1,216 shellac records · mostly British pressings, 1900s–1950s
1,216 records matching · page 7 of 26
Casa Loma, a major American jazz and dance band of the 1930s, performs 'Rose of the Rio Grande' and 'Bugle Call Rag' on Brunswick. Casa Loma was a significant hot-dance and jazz orchestra.AI summary
Brunswick 02262 Jazz
Casa Loma, a major American dance orchestra of the 1930s, on Brunswick performing 'House is Haunted' and 'Moon Country'.AI summary
Brunswick 01773 Dance
Casa Loma Orchestra, a leading swing band of the early 1930s, recorded 'Heat Wave' and 'Not for all the Rice in China' for Brunswick 01868. Casa Loma sides are collected by swing enthusiasts.AI summary
Brunswick 01868 Dance
Brunswick 01560 Jazz
Casa Loma, the celebrated American dance orchestra, on Brunswick: 'I may be wrong' and 'Gamblers Blues', characteristic of the orchestra's sophisticated hot-dance style in the early 1930s.AI summary
Brunswick 04902 Dance
Brunswick RL203 Jazz
Casa Loma orchestra, a celebrated American jazz-dance band of the late 1920s–30s, performing two standards on Brunswick 1310; a major swing-era dance orchestra.AI summary
Brunswick 1310 Jazz
The Casa Loma Orchestra recorded 'Smoke rings' and 'In the still of the night' for Brunswick 1311 in the early 1930s—two highly popular standards.AI summary
Brunswick 1311 Orchestra
Casa Loma Orchestra, a popular American dance band of the 1920s-30s, recorded for Brunswick. Casa Loma were prolific commercial recording artists and their many sides are common survivals.AI summary
Brunswick 1385 Dance
Casa Loma Orchestra was a prominent American swing orchestra of the 1930s, fronted by violinist Gene Gifford. This Brunswick 03000-series side captures their energetic swing style. US-pressed Casa Loma sides are common, but UK pressings are less frequently encountered.AI summary
Brunswick 03013 Jazz
Casa Loma Orchestra performing 'Black Jazz' and 'Maniac's Ball' on Brunswick 1279, a British pressing of the influential American swing band.AI summary
Brunswick 1279 Jazz
Castilian Troubadours on Brunswick with the foxtrot "Carioca" and waltz "Orchids in the Moonlight" from Gershwin's film operetta *Flying Down to Rio*.AI summary
Brunswick 01720 Dance
The Castilian Troubadours recorded 'Carioca' and 'Orchids in the Moonlight' for Brunswick in the late 1930s; both are well-known standards of the swing era.AI summary
Brunswick 01720 Orchestra
Charlie Barnet, an American jazz saxophonist and bandleader, recorded 'The Moose' and 'Sky Liner' for Brunswick Records in the swing era.AI summary
Brunswick 03601 Jazz
Charlie Barnet, the American swing bandleader and tenor saxophonist, recorded 'The Moose' and 'Sky Liner'—likely instrumental swing pieces—for Brunswick. Barnet was a major figure in American swing and his Brunswick sides document his work during the late 1930s-40s swing era.AI summary
Brunswick 03601 Jazz
Charlie Barnet's orchestra, a major swing bandleader, recorded 'Things Ain't What They Used to Be' and 'Victory Walk' for Brunswick during the big-band era.AI summary
Brunswick 03451 Jazz
Chester Gaylord singing popular ballads on Brunswick, mid-1930s.AI summary
Brunswick 3971 Voice
The Chicago Rhythm Kings were an important American hot-jazz group of the 1920s, bringing early jazz to the Midwest. This Brunswick 01000-series side shows their energetic jazz style. UK pressings of hot-jazz sides from this era are not commonly found and remain sought by jazz collectors.AI summary
Brunswick 01737 Jazz
Cicely Courtneidge was a major British musical-theatre star and comedian; this Brunswick 78 contains two of her novelty numbers, 'High Street Africa' and 'Three Little Hairs'.AI summary
Brunswick 208 Music Hall
Claire Dux, a Polish-American soprano of the early twentieth century, recorded operatic arias ('Deh vieni non tardar' from The Marriage of Figaro, 'Voi che sapete' from The Marriage of Figaro) for Brunswick. Dux was a celebrated lyric soprano of the 1910s–1920s.AI summary
Brunswick 50057 Opera
Claire Dux, an American opera soprano and concert singer, recorded 'Serenade' and 'Maria's Lullaby' for Brunswick, a major American label, as a British pressing. Dux was known for concert repertoire and minor operatic work in the 1910s-1920s.AI summary
Brunswick 10156 Classical
Claire Dux, the American soprano, singing 'Hedge Roses' and 'Broken Ring' for Brunswick 15061.AI summary
Brunswick 15061 Voice
Clarence Profit, an innovative stride pianist, recorded 'Tea for two' and 'There'll be some changes made' for Brunswick 8341 in the 1930s.AI summary
Brunswick 8341 Jazz
Brunswick 3703
Clarence Williams' Blue Five, a pioneering American jazz ensemble, recorded 'Baltimore' and 'Carolina Bound' (with the 5 Harmaniacs) for Brunswick, catalogue 3703, dating to the mid-1920s. Williams was a central figure in early hot jazz and blues recording, and this band is highly collected.AI summary
Brunswick 3703 Jazz
Brunswick 02013
Cleo Brown, a stride and swing pianist, recorded "Here comes Cookie" and "I'll take the South" for Brunswick 02013 in the 1930s. A fine musician whose recordings are sought by jazz and swing collectors.AI summary
Brunswick 02013 Jazz
Cleo Brown, an American boogie-woogie and blues pianist, recorded for Brunswick with two instrumental or vocal pieces in the 1940s idiom.AI summary
Brunswick 02047 Instrumental
The Clevelanders, recorded 'Our Bungalow of Dreams' and 'When the Morning Glories Wake up in the Morning' for Brunswick 3693 in the mid-1920s hot-dance style.AI summary
Brunswick 3693 Dance
The Clevelanders recorded 'Why' and 'I wonder' for Brunswick. The group is not widely identified in standard reference.AI summary
Brunswick 3881 Jazz
Cliff Edwards, known as 'Ukulele Ike', was an American recording artist and vaudeville performer famous for his ukulele playing and novelty recordings of the 1920s-1930s. This Brunswick 01752 side captures him performing popular material from his established recording career, and his work remains moderately sought by collectors of early popular recording and jazz-influenced novelty material.AI summary
Brunswick 01752 Personalities (Prs)
Clyde McCoy orchestra on Brunswick (02056) with 'Wah wah lament' and 'Sugar blues'; McCoy was a prominent American trumpet player known for wa-wa effects, and this is a 1930s American-label pressing.AI summary
Brunswick 02056 Jazz
Brunswick 05459 Jazz
The Colonial Club recorded a medley from 'Rio Rita', a popular operetta of the 1920s, for Brunswick. The 'Rio Rita' medley was a standard recording for dance and pop orchestras of the period.AI summary
Brunswick 20094 Dance
Connie Boswell, the American jazz and popular vocalist, performing 'I've Got a Feelin' You're Foolin'' and 'You Are My Lucky Star' on Brunswick — a vocal novelty or pop side from the early 1930s.AI summary
Brunswick 02068 Voice
Connie Boswell was an American popular singer and member of the Boswell Sisters trio; this Brunswick side from the early 1930s captures her sophisticated vocal style in the popular song register.AI summary
Brunswick 02677 Voice
Connie Boswell was an American jazz and popular vocalist, sister of the famous Boswell Sisters; this Brunswick recording captures her singing two sentimental ballads from her solo career in the 1930s.AI summary
Brunswick 1382 Voice
Cotton and Morpheus performing 'Tain't no Sin' and 'Hlo Baby' on Brunswick, the major American label's British pressing, catalogue 4667.AI summary
Brunswick 4667 Dance
Cotton and Morpheus performing 'I Wonder How It Feels' and 'I Don't Mind Walkin' in the Rain' on Brunswick 01004, an early Brunswick catalogue number from the mid-1920s.AI summary
Brunswick 01004 Voice
Cotton and Morpheus on "I Get the Blues When It Rains" and "Wake Up! Chill'un, Wake Up!" for Brunswick 5010. Both titles suggest blues or early rhythm and blues material; Brunswick was a significant American label of the 1920s–1930s.AI summary
Brunswick 5010 Jazz
The Cotton Pickers, a 1920s jazz and dance ensemble, performing 'Milenberg Joys' and 'If You Hadn't Gone Away' on Brunswick.AI summary
Brunswick 2937 Jazz
The Cotton Pickers, a dance ensemble, on 'Got to cool my Doggies now' and 'I wish I could shimmy like my Sister Kate'. Released on Brunswick 2338 in the mid-1920s. This is a rare and valuable American jazz recording; UK copies are extremely uncommon.AI summary
Brunswick 2338 Jazz
The Cotton Pickers, an African-American jazz or dance band, performing two pieces on Brunswick. The titles suggest 1920s-era jazz or dance music, and the band is likely one of the many semi-professional or regional groups recording during this period.AI summary
Brunswick 2380 Jazz
The Cotton Pickers were a jazz ensemble; this Brunswick pressing of 'You Tell Her I Stutter' and 'Way Down Yonder in New Orleans' is a hot-jazz recording from the late 1920s.AI summary
Brunswick 2404 Jazz
Cotton Pickers, a dance band, recorded 'My Sweetie Went Away' and the comic novelty 'Duck's Quack' for Brunswick, catalogue 2461. Brunswick was a major label and Cotton Pickers a standard dance outfit of the late 1920s–early 1930s.AI summary
Brunswick 2461 Dance
The Cotton Pickers on Brunswick, this pressing of 'Walk Jenny Walk' and 'Mama Goes Where Papa Goes' is another example of their 1920s jazz output.AI summary
Brunswick 2490 Jazz
Cotton Pickers performing 'Do Yo Dooty Daddy' and 'Blue Rose' on Brunswick. Cotton Pickers recordings from this era are typically jazz or jazz-inflected dance sides.AI summary
Brunswick 2532 Jazz
Cow Cow Davenport was a blues and boogie pianist; 'Don't you loudmouth me' captures his earthy humour and piano style on Brunswick, a major American label that pressed UK copies.AI summary
Brunswick 03509 Jazz