1,216 shellac records · mostly British pressings, 1900s–1950s
1,216 records matching · page 19 of 26
Lyman's orchestra recorded 'I Think of What You Used to Think of Me' and 'Rag Doll' for Brunswick, a major British label, in the late 1920s.AI summary
Brunswick 3829 Dance
Lyman, recorded 'You're a Real Sweetheart' and 'Down Where the Sun Does Down' for Brunswick 3852 in the mid-1920s dance style.AI summary
Brunswick 3852 Dance
Lyman on Brunswick 3905, performing 'Dream Train' and 'Don't be like that'.AI summary
Brunswick 3905 Dance
Lyman, likely the American bandleader Fred Lyman (known as 'The Vagabond'), recorded 'Won't You Tell Me Hon' and 'Give Your Little baby Lots of Lovin'' on Brunswick.AI summary
Brunswick 3930 Dance
Lyman recorded 'Weary Weasel' and 'San' for Brunswick—the artist and context are unclear, but the whimsical title suggests light instrumental or novelty repertoire from the mid-20th century.AI summary
Brunswick 3842 Dance
Lyman, credited on Brunswick 3890, performs 'Sweethearts on Parade' and 'My Suppressed Desire'. This is likely Frank Lyman's orchestra, a dance band of the late 1920s–1930s.AI summary
Brunswick 3890 Dance
A Lyman recording on Brunswick, likely from the late 1920s or early 1930s, featuring 'Rise 'n' Shine' and 'It's Been so Long'.AI summary
Brunswick 02219 Dance
A vocalist (possibly Nat Shilkret's group, or a similar ensemble) recorded 'With you dear in Bombay' and 'Sing a Song' on Brunswick 2912, likely from the 1920s.AI summary
Brunswick 2912 Voice
Macy and Smalle, credited on Brunswick, with standard popular and novelty song titles from the swing era.AI summary
Brunswick 3398 Dance
Mae West, the witty and provocative American entertainer, recorded 'I like a Guy what takes his Time' and 'Easy Rider' for Brunswick in the early 1930s, capturing her distinctive persona on record.AI summary
Brunswick 01491 Personalities (Prs)
Marek Weber's orchestra performing Strauss waltzes on Brunswick, a major international label. Weber was a respected Continental dance-band conductor whose recordings captured light orchestral music of the 1920s-30s.AI summary
Brunswick 60002 Orchestra
Margaret Young on Brunswick 2736 from the 1930s.AI summary
Brunswick 2736 Voice
Margaret Young performing 'Lovin Sam' and 'He Loves It' on Brunswick, a major American label with UK pressings — likely a 1920s or early 1930s vocal side.AI summary
Brunswick 2346 Voice
Margaret Young performs 'Promise Me Everything' and 'Why Should I Weep About One Sweetie' on Brunswick, a major American label with UK pressings. The artist is not widely documented.AI summary
Brunswick 2553 Voice
Margaret Young, a British vocalist of the 1920s–30s, recorded 'Oh Is She Dumb' and 'Nobody Lied' for Brunswick, a major British label.AI summary
Brunswick 2297 Voice
Margaret Young, a British variety and revue entertainer of the late 1920s and 1930s, recorded for Brunswick. She was a performer of modest prominence in her day, and little is known of her recording career beyond these surviving discs.AI summary
Brunswick 2475 Voice
Margaret Young, an American blues and vaudeville singer who recorded prolifically in the early 1920s, sings 'I Ain't Got Nobody to Love' and 'Nobody Knows What a Red-Head Mamma Can Do' on Brunswick 2806. Young recorded for several labels in the early 1920s and her Brunswick sides are of interest to collectors of American vaudeville blues.AI summary
Brunswick 2806 Jazz
Margaret Young performing two novelty jazz vocals, 'Red Hot Henry Brown' and 'Yes Sir That's My Baby', on Brunswick in the late 1920s—early 1930s.AI summary
Brunswick 2939 Jazz
Maria Ivogun was a German operatic soprano of the 1920s–1930s, noted for her performances in Mozart and contemporary opera; this Brunswick 15075 contains two operatic arias, 'Hark Hark the Lark' (Schubert) and 'The Post'.AI summary
Brunswick 15075 Opera
Marie Morrisey on Brunswick 10154, performing 'Cradle song' and 'Rosary'—sentimental ballads from the pre-electrical era.AI summary
Brunswick 10154 Voice
Mario Chamlee, a celebrated American tenor of the 1920s–30s, sings two hymn-like pieces on Brunswick: 'Open the Gates of the Temple' and 'Hosanna'. Chamlee was known for operetta and light classical tenor repertoire.AI summary
Brunswick 30110 Opera
Mario Chamlee, American operatic tenor, on Brunswick 50021 performing Ave Maria and Agnus Dei. Chamlee had a long Metropolitan Opera career in the 1920s–1930s; this is a classical vocal recording from that era.AI summary
Brunswick 50021 Opera
Mario Chamlee, an American operatic tenor of the early 20th century, recorded operatic arias on Brunswick, likely from the 1920s–30s.AI summary
Brunswick 50030 Opera
Mario Chamlee, the American operatic tenor, recorded 'My Desire' and 'Mother O My Mother!' for Brunswick, catalogue 10188; Chamlee was a prominent lyric tenor of the 1920s–30s and his recordings remain sought by opera and vocal collectors.AI summary
Brunswick 10188 Opera
Mario Chamlee on Brunswick 10230, performing 'Parted' and 'My Dreams'. Chamlee was an American tenor and light-opera singer active in the 1920s-30s.AI summary
Brunswick 10230 Opera
Mario Chamlee, a celebrated American tenor of the 1920s-30s, records two operatic songs for Brunswick — Chamlee was known for concert and operatic roles and these would reflect that standing.AI summary
Brunswick 15037 Opera
Mario Chamlee was an American tenor of the 1920s–30s who recorded for major labels; this Brunswick side features him in popular song repertoire.AI summary
Brunswick 10026 Voice
Mario Chamlee, the American tenor, performing Leoncavallo's 'Vesti la Giubba' and Puccini's 'E Lucevan le Stelle' on Brunswick 15130, standard operatic repertoire.AI summary
Brunswick 15130 Opera
Mario Chamlee singing 'Had You But Known' and 'Serenade Francaise' on Brunswick, concert and sentimental tenor repertoire from the 1920s–30s.AI summary
Brunswick 15136 Voice
Marion Harris, an American torch and jazz singer of the 1920s, on Brunswick, performing 'Someone Else Walked Right In' and 'Dirty Hands, Dirty Face'. Harris was popular but not a major star; Brunswick was a major label.AI summary
Brunswick 2458 Voice
Marion Harris was one of the earliest and most important American jazz-influenced female vocalists of the 1920s, known for her contralto and her recordings of jazz standards. This Brunswick pressing captures her singing "It Had To Be You" and "How Come You Do Me Like You Do".AI summary
Brunswick 2610 Jazz
Marion Harris, the pioneering 1920s jazz vocalist (see 3481), recorded "Tea for Two" and "Blues Have Got Me" for Brunswick, capturing her signature style during the jazz age.AI summary
Brunswick 2747 Jazz
Marion Harris, American jazz and popular singer of the 1920s, performing the jazz standards 'Aggravatin Papa' and 'Hot Lips' on Brunswick.AI summary
Brunswick 2345 Jazz
Marion Harris was an American jazz and popular singer of the 1920s; this Brunswick recording captures her voice during the early jazz era when she was one of the first white female singers to record jazz material.AI summary
Brunswick 2370 Jazz
Marion Harris, an American blues and jazz vocalist, performing 'Two Time Dan' and 'That Red Head Gal' on Brunswick 2434, a mid-1920s pressing; Harris was a major recording star of the 1920s.AI summary
Brunswick 2434 Voice
Marion Harris performing 'Waitin for the Evening Mail' and 'Who's sorry now' on Brunswick 2443. Harris was an American mezzo-soprano and early recording star, popular in the 1920s.AI summary
Brunswick 2443 Voice
Marion Harris, the American jazz-age vocalist admired for her early blues-inflected pop style, sings 'Somebody Loves Me' and 'Charleston Charlie' on Brunswick.AI summary
Brunswick 2735 Jazz
Marion Harris, an American jazz and blues vocalist of the 1920s, recorded two standards—'Blue Again' and 'Ten Cents a Dance'—for Brunswick in the late 1920s.AI summary
Brunswick 01086 Jazz
Markel performing 'Hi-Ho the Merry O' and 'Hello Aloha How Are You' on Brunswick 3218, from the early 1930s.AI summary
Brunswick 3218 Dance
Marlene Dietrich performing two German songs ('Wo ist der Mann' and 'Ja so bin ich') on Brunswick, from the early 1930s, capturing the celebrated German-American chanteuse during her transitional period between Berlin cabaret and Hollywood stardom.AI summary
Brunswick 85018 Voice
Mary Martin, the American stage and film star, recorded 'Katie went to Tahiti' and 'Friendship' for Brunswick Records in the 1940s–50s.AI summary
Brunswick 03393 Voice
Mary Martin, the American musical-theatre and film star famous for her roles in Broadway productions and Hollywood musicals, recorded 'Almost Like Being in Love' and 'Beyond the Blue Horizon' for Brunswick; both are popular standards from the 1940s–1950s.AI summary
Brunswick 04058 Voice
Mary Martin, the American actress and singer, performing 'Kiss the Boys Goodbye' and 'Please Do It Again' for Brunswick UK 03253, likely late 1940s.AI summary
Brunswick 03253 Voice
Max Rosen, a virtuoso violinist, on 'Humoreske' and 'Thais Meditation', Brunswick 50110. Rosen was active in the 1920s-30s recording era.AI summary
Brunswick 50110 Instrumental
Jazz vocalist Maxine Sullivan performing 'Loch Lomond' and 'Just Like a Gypsy' on Brunswick 03246. Sullivan was a prominent jazz singer of the 1930s–40s known for her cool, sophisticated style and folk-song interpretations.AI summary
Brunswick 03246 Voice
Maxine Sullivan, an American jazz vocalist known for her interpretations of Scottish and folk material, recorded 'Loch Lomond' and 'Just Like a Gypsy' for Brunswick, probably in the late 1930s. Sullivan was a sophisticated jazz singer and the Loch Lomond recording became one of her known sides.AI summary
Brunswick 03246 Jazz
McCoy recorded 'Sugar Blues' and 'Wah Wah Lament' for Brunswick 02056, part of Brunswick's early 1930s British catalogue.AI summary
Brunswick 02056 Jazz
Mel Torme, the American jazz vocalist and composer, on Brunswick — from his prolific recording career in the late 1940s–50s.AI summary
Brunswick 03831 Jazz