1,219 shellac records · mostly British pressings, 1900s–1950s
1,219 records matching · page 25 of 26
Stafford on Brunswick 3966, with 'Precious Little Thing Called Love' and 'Lover Come Back to Me'. A vocalist on the popular Brunswick label in the swing era; Stafford is unidentified and was likely a session singer.AI summary
Brunswick 3966 Voice
Brunswick 3203 Dance
Stubby Kaye, the American tenor and Broadway performer, on Brunswick 05098 with two songs from the hit musical *Guys and Dolls* (1950).AI summary
Brunswick 05098 Voice
Sylvia Syms recorded 'I Could Have Danced All Night' (from My Fair Lady) and 'Be Good to Me' for Brunswick in the mid-1950s. Syms was a sophisticated British vocalist and cabaret performer.AI summary
Brunswick 05744 Voice
Tommy Dorsey, a leading American jazz trombonist and bandleader of the swing era, recording on Brunswick—two popular ballads arranged in the relaxed style Dorsey favoured.AI summary
Brunswick 05757 Jazz
Tommy Dorsey recorded 'I Want to Be Happy Cha Cha' and 'Spooky Takes a Holiday' on Brunswick 05769. Dorsey was a celebrated bandleader and trombonist; this is a later swing-era recording.AI summary
Brunswick 05769 Dance
Ted Fio Rito was an American bandleader of the 1920s and 1930s whose music was distributed widely in the UK; this Brunswick side pairs two comic novelty numbers, 'And the Big Bad Wolf Was Dead' and 'Hot Dogs and Sasparella'.AI summary
Brunswick 01903 Dance
Teddy Wilson, the pioneering jazz pianist, recorded 'Sailin'' and 'I can't give you anything but love' (with Billie Holiday) for Brunswick 7781, from the important mid-1930s small-group swing sessions.AI summary
Brunswick 7781 Jazz
The Ink Spots, the pioneering African-American vocal group, on Brunswick with 'Whispering Grass' and 'Maybe'. The Ink Spots' smooth vocal blend and showmanship made them hugely successful in the 1930s–1940s.AI summary
Brunswick 03075 Voice
The Ink Spots, the American vocal quartet and pioneering rhythm-and-blues group, on Brunswick 03075 with two of their hits from the late 1930s or early 1940s.AI summary
Brunswick 03075 Jazz
The Ink Spots were a highly successful American vocal group, and 'Java Jive' and 'Do I Worry?' are characteristic recordings of their smooth, harmonised style. Their recordings remain widely collected and are important documents of American popular song in the swing era.AI summary
Brunswick 03197 Jazz
The Ink Spots were an American vocal quartet and one of the most commercially successful recording acts of the 1930s–40s; 'Java Jive' was one of their signature novelty hits, recorded here for Brunswick.AI summary
Brunswick 03197 Voice
The Ink Spots, the influential American vocal group, recorded 'Whispering Grass' and 'Maybe' for Brunswick; this is a UK pressing of their polished, jazz-inflected close harmony style that defined the group vocal sound of the 1940s.AI summary
Brunswick 03075 Voice
Brunswick 03197
The Ink Spots, the hugely influential American vocal quartet, recorded these two popular songs for Brunswick. 'Whispering Grass' was a major hit; the group pioneered the sophisticated vocal harmony style that influenced decades of popular music.AI summary
Brunswick 03075 Voice
The Sons of the Pioneers, the American cowboy vocal group, recorded 'Empty Saddles' for Brunswick; this record represents early Western swing on a major label.AI summary
Brunswick 04238 Country
The Spirits of Rhythm, a vocal harmony group, on Brunswick; the Spirits of Rhythm were a respected American vocal ensemble of the 1930s–1940s, influential in group singing and percussion.AI summary
Brunswick 02058 Jazz
Brunswick 01545 Jazz
The Three Keys perform 'Heebie Jeebies' and 'Song of the Islands' on Brunswick 01580. The Three Keys were an American vocal group active in the early 1950s.AI summary
Brunswick 01580 Voice
The Tune Twisters recorded two novelty songs for Brunswick Records, a major American label. 'Here Come the British' and 'Pardon My Southern Accent' suggest comedy or novelty material from the early–mid 1930s.AI summary
Brunswick 02016 Comic
Thelma Tuson on Brunswick 152, a very early catalogue number indicating a 1920s pressing. Tuson was a minor vocalist; this is a voice record from Brunswick's early catalogue.AI summary
Brunswick 152 Voice
Theo Carle singing two sentimental ballads—'Little Mother of Mine' and 'I'll Sing Thee Songs of Araby'—on Brunswick in the 1930s.AI summary
Brunswick 13001 Voice
Tommy Dorsey's orchestra, a major American swing band, performing on Brunswick 1367. Dorsey was a leading trombonist and bandleader of the swing era; an Ellington composition underlines the quality.AI summary
Brunswick 1367 Jazz
Tommy Dorsey's orchestra recorded 'Tea for Two Cha Cha' and 'My Baby Just Cares for Me' for Brunswick in the 1950s, showcasing Dorsey's mature swing style of the postwar era. These are novelty and standard popular recordings.AI summary
Brunswick 05757 Jazz
V Young performing 'Two Tickets to Georgia' and 'It's Time to Sing Sweet Adeline Again' on Brunswick.AI summary
Brunswick 01534 Voice
Vasa Prihoda, a Czech virtuoso violinist, recorded 'Introduction & Tarantelle' and Saint-Saëns' 'Le Cygne' for Brunswick 80002; Prihoda was renowned for his technical brilliance and made numerous recordings.AI summary
Brunswick 80002 Instrumental
Vasa Prihoda was a Czech violin virtuoso of the mid-20th century, known for technically dazzling performances. 'Introduction & Tarantelle' and 'Le Cygne' (Saint-Saëns) are standard violin showpieces; this Brunswick pressing is a commercial recording from the electrical era.AI summary
Brunswick 80002 Instrumental
Vasa Prihoda, a Czech violinist renowned for his virtuosity and wide repertoire, performing Salut d'Amour and Schubert's *Rosamunde* on Brunswick. Prihoda was an internationally celebrated concert artist of the mid-20th century.AI summary
Brunswick 7002 Classical
Vasa Prihoda, a Czechoslovak violinist, performs two solo pieces on Brunswick. Prihoda was a distinguished concert violinist and his instrumental recordings are sought by classical and collectors.AI summary
Brunswick 7003 Instrumental
Vernon Dalhart, one of the earliest stars of American country music, recorded 'Runaway Train' and 'Chain Gang Song' for Brunswick 2911, a UK pressing from the late 1920s or early 1930s. Dalhart's British releases on Brunswick are scarcer than his American issues.AI summary
Brunswick 2911 Country
Victor Young and his orchestra on Brunswick 01641, performing light romantic material. Young was a major bandleader, arranger and film composer of the 1930s and 1940s; his Brunswick sides are moderately common.AI summary
Brunswick 01641 Orchestra
Brunswick 82732
Vincent Lopez, an American pianist and bandleader, recorded 'Once in a Lifetime' and 'Blue Shadows' for Brunswick 4059. Lopez was a prominent jazz pianist and bandleader of the 1920s–30s, known for dance-hall and swing arrangements.AI summary
Brunswick 4059 Jazz
Vincente Gomez, a classical Spanish guitarist, on Brunswick 02820. Gomez was an accomplished performer recorded internationally, and this appears to be flamenco material.AI summary
Brunswick 02820 Classical
Virginia Rea on Brunswick 25016, performing two soprano showpieces—"Ombra leggiera" from La sonnambula and "Una voce poco fa" from The Barber of Seville—suggesting a light-opera or concert vocalist of the acoustic or early electrical era.AI summary
Brunswick 25016 Opera
Walter Fischer, a classical organist, recorded the Reinberger Organ Concerto in two parts for Brunswick 80007. Brunswick's 8000 series was used for classical and serious music, and this is a full concert piece.AI summary
Brunswick 80007 Classical
Walter Gieseking, one of the most celebrated German pianists of the 20th century, performs Debussy's 'La plus que lente' (The More than Slow) and 'Silver Cascade', likely a popular piano piece, on Brunswick.AI summary
Brunswick 30123 Classical
Walter Huston, the American actor and singer, recorded 'September Song' (Kurt Weill and Maxwell Anderson) and 'Lost in the Stars' (also Weill and Anderson) from Broadway shows on Brunswick 04658; Huston was known for his gruff baritone in theatrical music.AI summary
Brunswick 04658 Opera
Pianist Walter Rehberg performing Schumann's Fantasy Op. 17 and Liszt's Consolations on Brunswick 80022, an instrumental recording from the acoustic or early electrical era.AI summary
Brunswick 80022 Classical
Walter Rehberg, a German-Swiss pianist, performing the second and third movements of Schumann's Fantasy Op. 17 on Brunswick, recorded in the acoustic or early electric period.AI summary
Brunswick 80023 Classical
Walter Rehberg, a German-Swiss pianist, performing the fourth and fifth movements of Schumann's Fantasy Op. 17 on Brunswick 80024, a continuation of a multi-part recorded cycle.AI summary
Brunswick 80024 Classical
Walter Rehberg was a German pianist recorded here performing Schumann's Fantasy Op. 17 (parts 6 and 7) for Brunswick. This is a classical piano recording from the electrical era, representing a less well-known artist's interpretation of major Romantic repertoire.AI summary
Brunswick 80025 Classical
Watbe King (or possibly a variant spelling) led a dance band recorded for Brunswick. The catalogue number 01550 dates this to the early 1930s, and the Latin-flavoured titles suggest dance-oriented material.AI summary
Brunswick 01550 Dance
Brunswick 03781
Brunswick 03806 Dance
Ted Weems' orchestra featuring Perry Como on Brunswick 04018, with 'It All Comes Back to Me Now' and 'That Old Gang of Mine' — American big-band material with a young Como vocal, 1940s.AI summary
Brunswick 04018 Dance
Brunswick 03825
Wendell Hall, an American entertainer known for novelty songs and ukulele work, performs 'No one but you knows how to love' and 'She's still my Baby' on Brunswick 3330.AI summary
Brunswick 3330 Personalities (Prs)