1,219 shellac records · mostly British pressings, 1900s–1950s
1,219 records matching · page 24 of 26
Sammy Davis Jr., the American entertainer and dancer, performing two Cole Porter standards on Brunswick in the 1950s.AI summary
Brunswick 05629 Voice
Sammy Davis Junior on Brunswick 05583 performing two popular standards, 'Adelaide' and 'I'll Know' (from the musical Guys and Dolls). Davis was one of the most celebrated entertainers of the 20th century; this is a mid-1950s release during his rise to major stardom.AI summary
Brunswick 05583 Voice
Sammy Davis was an American entertainer, comedian and singer best known for his later work as part of the Rat Pack. This Brunswick pressing is from his earlier career in the 1950s.AI summary
Brunswick 05747 Voice
Sammy Davis Jr. recorded 'Man with the Golden Arm' and 'In a Persian Market' for Brunswick in the mid-1950s.AI summary
Brunswick 05518 Voice
Sammy Davis Jr. recording for Brunswick in the 1950s; these sides showcase his versatility as a vocalist and entertainer during his rise to prominence.AI summary
Brunswick 05518 Voice
Sammy Davis Jr. performing two standard ballads for Brunswick in the 1950s, before his international stardom with the Rat Pack. This is from the period of his early solo career.AI summary
Brunswick 05428 Voice
Schorr, a vocalist, performing two operatic arias ('Czar and Zimmerman' and 'Don Giovanni') on Brunswick.AI summary
Brunswick 15088 Opera
Scrappy Lambert performing two sentimental ballads on Brunswick 3779 from the early electrical era.AI summary
Brunswick 3779 Voice
Scrappy Lambert recorded 'Ramona' and 'I'm Winging Home' for Brunswick (3779) in the late 1920s. Lambert was an American popular singer of the period; Brunswick was a major label and copies are common.AI summary
Brunswick 3779 Voice
Selvin (likely Ben Selvin, the prolific dance-band leader and arranger) recorded 'Smilin' and 'Goodbye pretty Butterflies' for Brunswick, catalogue 2182; Selvin was a major recording artist throughout the 1920s–30s.AI summary
Brunswick 2182 Orchestra
Ben Selvin was a prolific American bandleader and recording artist of the 1920s and early 1930s; this Brunswick disc of 'Betty' and 'Valencia' is typical dance-band fare from his vast catalogue.AI summary
Brunswick 3172 Dance
Selvin on Brunswick 3213, a 1920s dance band recording of a popular song; Ben Selvin was prolific, and Brunswick issues were mass-produced.AI summary
Brunswick 3213 Dance
Brunswick 3382 Dance
Ben Selvin's orchestra, one of the most prolific dance bands of the 1920s, recorded 'Yes She Do' and 'I Call You Sugar' for Brunswick.AI summary
Brunswick 3636 Dance
Selvin performing 'Dew Dewy Day' and 'Oh Doris Where Do You Live' on Brunswick 3610, from the early 1930s.AI summary
Brunswick 3610 Dance
Ben Selvin and his orchestra on Brunswick, a major dance band of the late 1920s–early 1930s performing jazz-influenced dance repertoire.AI summary
Brunswick 3679 Dance
Sid Phillips on Brunswick 8384, 'Music for you' / 'Wedding of a Sophisticated Dutch Doll'. Sid Phillips was a British bandleader and composer active in the 1930s–1950s, known for novelty and swing orchestrations.AI summary
Brunswick 8384 Dance
Sigrid Onegin, an Austrian-born mezzo-soprano and concert artist, recorded 'Sapphische Ode' and 'In the Churchyard' for Brunswick, catalogue 10255.AI summary
Brunswick 10255 Opera
Sigrid Onegin, the Swedish-German contralto celebrated for her rich voice and her portrayals of Amneris, Dalila, and other dramatic roles, sings 'Mon Coeur s'ouvre à ta voix' from Samson and Delilah and the Chanson Bohème from Carmen on Brunswick 50018. Onegin's Brunswick recordings are collected by admirers of the dramatic contralto voice.AI summary
Brunswick 50018 Opera
Sigrid Onegin was a Swedish contralto of exceptional range and richness, one of the leading voices of the 1920s and 1930s, particularly admired in Meyerbeer and Verdi. Brunswick 50076 couples 'Ah, mon fils' from Meyerbeer's Le prophète with 'Amour, viens aider' from Saint-Saëns's Samson. Onegin's recordings are steadily collected by operatic enthusiasts.AI summary
Brunswick 50076 Opera
Sigrid Onegin on Brunswick 50077 — 'Mon cœur s'ouvre à ta voix' from Saint-Saëns's Samson et Dalila and 'Chanson Bohème' from Bizet's Carmen — is a companion to Brunswick 50076 in this collection, extending her recorded French repertoire. Onegin's deep contralto was particularly admired in these French roles. A fine pair of Onegin Brunswicks.AI summary
Brunswick 50077 Opera
Sigrid Onegin, a Swedish mezzo-soprano, recorded these two opera arias for Brunswick. Onegin was an important opera singer of the 1920s-1930s; her recordings remain of interest to opera and vocal collectors.AI summary
Brunswick 50018 Opera
Sigrid Onegin was an Estonian mezzo-soprano who had a major career in European opera houses and the concert hall during the 1920s and 1930s. This Brunswick recording preserves two of her performances.AI summary
Brunswick 10277 Opera
Sigrid Onegin performing German art songs on Brunswick 10279. Onegin was a celebrated Swedish mezzo-soprano of the early 20th century with an international operatic and concert career; her recordings capture the refined German Lied tradition.AI summary
Brunswick 10279 Opera
Sigrid Onegin, the Russian mezzo-soprano, on Brunswick 10125 with 'The Blind Ploughman' and 'The Fairy Pipers'. Onegin was a major international recording artist of the 1920s–1930s, known for her dark, expressive voice and interpretations of art song.AI summary
Brunswick 10125 Voice
Sigrid Onegin, mezzo-soprano, performing the German art songs 'Der Lindenbaum' and 'Es Ist Bestimmt in Gottes Rath' on Brunswick.AI summary
Brunswick 10132 Opera
Sigrid Onegin, a mezzo-soprano of the Wagnerian repertoire, performing 'Alleluja' and 'Wiegenlied' (Brahms) on Brunswick 10135, a substantial classical vocal recording from the acoustic era.AI summary
Brunswick 10135 Opera
Sigrid Onegin, a celebrated mezzo-soprano of the 1920s and 1930s, performing lieder on Brunswick. Onegin was a major concert and operatic artist, and her recordings are sought by classical collectors.AI summary
Brunswick 15128 Opera
Sigrid Onegin, the celebrated mezzo-soprano, performing two Scandinavian songs on Brunswick. A second recording by Onegin in this collection, reflecting her international recording activity in the 1920s–1930s.AI summary
Brunswick 15073 Opera
Singin' Sam (Sam Robins), an American vocalist, recorded 'Got the south in my soul' and 'The voice in the old village choir' for Brunswick in the late 1920s. Singin' Sam was known for his novelty and vocal numbers in the early electrical era.AI summary
Brunswick 3210 Voice
Sioux City Six performing 'Flock o' Blues' and 'I'm Glad' on Brunswick, catalogue 02207. The Sioux City Six were a jazz ensemble active in the late 1920s; this is an early Brunswick jazz recording.AI summary
Brunswick 02207 Jazz
Noble Sissle and Sidney Bechet, two of the most important figures in early jazz, recorded together for Brunswick 02652 in the late 1920s. 'Viper Mad' and 'Sweet Patootie' are hot jazz titles from the peak of the jazz age.AI summary
Brunswick 02652 Jazz
Noble Sissle and Sidney Bechet, pioneering African-American jazz musicians, on Brunswick 02702 performing 'Blackstick' and 'Southern Sunset'.AI summary
Brunswick 02702 Jazz
Sisson credited on Brunswick, performing popular instrumental material.AI summary
Brunswick 3781 Instrumental
Credited to Sisson on Brunswick, a major British and American label; 'Wings' and 'When' are untitled popular songs from the 1930s, but without identification of the artist the context is unclear.AI summary
Brunswick 3781 Voice
Six Jumping Jacks on Brunswick, catalogue 3603, performing novelty or comedy dance numbers. A novelty dance act recording from the late 1920s or early 1930s.AI summary
Brunswick 3603 Dance
The Six Jumping Jacks performing 'I'm Gonna Dance Wit de Guy' and 'She's just what the Doctor ordered' on Brunswick 3623, a mass-market dance label.AI summary
Brunswick 3623 Dance
The Six Jumping Jacks on Brunswick 3684, performing 'Here Comes the Show Boat' and 'Go Home and Tell Your Mother' — a jazz or novelty dance number from the Brunswick catalogue.AI summary
Brunswick 3684 Jazz
The Six Jumping Jacks, a dance band of the 1920s, recorded two novelty numbers for Brunswick.AI summary
Brunswick 3702 Dance
Smalle and Robertson recorded 'Collegiana' and 'Hum and Strum' for Brunswick, catalogue 3795. These are likely American dance or novelty records pressed for UK distribution in the late 1920s.AI summary
Brunswick 3795 Dance
Sol Hoopi on Brunswick 01658, a Hawaiian slide guitarist, with 'Ten tiny toes' and 'Drifting and dreaming'.AI summary
Brunswick 01658 Hawaiian
Sol Hoopi was a Hawaiian-born ukulele virtuoso and vocalist who recorded extensively for Brunswick in the late 1920s–early 1930s. His Brunswick sides represent some of the finest Hawaiian guitar and vocal music of the era, and UK copies can be scarce.AI summary
Brunswick 55083 Hawaiian
The Song Spinners, a vocal group, recorded 'Johnny Zero' and 'Comin' in on a Wing and a Prayer' for Brunswick, standard popular songs of the 1940s.AI summary
Brunswick 03469 Voice
Sophie Tucker, the American vaudeville star and 'Last of the Red Hot Mamas', recorded these novelty numbers for Brunswick in the early 1930s. 'Why Go to Havana' and 'No One Woman Can Satisfy Any One Man all the Time' are typical of the risqué material Tucker was famous for.AI summary
Brunswick 03897 Personalities (Prs)
Sophie Tucker, the 'Last of the Red-Hot Mamas', was a major American vaudeville and recording star. These Brunswick recordings from the 1930s capture her ribald, comedic style for which she was famous.AI summary
Brunswick 03898 Personalities (Prs)
Sophie Tucker, the American vaudeville star and 'Last of the Red-Hot Mamas', recorded 'My Yiddishe Momme' — her signature song — for Brunswick. This became one of her most iconic recordings, and she recorded it multiple times across labels and decades.AI summary
Brunswick 03904 Yiddish
The Spencer Trio recorded two novelty or sentimental numbers — 'Baby Won't You Please Come Home' and 'Lorna Doone Shortbread' — for Brunswick, one of the major British and American labels, suggesting this was likely a budget or reissue pressing of the 1920s–30s.AI summary
Brunswick 02657 Voice
Spencer Trio performing 'Baby won't you please come home' and 'Lorna Doone short bread' on Brunswick 02657 from the 1920s.AI summary
Brunswick 02657 Instrumental