3,420 shellac records · mostly British pressings, 1900s–1950s
3,420 records matching · page 2 of 72
Al Starita on Columbia 4833, a British dance-band recording of the late 1920s.AI summary
Columbia 4833 Dance
Al Starita on Columbia 4834, performing 'I'm mad about you' and 'Dance little Lady' — a dance-band side from the mid-1920s.AI summary
Columbia 4834 Dance
Al Starita recorded 'I Want to Be Alone with Mary Brown' and 'Constantinople' for Columbia, catalogue 4886, likely in the 1920s-1930s dance era; Starita was an accomplished bandleader and recording musician of that period.AI summary
Columbia 4886 Dance
Al Starita recorded 'Why Do I Love You' and 'Make Believe' for Columbia, catalogue 4900. These are popular songs from the late 1920s; Starita is likely an American or dance-band vocalist.AI summary
Columbia 4900 Voice
Al Starita on Columbia 4908, performing 'How long has this been going on' and 'It don't do nothin' but rain', jazz-influenced popular recordings from the 1920s.AI summary
Columbia 4908 Jazz
Al Starita performs 'If I Had You' and 'A Kiss Before the Dawn' on Columbia — likely a dance, novelty, or light vocal side from the 1920s.AI summary
Columbia 5022 Dance
Al Starita recorded jazz and light orchestral material for Columbia's early numbered series around the mid-to-late 1920s.AI summary
Columbia 5108 Jazz
Columbia 5119 Dance
Al Starita recorded 'Rhythm King' and 'Oh What a Night to Love' for Columbia. The titles and Columbia 5000-series catalogue number place this in the late 1920s dance-music era.AI summary
Columbia 5266 Dance
Al Starita, a prolific British dance-band recording artist, performing 'Jericho' and 'My Mother's Eyes' on Columbia 5418 in the late 1920s.AI summary
Columbia 5418 Dance
Al Starita recorded two popular songs from early sound films—"Painting the Clouds with Sunshine" and "Smiling Irish Eyes"—for Columbia 5654.AI summary
Columbia 5654 Voice
Al Starita recorded two popular ballads for Columbia 5658 in the early sound era.AI summary
Columbia 5658 Voice
Al Starita on Columbia 5307. Starita was a British-Italian bandleader and recording artist of the 1920s-1930s, and his work appears on several British labels. This Columbia side represents his orchestra or vocal recording, though the specific titles and artists require confirmation.AI summary
Columbia 5307 Dance
Columbia 5308 Dance
Al Starita recorded 'Minnetonka' and 'Sleepy Town' for Columbia. Starita was a British bandleader and pianist of the 1920s–30s.AI summary
Columbia 5073 Instrumental
Al Starita Band, a British dance orchestra, recorded 'Make Believe' and 'Why Should I Love You' for Columbia. Starita was active in the early 1930s, and his recordings are typical of the commercial dance and popular-song material of that era.AI summary
Columbia 4900 Dance
Al Starita's band recorded popular dance and novelty songs for Columbia in the early 1930s, playing in the style of the dance bands of the era.AI summary
Columbia 4411 Dance
Al Starita and his orchestra recorded these two sides for Columbia; Starita was an American bandleader and accordionist of minor renown in the 1930s.AI summary
Columbia 5073 Dance
Al Trace with Philosophy and When Lola Plays the Pianola on Columbia DB2826.AI summary
Columbia DB2826 Dance
Alan Turner, a male vocalist, performing two ballad standards—'Heart Bowed Down' and 'Love's Old Sweet Song'—for Columbia, catalogue 1130, from the early 1920s.AI summary
Columbia 1130 Voice
Columbia L1361
Albert Ketelby was a British composer and orchestra leader famous for light orchestral suites like "In a Monastery Garden"; this Columbia DX pressing offers two of his characteristic descriptive pieces for piano and orchestra.AI summary
Columbia DX27 Orchestra
Albert Ketèlbey, the British light-music composer, recorded 'Sanctuary of the Heart' (in two parts) for Columbia—one of his characteristic sentimental orchestral miniatures.AI summary
Columbia 9405 Orchestra
Albert Mackelvin performing the Scottish traditional tune 'Killiecrankie' on Columbia 25602, a single-sided recording likely from the acoustic or very early electrical era.AI summary
Columbia 25602 Instrumental
Albert Sammons, a celebrated British concert violinist, performs 'Songs My Mother Taught Me' and 'Liebesleid' on Columbia DB911 — classical violin repertoire recorded at the acoustic era's end.AI summary
Columbia DB911 Classical
Albert Sammons (1886–1957) was a British violinist of international reputation and founder of the British String Quartet. This Columbia D-series pressing of a Bach Chaccone is from the era of his most celebrated recordings.AI summary
Columbia D1496 Classical
Albert Sammons, the British violinist and chamber musician, recorded 'Songs My Mother Taught Me' (Dvořák) and 'Liebesleid' (Kreisler) for Columbia; Sammons was one of the leading British string players and chamber musicians of the early twentieth century.AI summary
Columbia DB911 Classical
Albert Sammons, the eminent British violinist and chamber musician, performing Pugnani's Prelude and Allegro and a Garden Melody on Columbia's prestigious L-series, likely from the late 1920s–30s.AI summary
Columbia L1170 Classical
Albert Sammons, the celebrated British concert violinist, recorded these piano-accompanied art songs for Columbia; a significant classical artist of the early 20th century.AI summary
Columbia D1420 Classical
Albert Sammons on Columbia 9484, performing solo violin works by classical composers. Sammons was a respected British concert violinist and chamber musician of the early 20th century.AI summary
Columbia 9484 Classical
Albert Sandler, a British violinist and light music specialist, performing two sentimental popular songs on Columbia in the 1930s.AI summary
Columbia 5222 Instrumental
Albert Sandler, a British violinist and light-music specialist, performs 'Gloomy Sunday' with Hildegarde and 'Vienna City of My Dreams', ballroom selections typical of his 1930s Columbia output.AI summary
Columbia FB1366 Orchestra
Albert Schweitzer, the Nobel Prize–winning theologian, physician and organist, performing two Bach chorale arrangements on Columbia. Schweitzer's organ recordings are historically significant.AI summary
Columbia ROX8020 Classical
Albert Schweitzer, the physician, theologian and organist, recorded Bach organ music for Columbia—a historic document of the great humanitarian's musical mastery.AI summary
Columbia ROX146 Classical
Albert Whelan, a British entertainer and whistler popular in the 1910s-20s, performing novelty or descriptive pieces on Columbia's early numbered series.AI summary
Columbia 1518 Music Hall
Albert Whelan, a British actor and entertainer, performing 'Tiger Tim's Party' and 'The Butterfly' on Columbia—likely children's or novelty material.AI summary
Columbia FB2664 Music Hall
Alec Shaw recorded light instrumental and novelty pieces for Columbia in the 1930s; this coupling of two pastoral pieces was typical of novelty instrumental material of the era.AI summary
Columbia DB936 Instrumental
Alessandro Bonci, an Italian tenor of international fame, on Columbia D18010, performing two operatic arias. Bonci was a major operatic tenor of the early 20th century, slightly earlier in career than Caruso but comparably important.AI summary
Columbia D18010 Opera
Alexander Bonci, a celebrated Italian tenor, recorded two arias from Verdi's *Rigoletto* for Columbia: "Questa o quella" ("This one or that one") and "La Donna è Mobile" ("Woman is fickle"). Bonci was a major tenor of the early 20th century, though less frequently encountered on disc than Caruso.AI summary
Columbia D8083 Opera
Alexander Bonci, an Italian tenor of international fame, performing two opera arias: *Donna Non Vidi Mai* from *Manon Lescaut* and *La Tua Pell'* from *Mignon*, on Columbia. Bonci was one of the most celebrated tenors of the early 20th century.AI summary
Columbia D8087 Opera
Alexander Bonci, an Italian tenor of the 1900s-1920s, performs two of the most famous tenor arias from the operatic repertoire: 'Questa o quella' and 'La donna è mobile' from Verdi's *Rigoletto*, on Columbia.AI summary
Columbia D8083 Opera
Alessandro Bonci, a celebrated Italian tenor, performs two Verdi arias—'Che gelida manina' and 'Una furtiva lagrima'—on this Columbia electrical recording, catalogue A5449, from the late 1920s.AI summary
Columbia A5449 Opera
Alexander Bonci was an Italian operatic tenor of the late 19th and early 20th centuries, a star of the Metropolitan Opera and international stages; this Columbia A5468 contains two of his greatest tenor roles, Nemorino's aria 'Spirito gentil' from Donizetti's 'L'elisir d'amore' and the famous solo from Auber's 'La Muette de Portici'.AI summary
Columbia A5468 Opera
Alexander Kipnis, a celebrated Russian bass-baritone of the Metropolitan Opera, recorded 'Le Veau d'Or' and 'Mephisto Sérénade' for Columbia, catalogue 5044. Kipnis's operatic 78s are collected by serious record enthusiasts.AI summary
Columbia 5044 Opera
Alexander Prince performing two wartime or patriotic songs on Columbia 2480: 'It's a Long Way to Tipperary' and 'La Marseillaise'; the early Columbia catalogue suggests a 1920s or earlier pressing.AI summary
Columbia 2480 Voice
Alexander Prince performs two novelty instrumental pieces on Columbia British 1913 from the early 1910s. Columbia 1000 series pressings are among the earliest records in this collection.AI summary
Columbia 1913 Instrumental
Alexander Prince on Columbia 1899, performing 'Les Sourieres Waltz' and 'Les Sirenes Waltz'. Prince's identity and recording history are not established.AI summary
Columbia 1899 Instrumental
Alfred Lester, a celebrated British comic actor and music-hall performer, in a comedy duet with Violet Loraine on Columbia, with the title 'A Lady of a Thousand Charms', and a solo piece, 'Dear Old Shepherd's Bush', likely from the 1910s.AI summary
Columbia D1339 Music Hall