42 shellac records · mostly British pressings, 1900s–1950s
42 records matching
Two popular songs, 'Once again' and 'Goodbye Sweetheart Goodbye', credited to Anon on Cameo 3, one of the earliest known Cameo catalogue numbers.AI summary
Cameo C3 Voice
An unidentified vocalist on Cameo-C Records performing 'In the Shadows' and 'I know the Place where we will rest', two sentimental ballads. Cameo was a small British label.AI summary
Cameo C11 Voice
An unidentified vocal performance of 'Ailsa Mine' and 'Nita Gitana' on Cameo-C 22. Cameo was a minor British label. The artist is anonymous and both titles are obscure.AI summary
Cameo C22 Voice
Two Scottish or traditional songs, 'Wilt thou be my Dearest?' and 'Charlie is my Darling', credited to Anon on Cameo 79.AI summary
Cameo C79 Voice
Two sea shanties, 'The Longshoreman' and 'We're homeward bound', credited to Anon on Cameo, an early British catalogue series.AI summary
Cameo C84 Voice
Two popular songs, 'Stop Thief You stole my Heart away' and 'Sit down You're rocking the boat', credited to Anon on Cameo 86.AI summary
Cameo C86 Voice
Anonymous novelty or novelty recording 'Now are we all here? Yes!' and 'Merry Wedding Bells' on Cameo C, catalogue 92, early acoustic era.AI summary
Cameo C92 Jazz
Anonymous dance or novelty recording 'Somebody Else is crazy 'bout Me' and 'She's waiting for you' on Cameo Z, catalogue 46, likely early 1920s.AI summary
Cameo Z46 Jazz
An anonymous musical performance of 'Who's your Lady Friend?' and 'In Japanese Butterfly Land' on Cameo-Z, a minor American label with scarce UK distribution.AI summary
Cameo Z49 Music Hall
Arthur Lange was an American bandleader and conductor of the 1920s and 1930s. This Cam Records side, 'Worried' and 'San', presents instrumental dance music from the era.AI summary
Cameo 556 Instrumental
Arthur Lange, an arranger and conductor, recorded these two sides for Cam, a small American label of the 1930s. Both titles are light dance and novelty material.AI summary
Cameo 593 Dance
A band recording of two waltzes on the Cameo C label, an early American marque. The catalogue number and label suggest a 1920s pressing.AI summary
Cameo C8 Dance
Cameo G42 Music Hall
The Dixie Daisies with Way Down Yonder in New Orleans and, by Jazzbo, Chicago on Cameo 284.AI summary
Cameo 284 Dance
Dorothy Ward, a British musical theatre and variety performer, recorded 'Patricia' (part 13) and 'I want a Girl just like the Girl' for Cameo C37, a budget British label of the 1920s.AI summary
Cameo C37 Personalities (Prs)
A duet singing 'Under the Yum Yum Tree' and 'All alone' for Cameo 33.AI summary
Cameo C33 Voice
Frankie Wallace on Cameo (8328) with 'Oklahoma blues' and 'In the jailhouse now'; Cameo was an American budget label active in the 1920s–1930s, and UK copies are scarce.AI summary
Cameo 8328
Haring for Cameo, performing 'Nightingale' and Lanin's 'Waitin' Around'. Haring is unrecognised; Cameo was a small American label rarely found in British collections.AI summary
Cameo 568 Orchestra
Haring performing 'I Faw Down and Go Boom' and 'Blue Little You' on Cam, an obscure British label from the late 1920s.AI summary
Cameo 9041 Voice
Credited to Haring on Cam (Cambridge), a small British label of the 1920s–1930s; 'Buy for Baby' and 'Somebody Misses Somebody's Kisses' are light popular numbers from the dance-music era.AI summary
Cameo 9058 Dance
Harry Champion, the cockney music-hall star, sings 'Oh, Ladies' and 'I Must Have a Feather in My Hat' on Cameo.AI summary
Cameo C42 Music Hall
Sam Lanin's orchestra recorded 'Blue Grass' and 'I Wonder Who's Dancing with You Tonight' for Cam, a short-lived American budget label of the late 1920s.AI summary
Cameo 518 Dance
Lanin with It Had to Be You and, by Lange, Big Boy on Cameo 555.AI summary
Cameo 555 Dance
Lanin with Oh How I Miss You Tonight and, credited Van Loan, Beautiful Girl on Cameo 738.AI summary
Cameo 738 Dance
Lucille Hegamin, early blues vocalist, on another Cameo release from the early 1920s, "Can't Get Lovin' Blues" backed with "I've Got What It Takes".AI summary
Cameo 254 Jazz
Lucille Hegamin, one of the first Black women to record the blues, sings 'He May Be Your Man' and 'Papa, Papa' on the American Cameo label. Early-1920s blues by Hegamin seldom turn up in Britain.AI summary
Cameo 287 Jazz
Lucille Hegamin, early blues vocalist, on "Two Time Dan" backed with "Wet Yo' Thumb", another Cameo release from the early 1920s.AI summary
Cameo 354 Jazz
Lucille Hegamin was an early blues and jazz vocalist. Cameo 433 ('Sam Jones Blues' and 'Saint Louis Gal') is from a small US label; UK copies are uncommon and sought by blues collectors.AI summary
Cameo 433 Jazz
Lucille Hegamin, early blues vocalist known as "The Georgia Peach", on another Cameo release from the early 1920s.AI summary
Cameo 450 Jazz
Lucille Hegamin was a pioneering classic blues singer of the early 1920s, and 'Hard Hearted Hannah' was one of the era's popular hits; this is a contemporary Cameo pressing, a cheaper label of the period.AI summary
Cameo 624 Jazz
The Original Indiana Five, an early jazz band, with Some of These Days and The Memphis Blues on Cameo 1138.AI summary
Cameo 1138 Jazz
Rich on Cameo Records with 'Flamin Mamie' and 'Shake that Thing', novelty or dance material from a secondary British label.AI summary
Cameo 872 Dance
Rich recorded 'Down on the Florida Shore' and '(Lanin) Bye Bye Blackbird' for Cam, catalogue 937, likely 1920s.AI summary
Cameo 937 Dance
Sam Lanin with My Ohio Home and, by the Alabama Red Peppers, San on Cameo 8109.AI summary
Cameo 8109 Dance
Seven Little Polar Bars recorded "Don't Take That Black Bottom Away" and "It Made You Happy When You Made Me Cry" for the Cam label, a small British imprint of the 1920s. The group's identity is unclear and the catalogue number 1060 suggests an early Cam pressing.AI summary
Cameo 1060 Dance
Stanley Kirkby was a prolific British baritone of the early twentieth century; here he sings Kitty Dear and When Summer Days Are O'er on Cameo Z33.AI summary
Cameo Z33 Voice
Varsity Eight performing 'Oh Joe' and 'Sittin' in a Corner' on Cameo 420, an American label. Cameo was a small US independent label of the 1920s; British copies are scarce.AI summary
Cameo 420 Dance
The Varsity Eight recorded 'Knock at the Door' and 'Charley my Boy' for Cam, catalogue 574. Cam is an unrecognised British label, and nothing is known of this group.AI summary
Cameo 574 Dance
The Varsity Eight with Them Ramblin' Blues and, by a band, Me and the Boy Friend on Cameo 605.AI summary
Cameo 605 Dance
Cameo 646 Dance
The Varsity Eight were a vocal group; this Cambridge pressing of 'Milenberg Joys', a jazz number, captures small-group jazz harmony from the late 1920s.AI summary
Cameo 817 Jazz
The Varsity Eight, a British dance band, on 'Freshie' and 'Dixie Daisies' / 'Clap Hands', issued on the Cam label (catalogue 835).AI summary
Cameo 835 Dance