51 shellac records · mostly British pressings, 1900s–1950s
51 records matching · page 1 of 2
A Jack recorded two Tin Pan Alley standards, 'Hitchy Koo' and 'Waiting for the Robert E Lee', for Cinch Records, catalogue 5055. Cinch was a small British label.AI summary
Cinch 5055 Dance
Alf Gordon, credited here as Bob Cannon, recorded two novelty songs ('I Want to See the War All Over' and 'I'm Silly Dick') for Cinch, a minor British label. These appear to be comic or topical novelties from the World War I era.AI summary
Cinch 5359 Comic
Alf Gordon (credited as Bob Cannon) on Cinch catalogue 5361, a comic or novelty recording. Cinch was a British budget label of the 1920s-30s.AI summary
Cinch 5361 Music Hall
Alf Gordon (pseudonym Bob Cannon) recorded 'They All Did the Goose Step Home' and 'We're in Meredith' for Cinch 5422, likely a novelty or topical song from the 1940s. Cinch was a small British label.AI summary
Cinch 5422 Music Hall
B Ashton credited on Cinch 5240, performing ragtime comedy numbers 'Don't sing in Ragtime' and 'My Bill from Louisville'; Cinch was an obscure British label.AI summary
Cinch 5240 Comic
B Courtney performing music hall novelties 'Everybody's Doing It at the Seaside' and 'They All Walk the Wibbly Wobbly Walk' on Cinch 5103.AI summary
Cinch 5103 Music Hall
B. Courtney recorded music-hall novelty songs on the Cinch label, a minor British marque of the 1920s–30s.AI summary
Cinch 5136 Music Hall
Billy Williams performing music hall comedy songs 'Since Father joined the Territorials' and 'Little Willies Woodbines' on Cinch 5034, a small British label.AI summary
Cinch 5034 Music Hall
Billy Williams, a British music hall and comic singer, recorded 'Little Wooden Hut' and 'Come into the Garden John' for Cinch, a budget British label of the late 1920s.AI summary
Cinch 5035 Music Hall
Billy Williams for Cinch, a cheap British label, performing 'In the Land Where There Are No Girls' and 'Soap & Water'. The artist is unrecognised.AI summary
Cinch 5036 Voice
Billy Williams recorded two comic Irish songs for Cinch 5040 in the early 1920s. Cinch was a short-lived, minor British label. No further information is available on this artist or recording.AI summary
Cinch 5040 Music Hall
Billy Williams on Cinch with two music-hall comic songs: 'Land where the Women wear the Trousers' and 'John put your Trousers on', both exploiting the cheeky title humour common to British variety.AI summary
Cinch 5042 Music Hall
Billy Williams on Cinch catalogue 5043, a comic or novelty music hall number. Cinch was a British budget label active in the 1920s-30s.AI summary
Cinch 5043 Music Hall
Billy Williams performing two comic numbers on Cinch, a short-lived British label: 'I'll meet you one dark Night' and 'Daylight Bill'.AI summary
Cinch 5045 Comic
Billy Williams was a singer active in the early 1920s. This Cinch pressing is one of several Williams discs in the collection; Cinch was a cheap British marque of the period.AI summary
Cinch 5046 Voice
Billy Williams on Cinch, early 1920s, with repertoire including a piece in period-offensive language typical of that era.AI summary
Cinch 5048 Voice
Billy Williams was a singer active in the early 1920s. This Cinch pressing is one of several Williams discs in the collection; Cinch was a cheap British marque of the period.AI summary
Cinch 5049 Voice
Billy Williams, a British music-hall singer, recorded 'When Father Tried to Kill the Cockadoodle Doo' and 'If the World Belonged to Me' for Cinch, a budget British label of the late 1920s.AI summary
Cinch 5050 Music Hall
Billy Williams, credited to Cinch Records 5052, a marginal British label of the 1920s–30s, performing 'I don't care' and 'Let's all go mad.' Cinch was a cheap marque with limited output.AI summary
Cinch 5052 Voice
Billy Williams performing 'My Lass from Glasgow Toon' and 'Take Me Back to USA' on Cinch, a British budget label — a Scottish novelty or emigrant-themed side, likely from the 1920s or 1930s.AI summary
Cinch 5053 Voice
Billy Williams, a British music-hall and comic singer, recorded 'A Lover Up in Scotland' and 'Postcards' for Cinch, a budget British label of the late 1920s.AI summary
Cinch 5108 Music Hall
Billy Williams recorded 'Chanticler' and 'You're the One' for Cinch, a small British label. Little is known of this artist or the label's history.AI summary
Cinch 5112 Music Hall
Cinch 5114 Music Hall
Billy Williams was a singer active in the early 1920s. This Cinch pressing is one of several Williams discs in the collection; Cinch was a cheap British marque of the period.AI summary
Cinch 5132 Voice
Billy Williams singing on Cinch, a small British label of the early 1920s.AI summary
Cinch 5134 Voice
Billy Williams was a singer active in the early 1920s. This Cinch pressing is one of several Williams discs in the collection; Cinch was a cheap British marque of the period.AI summary
Cinch 5155 Voice
Billy Williams recorded 'I Wish I Were a Lady's Man' and 'Take Me Down Piccadilly' (credited to Harry Fay) for Cinch, catalogue 5189, a small British budget label.AI summary
Cinch 5189 Music Hall
Billy Williams on Cinch 5047, with vaudeville or novelty material from the 1920s. Williams is not a major-label recording artist; Cinch was a minor American label.AI summary
Cinch 5047 Voice
Billy Williams recorded two comic or novelty songs on Cinch, a small British label, in the 1920s or early 1930s.AI summary
Cinch 5050 Comic
Billy Williams was an American R&B and pop singer; this Cinch pressing offers two Scottish-themed novelty songs from a cheap British budget label.AI summary
Cinch 5156 Voice
Billy Williams, a British vocalist, performs 'When Father Painted the Parlor' and 'Clogs and Shawl' on Cinch 5039, a small British label.AI summary
Cinch 5039 Music Hall
Bob Cannon performing 'Dance Your Troubles Away' and 'Jerry Jeremiah' on Cinch 5162, a British budget label from the 1920s or early 1930s.AI summary
Cinch 5162 Dance
C. Penrose and B. Whitlock performing 'Father & Son' (parts 1 and 2) on Cinch, a budget British label of the 1920s.AI summary
Cinch 5374 Music Hall
Descriptive ('tone picture') recordings on Cinch, a small British label of uncertain date.AI summary
Cinch 5300 Instrumental
Fred Douglas on Cinch, a minor British label of the 1920s–30s, with music-hall song titles typical of the period.AI summary
Cinch 5158 Music Hall
Fred Earle recorded for Cinch, a small budget British label of the late 1920s–early 1930s, with novelty titles like "Meat Meat" and "In the Morning". Cinch labels are scarce in collections today.AI summary
Cinch 5064 Music Hall
Fred Earle recorded 'Meat Meat' and 'In the Morning' for Cinch Records 5064. Earle cannot be identified; Cinch was a minor British label active in the 1920s–early 1930s.AI summary
Cinch 5064 Music Hall
George Lashwood, a British music-hall entertainer of the early 20th century, recorded "Send for a P'liceman" and a song by Williams on Cinch 5153. Lashwood was a star of the variety and comic-song tradition.AI summary
Cinch 5153 Music Hall
J. Farrington on Cinch 5073, credited with two traditional items: 'Asleep in the Deep' (a Victorian standard) and 'Skipper'. Cinch was a British budget label.AI summary
Cinch 5073 Voice
Jack Charman, credited as Arizona Jack, performing two ragtime numbers—"There ain't going to be any ragtime" and "Ragtime Navvy"—on Cinch, a small British label of the acoustic era.AI summary
Cinch 5135 Music Hall
Kate Willey, recorded on Cinch 5083, a marginal British label of the 1920s–30s, performed 'Hail Caledonia' and 'Song that reaches Irish Hearts,' traditional and sentimental pieces. Willey was likely a music-hall or concert performer of the period.AI summary
Cinch 5083 Voice
Kate Willey singing nursery-rhyme titles 'Ride a Cock Horse to dreamy Town' and 'Daddy has a Sweetheart' for Cinch, a small British imprint.AI summary
Cinch 5151 Voice
Royal Guards Band on Cinch 5024, a ragtime piece. Cinch was a minor British label; this is a band recording from the early acoustic era or shortly after.AI summary
Cinch 5024 Orchestra
The Royal Guards Band, likely a British military or ceremonial ensemble, recorded 'Raggedy Rags' on Cinch 5023, a minor British label.AI summary
Cinch 5023 Orchestra
Cinch 5105 Music Hall
Two comic novelty songs by Will Terry on Cinch, a short-lived British label of the 1920s and early 1930s.AI summary
Cinch 5129 Comic
Will Terry on Cinch, a small British label, with novelty and music-hall material from the 1920s or early 1930s.AI summary
Cinch 5160 Music Hall
Will Terry singing 'Dance Your Troubles Away' and 'Jerry Jeremiah' on Cinch 5162, from a small British label of the early 1900s.AI summary
Cinch 5162 Voice