1,217 shellac records · mostly British pressings, 1900s–1950s
1,217 records matching · page 22 of 26
Phil Ohman and Varden, pianists, recorded 'Nashville Nightingale' and 'No No Nora' for Brunswick. These appear to be light novelty piano pieces of the 1920s.AI summary
Brunswick 2512 Instrumental
Pine Top Smith recorded 'Pinetop's Boogie Woogie' and 'Pinetop's Blues' for Brunswick, one of the earliest and most important boogie-woogie recordings, made in 1928–29.AI summary
Brunswick 80008 Jazz
Pine Top Smith, an important early boogie-woogie pianist, recorded "Pine Top's Boogie Woogie" and "Pine Top's Blues" for Brunswick in the early 1930s. These are pioneering examples of the boogie-woogie style that would dominate American blues piano.AI summary
Brunswick 03600 Jazz
Pinky Tomlin, an American singer and actor, performing two country-flavoured novelty songs on Brunswick from the 1930s.AI summary
Brunswick 02716 Voice
R Miller on Brunswick 2823, a vocal or dance recording of the 1920s–30s era.AI summary
Brunswick 2823 Dance
R Miller performing 'Just a little Drink' and 'Moonlight and Roses' on Brunswick. The sentimental titles and acoustic-era catalogue number suggest 1920s music-hall material.AI summary
Brunswick 2866 Voice
R Miller on Brunswick, a mass-market American label with significant UK distribution. Light popular vocal fare from the late 1920s or early 1930s.AI summary
Brunswick 2935 Voice
R Miller recorded two vocal numbers for Brunswick.AI summary
Brunswick 2935 Voice
R Miller recorded 'Spanish Shawl' and 'Lonesome' for Brunswick 2989, a British pressing of the early 1930s. The artist and specific recording remain unidentified.AI summary
Brunswick 2989 Dance
R Miller on Brunswick, catalogue 3046, popular vocal ballads from the late 1920s or early 1930s.AI summary
Brunswick 3046 Voice
R Miller recording two songs on Brunswick, a major American label with UK pressings. Without artist identification beyond initials, this record cannot be placed with confidence.AI summary
Brunswick 3328 Dance
R Miller and conductor I Jones on Brunswick 2788, a sentimental vocal coupling from the 1920s–30s.AI summary
Brunswick 2788 Voice
R Miller and I Jones conducting, performing ballads on Brunswick 2788.AI summary
Brunswick 2788 Voice
Rabin recorded 'Funny Old Hills' and 'Angels Never Leave Heaven' on Brunswick label, catalogue C110. This is likely from the early 1920s acoustic era.AI summary
Brunswick C110 Voice
Randy Brooks' band performs 'In the Moon Mist' and 'Strange Love' on Brunswick, an American label, from the late 1940s or early 1950s.AI summary
Brunswick 03743 Dance
Ray Miller and his orchestra, 'The Iridesent Syncopators', recorded 'I Didn't Care Till I Lost You' and 'Me and the Boy Friend' for Brunswick, a dance band of the 1920s–30s.AI summary
Brunswick 2753 Dance
Ray Miller was an American bandleader popular in the 1920s; this Brunswick side pairs two Western-themed numbers, 'Montana' and 'Beneath Montana Skies'.AI summary
Brunswick 4857 Dance
Ray Miller and his orchestra recorded 'No one in the World but you' and 'He she and me' for Brunswick. Miller was a bandleader of the 1920s-1930s.AI summary
Brunswick 3975 Dance
Ray Miller and his orchestra, a popular American dance band of the 1920s, recorded these two sides for Brunswick; Miller was a prolific bandleader but is little remembered today.AI summary
Brunswick 2823 Dance
Ray Miller was a successful American dance bandleader of the 1920s–30s, and this Brunswick recording pairs two of his popular dance arrangements: "Me Neenyah" and "You and I".AI summary
Brunswick 2814 Dance
Ray Noble, a prolific British composer and bandleader, recorded 'I Hadn't Anyone Till You' and 'Moon of Manakoora' for Brunswick. Noble was a major studio recording artist throughout the 1920s–40s.AI summary
Brunswick 8079 Dance
Raymond Quevedo, recording as 'The Lion', was a Trinidadian calypsonian and one of the pioneering calypso recording artists. These recordings for Brunswick document early Caribbean calypso from the 1920s–1930s, a foundational period for the genre.AI summary
Brunswick 02624 Calypso
The Raymond Scott Quintet on Brunswick, performing 'Happy Farmer' and 'Egyptian Barn Dance'. Scott was a prolific American composer and bandleader known for novelty and novelty-orchestral works; Brunswick was a major label.AI summary
Brunswick 8144 Jazz
Red Foley, a significant American country and folk singer, performs the novelty 'Sugarfoot Rag' and 'Chattanooga Shoe Shine Boy' on Brunswick. Both were popular in the early 1950s.AI summary
Brunswick 94467 Country
Brunswick 04538 Country
Red Nichols (spelled Nicholls here) on Brunswick 118, 'New Orleans' and a second side, from the hot-jazz cornet player and bandleader's prolific output, likely from the late 1920s.AI summary
Brunswick 118 Jazz
Red Nicholls, a jazz cornettist associated with the Original Memphis Five and other early jazz ensembles, recorded "After You've Gone" and "The Sheik" for Brunswick 1104, a numbered series from the mid-1920s.AI summary
Brunswick 1104 Jazz
Red Nicholls, an American jazz banjoists and bandleader of the 1920s, recorded 'It's no Bargain' and 'Washboard Blues' for Brunswick 3407 in the hot-jazz style.AI summary
Brunswick 3407 Jazz
Red Nichols, pioneering jazz cornet player and bandleader of the 1920s, recorded for Brunswick; this 3000-series side couples two hot-jazz novelties from the jazz-age era.AI summary
Brunswick 3597 Jazz
Red Nichols, the American jazz cornettist and bandleader, recorded these two sides for Brunswick, likely in the early 1930s; both are important early jazz standards.AI summary
Brunswick 3855 Jazz
Red Nichols and his Five Pennies, one of the most important white jazz groups of the 1920s, recorded 'China Boy' and 'Peg O' My Heart' for Brunswick 01019. Both are jazz standards of the era.AI summary
Brunswick 01019 Jazz
Red Nichols, the white jazz cornetist and bandleader, recorded "Ida, Sweet as Apple Cider" and "Feelin' No Pain" for Brunswick in the late 1920s. Nichols was influential in early jazz and hot dance.AI summary
Brunswick 3626 Jazz
Red Nichols was a prominent American jazz cornetist and bandleader of the 1920s, leading the Pennies and Five Pennies and recording extensively for Brunswick. 'I Got Rhythm' and 'Sweet and Hot' are typical of his uptempo jazz style and represent early hot jazz on a major American and British label.AI summary
Brunswick 1300 Jazz
Red Nichols and his Five Pennies on Brunswick 01804 with 'Alabama Stomp' and 'Hurricane', jazz recordings from the late 1920s. Nichols was a pioneering jazz cornettist and bandleader, and his Five Pennies were among the most influential early jazz ensembles of the period.AI summary
Brunswick 01804 Jazz
Red Nichols, an influential American jazz cornetist and bandleader of the 1920s–1930s, performing 'Five Pennies' (his signature piece) and 'Japanese Sandman' on Brunswick 01851 — an early electrical-era recording.AI summary
Brunswick 01851 Jazz
Red Nichols, the innovative white jazz cornetist and bandleader, recorded these two standards for Brunswick in the mid-1920s. 'Rockin' Chair' and 'Whispering' are both hallmarks of the hot jazz era, and Nichols was a central figure in that style; his Miff Mole collaborations and Five Pennies records are collected seriously.AI summary
Brunswick 01852 Jazz
Red Nichols, the influential New York jazz cornet player, recorded 'Haunting Blues' and 'Yaaka Hula Hickey Dula' for Brunswick Records. Nichols was a prolific and well-documented jazz bandleader active in the 1920s–30s, best known for his 'Five Pennies' ensemble.AI summary
Brunswick 1262 Jazz
Red Nichols, the pioneering American jazz cornetist, performing 'I got Rhythm' and 'Sweet and hot' on Brunswick, recorded in the late 1920s with his widely-collected Five Pennies ensemble or successor band.AI summary
Brunswick 01300 Jazz
Red Nichols was the most prolific and technically accomplished jazz cornetist of the 1920s, leading the Five Pennies and recording prolifically for all major labels. This Brunswick side from 1926 is part of his classic early jazz catalogue.AI summary
Brunswick 1441 Jazz
Red Nichols, a prominent American jazz bandleader of the 1920s–30s, recorded 'I Want to Be Happy' and 'Tea for Two' for Brunswick, UK pressing—two jazz-era standards that were widely issued.AI summary
Brunswick 01032 Jazz
Red Nichols, the influential American hot-jazz cornettist and bandleader, on Brunswick 1062, performing "Who" and "Carolina in the morning".AI summary
Brunswick 1062 Jazz
Red Nichols, an important jazz cornetist of the 1920s–30s, recorded 'How Long Blues' and 'Fan It' for Brunswick 1213; these are hot jazz standards of the period.AI summary
Brunswick 1213 Jazz
Red Nichols was a pioneering hot-jazz cornet player and bandleader of the 1920s; this Brunswick coupling of 'Junk man blues' and 'Bass drum Dan' is from his prolific early recording period.AI summary
Brunswick 1225 Jazz
Red Nichols, the cornet-playing pioneer of hot dance and jazz, recorded 'Waitin' for the Evenin' Mail' and 'Slow and Easy' for Brunswick; Nichols was one of the most important figures in 1920s jazz.AI summary
Brunswick 1312 Jazz
Red Nichols, a pioneering American jazz cornetist and bandleader of the 1920s, recorded two hot jazz numbers on Brunswick, a major British and American label. 'Alabama Stomp' and 'Hurricane' are characteristic of his prolific output during the jazz age and are sought by hot jazz collectors.AI summary
Brunswick 3550 Jazz
Red Nichols, the pioneering American jazz cornetist, recorded two hot jazz sides on Brunswick. Nichols was a prolific jazz bandleader whose sides are collected by enthusiasts of 1920s hot jazz.AI summary
Brunswick 3597 Jazz
Red Nichols and his Five Pennies on Brunswick 3801 with 'Avalon' and 'Nobody's Sweetheart', jazz recordings from the late 1920s. Nichols was a pioneering jazz cornettist and bandleader, and his Five Pennies were among the most influential early jazz ensembles of the period.AI summary
Brunswick 3801 Jazz
Red Nichols and his ensemble recorded 'Allah's Holiday' and 'Roses of Picardy' for Brunswick (3960) in the late 1920s. Nichols was a prominent jazz cornet player and bandleader of the hot-jazz era, and his Brunswick sides are collected by serious jazz enthusiasts.AI summary
Brunswick 3960 Jazz