1,211 shellac records · mostly British pressings, 1900s–1950s
1,211 records matching · page 2 of 26
Alfred Piccaver, a celebrated Viennese tenor, performing 'Yours for a Song' and 'There's Danger in the Waltz' on Brunswick 02878.AI summary
Brunswick 02878 Voice
Alice Faye recorded 'Wake Up and Live' and 'There's a Lull in My Life' for Brunswick in the late 1930s, songs from the musical film of the same name.AI summary
Brunswick 02435 Voice
Alice Faye, the American singer and actress, performing two songs from 1936, 'This Year's Kisses' and 'Slumming on Park Avenue', issued on Brunswick.AI summary
Brunswick 02454 Voice
Alice Morley performing two jazz-influenced vocals on Brunswick. The titles are early jazz standards, suggesting a recording from the 1920s-early 1930s.AI summary
Brunswick 139 Voice
Alice Morley recorded 'Who's That Knockin' At My Door' and 'There's a Trick in Pickin' a Chicken' for Brunswick. These are novelty or comic songs from the 1920s or early 1930s. Morley's other recordings are not well documented.AI summary
Brunswick 142 Comic
Alice Morley performing 'Go Home and tell your mother' and 'I told them all about you' on Brunswick, likely from the late 1920s or early 1930s. Morley was a British vocalist.AI summary
Brunswick 154 Voice
Alice Morley performing 'Dawning' and 'You Can Tell Her Anything Under the Sun' on Brunswick, likely from the late 1920s or early 1930s. Morley was a British vocalist.AI summary
Brunswick 168 Voice
Alice Morley was a British music-hall and variety singer of the 1920s and 1930s. 'Henry's Made a Lady out of Lizzie' and 'I Love My Old Fashioned Man' are typical comedy-song material of the period, recorded for the Brunswick label, which pressed both American and British recordings.AI summary
Brunswick 173 Music Hall
Ambrose was one of Britain's leading bandleaders and a sophisticated orchestrator, recorded here on Brunswick for 'Farewell to Arms' and 'Sweetheart', likely from the early 1930s. His orchestra was known for its musicianship and recording quality.AI summary
Brunswick 1488 Dance
Ambrose and his orchestra, one of Britain's most popular dance bands of the 1930s, recorded these two standards for Brunswick. 'It's the Talk of the Town' and 'The Last Round Up' are typical of the sophisticated dance-band repertoire that made Ambrose a fixture on the Savoy Hotel broadcasts.AI summary
Brunswick 01607 Dance
Ambrose recorded 'Wagon Wheels' and 'Boulevard of Broken Dreams' for Brunswick 01721. Ambrose was a celebrated British bandleader and composer of the dance-band era; his recordings are well-distributed but remain collected.AI summary
Brunswick 01721 Dance
Ambrose and his orchestra on 'Lazy Bones' and 'There's a Cabin in the Pines', from Brunswick's 01000 series. Ambrose was a prominent British dance-band leader of the 1930s; these are typical popular dance sides of his recorded output.AI summary
Brunswick 01581 Dance
Ambrose and his orchestra on Brunswick, performing 'Learn to Croon' and 'Down the Old Ox Road' from the early 1930s. Ambrose was one of the finest British dance-band leaders of the era, and his early Brunswick sides are collected.AI summary
Brunswick 01572 Dance
Ambrose was a legendary British dance-band leader who led the Mayfair Hotel orchestra from 1927 onwards, defining the sophistication of 1920s–30s British hot dance. This Brunswick 78 of 'Memories of Mayfair' is a key recording from his era.AI summary
Brunswick 01605 Dance
Ambrose, one of Britain's most sophisticated bandleaders, recorded 'It's the Talk of the Town' and 'Last Roundup' for Brunswick. The 01000 series catalogue number places this in the early 1930s.AI summary
Brunswick 01607 Dance
Ambrose and the Boswell Sisters on Brunswick 02046, performing "Things Might Have Been So Different" and "I'll Never Say Never Again Again" — Ambrose was the London-based leader of a fashionable dance orchestra in the 1930s; the Boswell Sisters were American jazz vocalists. A transatlantic collaboration.AI summary
Brunswick 02046 Jazz
Andrés Segovia was a legendary Spanish classical guitarist and one of the most important musicians of the 20th century; this Brunswick pressing features two Spanish classical guitar pieces, "Granada" and "Tonadilla".AI summary
Brunswick 0159 Classical
The Andrews Sisters, the most successful close-harmony vocal group of the 1940s, on Brunswick. 'Them That Has – Gets' and 'The House of Blue Lights' are swing-era novelty songs typical of their repertoire.AI summary
Brunswick 03701 Dance
The Andrews Sisters, the dominant American vocal trio of the 1940s, perform 'My Mom' and 'Too Young' (Patti Andrews solo) on Brunswick. Both are hits from their peak recording period.AI summary
Brunswick 04754 Voice
The Andrews Sisters performing two novelty songs on Brunswick. The Andrews Sisters were the best-selling female group of the 1940s, and their Brunswick records were mass-produced; this is a standard popular recording from their extensive discography.AI summary
Brunswick 03627 Voice
The Andrews Sisters were the most successful close-harmony vocal group of the 1940s. This Brunswick side, from the 03000 series, pairs two of their novelty recordings: 'Her bathing suit never got wet' and 'Avocado', typical of their lighter, humorous material.AI summary
Brunswick 03742 Voice
The Andrews Sisters performing 'For All We Know' and 'Chattanooga Choo Choo' on Brunswick, likely from the 1940s.AI summary
Brunswick 03290 Voice
The Andrews Sisters, the hugely successful American vocal trio of the 1940s–50s, on Brunswick 02629 with 'Rockin' Chair' and 'Oh Faithless Maid'.AI summary
Brunswick 02629 Voice
The Andrews Sisters and actor Dan Dailey performing two classic Tin Pan Alley songs on Brunswick. This is likely a film soundtrack or promotional recording; the Andrews Sisters were the biggest vocal group of the 1940s, and their Brunswick records are widely collected.AI summary
Brunswick 04085 Voice
Andy Iona, 'Indebted to You' and 'Carefree', on Brunswick 02683; Iona was a Hawaiian vocalist and guitarist popular in the 1940s and 1950s, when Hawaiian music retained a commercial presence in popular record catalogues.AI summary
Brunswick 02683 Hawaiian
Andy Iona recorded 'Falling in love with you' and 'I'm getting sentimental over you' for Brunswick. Iona was a Hawaiian-influenced musician popular in the 1930s and 1940s.AI summary
Brunswick 02703 Hawaiian
Anson Weeks was an American bandleader and pianist, popular in the 1930s for dance-band recordings and radio broadcasts. 'Broadway Rhythm' and 'I've Gotta Feelin' You're Foolin'' are typical swing-era dance numbers. This Brunswick pressing represents 1930s American dance-band music.AI summary
Brunswick 7515 Dance
Archer (unidentified artist) on Brunswick, recording 'Sunny' and 'Who'—likely vocal or novelty material from the late 1930s.AI summary
Brunswick 2997 Dance
Archer recorded two popular sentimental songs for Brunswick: 'There Ain't No Maybe in My Baby's Eyes' and 'When Day Is Done', probably in the 1920s or 1930s.AI summary
Brunswick 3399 Voice
Archer on Brunswick 3452, with 'High Up in the Hills' and 'Yankee Rose' — a vocalist of unknown significance on a major American label's British pressing, 1930s.AI summary
Brunswick 3452 Voice
Arden-Ohman, a jazz duo active in the late 1920s, recorded 'Looking for a Boy' and 'That certain Feeling' for Brunswick 3035. Both are Gershwin standards.AI summary
Brunswick 3035 Jazz
Art Hodes was an important Chicago blues and jazz pianist; this Brunswick pressing of 'Liberty Inn Drag' and 'Georgia Cakewalk' represents early jazz material from the 1920s-early 1930s. UK copies of Brunswick's early American jazz issues are uncommon.AI summary
Brunswick 03438 Jazz
Art Tatum's 'Battery Bounce' and 'Lucille', recorded for Brunswick in the 1940s by the virtuoso jazz pianist.AI summary
Brunswick 03430 Jazz
Art Tatum, one of the greatest jazz pianists of the twentieth century, recorded 'Humoreske' and 'Elegie' for Brunswick—two of the classical-influenced pieces Tatum favoured alongside his blues and jazz improvisations.AI summary
Brunswick 03162 Jazz
Artie Shaw was an American clarinetist and bandleader central to swing jazz, known for both instrumental and vocal recordings; this Brunswick disc from the early 1940s carries two standards in swing style.AI summary
Brunswick 04628 Jazz
Artie Shaw, one of the most important American clarinettists and bandleaders of the swing era, on Brunswick 04596 with two popular songs.AI summary
Brunswick 04596 Jazz
Ash performing 'Wa waddle walk' and 'Driftwood' on Brunswick 2629, a mid-period dance or novelty record.AI summary
Brunswick 2629 Dance
Banjo Buddy recorded 'Lila' and 'Good News' on Brunswick 3818. This is a novelty instrumental performance on a major label, likely from the late 1920s.AI summary
Brunswick 3818 Instrumental
Baron Lee recorded 'Rhythm Spasm' and 'Old Yazoo' for Brunswick, catalogue 01401, in the late 1920s or early 1930s; this is early jazz material.AI summary
Brunswick 01401 Jazz
Ben Bernie was an American bandleader and entertainer of the 1920s and 1930s; this Brunswick record of 'There's a Cradle in Caroline' and 'Barbara' captures his orchestral dance style.AI summary
Brunswick 3659 Orchestra
Ben Bernie, a bandleader and entertainer of the 1920s and 1930s, recorded these two sides for Brunswick with 'Rhythm King' and 'It Goes Like This'.AI summary
Brunswick 3896 Dance
Brunswick 3631 Dance
Ben Bernie's orchestra on Brunswick 3631, performing 'Swanee Shore' and 'Miss Annabelle Lee'. Bernie was an American dance-band leader and vocalist known for his 'Yak-a-Dula' catchphrase and extensive recordings in the 1920s-30s.AI summary
Brunswick 3631 Orchestra
Ben Selvin was a prolific bandleader and violinist who recorded extensively in the 1920s for many labels, including Brunswick. This dance number from his orchestra represents one of hundreds of his recordings—most are common survivals.AI summary
Brunswick 2144 Dance
Ben Selvin was an American violinist and bandleader of the 1920s, among the most-recorded musicians of the early electrical era. This Brunswick 3641 pressing of "Lucky in Love" and "Good News" represents the prolific commercial dance-band output that dominated the American and British charts in the late 1920s.AI summary
Brunswick 3641 Dance
Bennie Krueger on Brunswick (3029) with 'Hot coffee' and 'Don't be a fool'; Krueger was an American jazz clarinetist and bandleader of the 1920s, and this is likely an early jazz recording.AI summary
Brunswick 3029 Jazz
Benny Carter with 'Everybody shuffle' and 'Shoot the Works' on Brunswick Records. Carter was a leading African-American jazz alto saxophonist, composer and bandleader of the 1930s-40s, and one of jazz's most technically accomplished musicians.AI summary
Brunswick 01981 Jazz
Benny Carter, the American jazz multi-instrumentalist and composer, recorded 'Serenade to a Sarong' and 'Pom' for Brunswick. Brunswick 03088 is a high catalogue number, suggesting a late 1930s or early 1940s recording.AI summary
Brunswick 03088 Jazz