Marvellous" for Brunswick catalogue 138. Elizalde was a Filipino-British bandleader and pianist who led one of the most important hot dance orchestras of the late 1920s, with a strong Savoy Hotel residency and influence on British jazz development.AI summary
Brunswick 138 Jazz
Fred Elizalde's Savoy Havana Band, one of the most important early British jazz ensembles of the late 1920s, performing on Brunswick.AI summary
Brunswick 146 Jazz
Fred Waring was an American conductor, entertainer and founder of the celebrated Pennsylvanians vocal ensemble. This Brunswick pressing documents his sophisticated vocal arranging style.AI summary
Brunswick 04461 Voice
Freddie Martin's orchestra on Brunswick, performing 'Give a Broken Heart a Break' and 'I Couldn't Believe My Eyes' from the late 1940s-early 1950s. Freddie Martin was a successful American bandleader, and Brunswick was a major label.AI summary
Brunswick RL284 Dance
Freddie Martin Orchestra, an American dance orchestra, recorded these popular standards for Brunswick; Martin was a prolific bandleader in the 1940s–1950s.AI summary
Brunswick RL206 Dance
Fredric Fradkin was a celebrated Russian-born violinist and composer of the early 20th century; these instrumental pieces showcase the violin virtuosity that made him a recording star in the acoustic era.AI summary
Brunswick 3911 Instrumental
Friar's Society was one of the earliest jazz recording ensembles, active in the late 1910s and 1920s; these sides preserve the New Orleans jazz tradition in its formative years and are among the most historically significant jazz recordings.AI summary
Brunswick 02211 Jazz
The Friars Society Orchestra was one of the earliest American jazz recording ensembles, recording in the early 1920s for Brunswick and other labels. These sides are early New Orleans jazz and extremely scarce in any pressing.AI summary
Brunswick 02213 Jazz
Garland Wilson, the American jazz pianist, recorded 'Just One of Those Things' and 'Just a Mood' for Brunswick 03115 in the mid-1930s; Wilson was an important stride and swing pianist whose playing bridged the jazz styles of the 1920s and 1930s.AI summary
Brunswick 03115 Jazz
Garland Wilson, an American pianist of the Harlem stride tradition, performs 'Your Heart and Mine' and 'Shim Sham Drag' on Brunswick 02283.AI summary
Brunswick 02283 Jazz
Garland Wilson, pianist and vocalist, on Brunswick 1476 with "Blues in C Flat" and "Get up Bessie"—Wilson was a significant stride and jazz pianist active in the 1920s–30s, recorded for several major American and European labels.AI summary
Brunswick 1476 Jazz
Garland Wilson, an American jazz and blues pianist, on Brunswick 1476, performing jazz blues from the early 1930s; UK copies are less common than American pressings.AI summary
Brunswick 1476 Jazz
Garland Wilson on Brunswick 01784, performing two jazz-influenced vocal numbers from the early 1930s. Wilson was an American pianist and singer associated with jazz and blues styles.AI summary
Brunswick 01784 Jazz
Garland Wilson, an American jazz pianist and composer, on Brunswick 1476 performing two blues-inflected piano solos. Wilson was an accomplished stride and swing pianist who recorded from the late 1920s into the 1940s, though he remains less well known than his contemporaries.AI summary
Brunswick 1476 Jazz
Garland Wilson (piano) and Nat Gonella (trumpet) on Brunswick, performing 'Stormy Weather' and 'Nobody's Sweetheart' from the late 1930s. Wilson was an important stride pianist and Gonella was a popular British jazz trumpeter — both are significant jazz figures.AI summary
Brunswick 01537 Jazz