1,216 shellac records · mostly British pressings, 1900s–1950s
1,216 records matching · page 17 of 26
Kemp recorded 'Puddin Head Jones' and 'My Old Man' for Brunswick. These novelty and comic songs suggest a minor or regional artist on this major label.AI summary
Brunswick 6703 Comic
Kemp performs two songs for Brunswick, a major American label.AI summary
Brunswick 7334 Voice
Kemp on Brunswick 7634, performing popular ballads from the 1930s–40s; unidentified artist.AI summary
Brunswick 7634 Voice
King Oliver, a pioneering early jazz trumpeter and bandleader, on Brunswick 03575, performing "Mabel's dream" and "Riverside blues"; both sides are significant recordings from the early electric era of jazz.AI summary
Brunswick 03575 Jazz
King Oliver, the New Orleans trumpet legend, on Brunswick 02202 with 'Weather Bird Rag' and 'Just Gone'—early jazz sides from one of the most influential figures in the music's development.AI summary
Brunswick 02202 Jazz
King Oliver's early hot-jazz sides for Brunswick: 'Stop Crying' and 'Rockin' in Rhythm' (credited to Ellington). Oliver was a pioneering New Orleans cornet player whose influential early recordings have long been collected by jazz historians and hot-dance enthusiasts.AI summary
Brunswick 01105 Jazz
King Oliver, the pioneering New Orleans jazz cornetist, recorded 'Mabel's Dream' and 'Riverside Blues' on Brunswick 03575. Oliver was a foundational figure in jazz history; his recordings are highly sought by serious collectors, and UK pressings are particularly scarce.AI summary
Brunswick 03575 Jazz
King Solomon Miners on Brunswick Records with two novelty or humorous numbers.AI summary
Brunswick 5018 Comic
Kitty Kallen with Little Things Mean a Lot, her 1954 hit, and I Don't Think You Love Me Anymore on Brunswick 05287.AI summary
Brunswick 05287 Voice
Brunswick 01906 Dance
Krueger on Brunswick 2105, a jazz or blues recording with a novelty title from the 1920s; the 'Satanic blues' suggests jazz or blues content, though Krueger is unidentified.AI summary
Brunswick 2105 Jazz
'Krueger' on Brunswick 2109, performing the jazz standards 'Ain't we got Fun' and 'Dangerous blues'. The catalogue number places this in Brunswick's 1920s-1930s jazz series.AI summary
Brunswick 2109 Jazz
Krueger recorded 'Everybody Step' and 'How Many Times' for Brunswick 2151, likely a dance or novelty number from the late 1920s or early 1930s. The artist is unidentified.AI summary
Brunswick 2151 Dance
Krueger on Brunswick, recorded 'Some of these Days' (the Sophie Tucker standard) and 'It's getting dark on old Broadway', popular songs from the 1920s. The artist is not identified in standard discographies.AI summary
Brunswick 2340 Voice
Krueger performing 'You got to see Mamma every Night' and 'Just one more Dance' on Brunswick, a jazz-dance side from the late 1920s.AI summary
Brunswick 2390 Dance
Krueger performing 'Lovin Sam' and 'Down in Maryland' on Brunswick, a jazz-dance side from the late 1920s.AI summary
Brunswick 2391 Dance
A performer credited as Krueger on Brunswick performing 'I Want to See My Tennessee' and 'Noone Knows What It's All About' — popular songs from an unidentified vocalist, likely 1920s-30s.AI summary
Brunswick 2779 Voice
Larry Adler performing 'Hora Staccato' and 'Clair de Lune' on Brunswick 03720. Adler was a virtuoso harmonica player who achieved worldwide fame as a concert and recording artist; these are masterworks of the classical harmonica repertoire.AI summary
Brunswick 03720 Instrumental
Brunswick 04017 Dance
Lauritz Melchior, the legendary Wagnerian tenor, performing two passages from Wagner's *Die Walküre*: 'Wintersturme wichen' and 'Morgenlich leuchtend' on Brunswick 50085. Melchior was one of the most recorded and collected operatic voices of the twentieth century.AI summary
Brunswick 50085 Opera
Lee Sims was an American pianist known for light, sentimental piano solos in the 1920s-30s. This Brunswick 3266 pressing features ballad material, a typical recording for this artist.AI summary
Brunswick 3266 Instrumental
Lee Sims, an American pianist and entertainer, recorded 'Falling in Love with You' and 'Song of the Wanderer' for Brunswick; Sims was known for his light jazz and popular piano recordings of the 1920s–1930s.AI summary
Brunswick 3551 Instrumental
The Leipzig German Wind Quintet recorded Mozart's Divertimento No. 4 in two parts for Brunswick 80035, illustrating classical chamber music from a European ensemble on a major British label.AI summary
Brunswick 80035 Classical
Lena Wilson, a blues singer of the 1920s, recorded for Brunswick among other labels; 'Bleeding Hearted Blues' is a classic blues title of the era, though details of this particular pressing are obscure.AI summary
Brunswick 2464 Jazz
Lena Wilson performing two blues novelties on Brunswick in the 1920s—"Bleeding Hearted Blues" and "Chirpin' the Blues"—representing the raucous, humorous blues tradition of the early recording era.AI summary
Brunswick 2464 Jazz
Lena Wilson recorded 'Hula Blues' and 'Four Flushin' Papa' for Brunswick, likely in the late 1920s. The title suggests a blues or vaudeville performance; Wilson is not widely documented in standard discographies.AI summary
Brunswick 2590 Voice
Lennox and Munn were a British vocal duo of the 1920s, recorded here for Brunswick singing two sentimental ballads: "Juanita" and the nostalgic "Cannot Sing the Old Songs".AI summary
Brunswick 2839 Voice
Lennox and Munn were a vocal duo recorded by Brunswick in the 1920s–1930s; these are light popular ballads of the period.AI summary
Brunswick 2839 Voice
Lenny Dee performing two boogie and jazz pieces on Brunswick: 'Plantation Boogie' and 'Birth of the Blues'.AI summary
Brunswick 05440 Jazz
Leo Reisman's orchestra on Brunswick 7686, performing "Stars in My Eyes" and "Did I Remember" — Reisman was a fashionable dance orchestra leader of the 1930s–40s, well represented on disc.AI summary
Brunswick 7686 Dance
Leo Reisman was a prominent American dance-band leader of the 1920s–30s, known for his sophisticated, orchestrated approach to popular standards. This Brunswick recording of two Kern and Lombardo compositions exemplifies his style.AI summary
Brunswick 01924 Dance
Leo Reisman was a prominent American dance bandleader and arranger, leading one of the most sophisticated orchestras of the 1920s–30s. This Brunswick recording captures his refined dance-band style with two popular standards.AI summary
Brunswick RL213 Dance
'Kentucky's Way of Sayin' Good Mornin'' and 'Dinah' recorded by Leonard for Brunswick 3000. Leonard is unidentified; catalogue 3000 suggests early 1930s or late 1920s. 'Dinah' was a jazz standard; 'Kentucky's' suggests rural or country material.AI summary
Brunswick 3000 Voice
Leopold Godowsky performing his 'Rondo Capriccioso' and a Rigoletto paraphrase on Brunswick 50116 — a second copy of the same disc as id 14461. Both copies should be compared for condition; Godowsky's Brunswick recordings are seriously collected by devotees of golden-age piano playing.AI summary
Brunswick 50116 Instrumental
Leopold Godowsky was one of the most technically extraordinary pianists of the early twentieth century, famous for his fiendishly difficult transcriptions of Chopin studies. This Brunswick disc, catalogue 50008, contains his 'Marche Militaire' (Schubert transcription) and 'Fantaisie Impromptu' (Chopin). Godowsky's recordings are seriously collected by devotees of golden-age piano playing.AI summary
Brunswick 50008 Instrumental
Leopold Godowsky, one of the most technically extraordinary pianists of the early twentieth century, performing Chopin's Polonaise in A Flat and Liszt's 'Liebesträume' on Brunswick catalogue 50024. Godowsky's recordings are seriously collected by devotees of golden-age piano playing.AI summary
Brunswick 50024 Instrumental
Leopold Godowsky, one of the most technically extraordinary pianists of the early twentieth century, performing his 'Rondo Capriccioso' and a Rigoletto paraphrase on Brunswick 50116. Godowsky's recordings are seriously collected by devotees of golden-age piano playing. Note that id 14137 in this collection appears to be an identical disc.AI summary
Brunswick 50116 Instrumental
Leopold Godowsky was one of the greatest pianists and composers of the early 20th century, celebrated for his transcriptions and virtuosity. This Brunswick recording features his arrangements of Rachmaninoff and Chopin—'Prelude in C Sharp Minor' and 'Black Keys/Butterfly Study'—representing a canonical artist at the height of his powers.AI summary
Brunswick 15123 Classical
Leopold Godowsky, the legendary Russian-American pianist, on Brunswick 15123. Godowsky was one of the greatest pianists of his generation and his recordings are prized by classical collectors, though his catalogue is smaller than many major artists of the era.AI summary
Brunswick 15123 Classical
Leopold Godowsky, one of the most technically extraordinary pianists of the early twentieth century, performing his own 'Music Box' and 'Playera' on Brunswick catalogue 15081. Godowsky's recordings are seriously collected by devotees of golden-age piano playing; this is a further title to complement the Brunswick 50000-series discs in this collection.AI summary
Brunswick 15081 Instrumental
Les Paul, the American guitarist and pioneer of the solid-body electric guitar and multi-track recording, on Brunswick with 'Guitar Boogie' and 'Steel Guitar Rag'—early showcase recordings of his revolutionary technique.AI summary
Brunswick 05311 Instrumental
Libby Holman, an American torch singer and actress, performing 'Am I Blue' and 'Moanin' Low' on Brunswick 4445. Holman was a sophisticated cabaret and recording artist of the late 1920s–30s, known for her intimate vocal delivery and theatrical presence.AI summary
Brunswick 4445 Voice
Libby Holman, an American torch singer of the 1930s, recorded 'Love for Sale' and 'I'm One of God's Children' for Brunswick 6044. Holman was known for sultry, intimate vocal delivery and sophisticated repertoire.AI summary
Brunswick 6044 Voice
Libby Holman, the American torch singer of the Jazz Age, performing two of her signature sultry numbers for Brunswick: the famous 'Moanin' Low' and 'Something to Remember You By', both showcasing her dark, intimate vocal style.AI summary
Brunswick 01058 Voice
Liberace on Brunswick 05055, 'It's Shadow Time' / 'Velvet Moon'. Liberace was the flamboyant pianist and entertainer who rose to major fame in the 1950s on television and records.AI summary
Brunswick 05055 Instrumental
Lionel Hampton, the pioneering vibraphonist and bandleader, on Brunswick 04042, performing "Hamp's walkin boogie" and "Ridin on the land".AI summary
Brunswick 04042 Jazz
Lizzie Miles was an African-American blues and jazz singer of the 1920s and 30s. 'Black Man' and 'My Pillow and Me' are two of her Brunswick recordings from the hot-jazz era.AI summary
Brunswick 9462 Jazz
Lizzie Miles on Brunswick 2462, an African-American jazz and blues singer, with 'My Pillow and Me' and 'Black Man (Be on Your Way)'.AI summary
Brunswick 2462 Jazz