3,430 shellac records · mostly British pressings, 1900s–1950s
3,430 records matching · page 26 of 72
Frank Sinatra performing 'Cradle Song' and 'There's No You' on Columbia DB2190 — a popular-song recording from Sinatra's early major-label period.AI summary
Columbia DB2190 Voice
Frank Sinatra on Columbia, performing two standards from his extensive catalogue — Sinatra was the world's most popular male vocalist of the 1940s–50s.AI summary
Columbia DB2224 Voice
Frank Sinatra performing two numbers from the 1949 Rodgers and Hammerstein musical 'South Pacific' on Columbia DB2313, a British pressing. 'Oh What a Beautiful Mornin' and 'The Girl That I Marry' are core standards from the show.AI summary
Columbia DB2313 Voice
Columbia LB104 Personalities (Prs)
Frank Sinatra performing "My Blue Heaven" and "Goodnight Irene" on Columbia, from his early solo career in the mid-1940s, before his mid-1950s peak at Capitol Records.AI summary
Columbia DB2737 Voice
Columbia DB2365
Frank Sinatra recorded 'When your lover has gone' and 'I should care' for Columbia Records catalogue 36791. These are early Sinatra recordings of popular ballads.AI summary
Columbia 36791 Voice
Frank Sinatra recorded 'When Your Lover Has Gone' and 'She's Funny That Way' for Columbia's 'DB' series in the late 1940s. These sophisticated ballads showcase Sinatra's interpretive gifts during his peak years.AI summary
Columbia DB2186 Voice
Columbia DB2202
Frank Sinatra recorded 'I Don't Know Why' and 'I Only Have Eyes for You' on Columbia DB-series; these are early Sinatra sides from the 1930s, released during his years with Tommy Dorsey and Columbia Records.AI summary
Columbia DB2226 Voice
Frank Sinatra recorded these ballads for Columbia's DB-series, a standard British release of the post-war era.AI summary
Columbia DB2283 Voice
Columbia DB2296
Columbia 292110
Frank Sinatra, in his early Columbia years, sings 'Two Hearts Are Better Than One' and 'All Through the Day' on the Columbia label.AI summary
Columbia 36962 Voice
Frank Sinatra, recorded for Columbia in the late 1940s, performing two standards: 'Five Minutes More' and 'How High the Moon'. Both are swing-era popular songs typical of his early career.AI summary
Columbia DZ445 Voice
Frank Sinatra, one of the greatest American popular singers, recorded 'You'll Never Walk Alone' and 'If I Loved You' for Columbia Records.AI summary
Columbia DB2705 Voice
Frank Sinatra and Pearl Bailey duetting on 'A Little Learnin' Is a Dangerous Thing' on Columbia 38362, a British pressing.AI summary
Columbia 38362 Voice
Frank Thomas was a British dance-band vocalist of the 1920s–1930s. 'I Wonder What's Become of Sally' and 'What Do You Do Sunday Mary' are popular songs of the era. This Columbia is11683 pressing is from an unidentified series, probably mid-1920s.AI summary
Columbia is1683 Voice
Frank Thomas performing two Irish comic songs on Columbia's early Irish series (IS prefix), suggesting a London or Irish pressing of the 1920s. The artist and repertoire are consistent with Irish novelty material of the period.AI summary
Columbia is1833 Music Hall
Frank Thomas performing "Always" and "When You and I Were 17" on Columbia is1861 catalogue. Thomas was a ballad singer of the early 1930s.AI summary
Columbia is1861 Voice
Frank Thomas recorded 'Mignonette' and 'You Ought to Know' for Columbia. These appear to be sentimental ballads from the acoustic or early electric era (catalogue IS1889 suggests early pressing). Frank Thomas is not a widely remembered vocalist.AI summary
Columbia is1889 Voice
Frank Thomas recorded 'When You and I Were Seventeen' and 'Always' for Columbia; limited biographical information is available about this artist.AI summary
Columbia is1861 Voice
Frank Trumbauer, the American jazz saxophonist and bandleader, recorded these jazz standards for Columbia. Trumbauer was a leading jazz soloist of the 1920s, known for his C-melody saxophone tone and influential recordings with Bix Beiderbecke.AI summary
Columbia 37807 Jazz
Columbia DB281 Personalities (Prs)
Frankie Carle was an American pianist and bandleader active from the 1920s onward, known for swing piano and soft pop. 'Stumbling' (at the piano) and 'Estelle' are popular piano pieces. This Columbia 35571 pressing is from the mid-1940s.AI summary
Columbia 35571 Instrumental
Frankie Carle at the piano performing 'Barcarolle' and 'Prelude in C-sharp Minor' on Columbia 35573, a solo piano recording of classical pieces.AI summary
Columbia 35573 Instrumental
Frankie Carle, a pianist and big-band leader, recorded 'After You've Gone' and 'I Can't Believe That You're in Love with Me' for Columbia in the 1940s. Carle was a popular swing-era sideman; this is a standard commercial dance recording.AI summary
Columbia 36333 Dance
Frankie Carle performing jazz piano on Columbia; Carle was an American pianist and bandleader of the 1930s–1950s.AI summary
Columbia 35572 Jazz
Frankie Carle, a pianist and bandleader popular in the 1940s, on Columbia. The catalogue number MC3371 suggests a middle-period pressing, likely from the late 1940s.AI summary
Columbia MC3371 Dance
Frankie Carle and his orchestra on Columbia, an American dance band of the 1940s–1950s. Carle led a polished and commercially successful orchestra but is less collected today than swing-era contemporaries.AI summary
Columbia 36764 Dance
Frankie Howerd, one of Britain's most distinctive comedy performers, on Columbia DB2694: 'English As She Is Spoken' and 'I'm the Man Who's Deputising for the Bull'. Howerd's characteristic rapid-fire, anatomically obsessed patter made him a major recording and radio star from the 1940s onwards.AI summary
Columbia DB2694 Comic
Frankie Howerd was a British comedian and entertainer famous for his camp, rambling comedy monologues and his catchphrase "ooh, no, missus!"; this Columbia pressing pairs two of his comedy recordings from the early 1950s.AI summary
Columbia DB2694 Comic
Frankie Laine's ballad hit 'Jezebel' coupled with 'Rose Rose I Love You' on Columbia DB 2876, a UK pressing from the early 1950s. Laine was one of the most successful American pop vocalists of the postwar era.AI summary
Columbia DB2876 Voice
Frankie Laine, the American ballad vocalist, recorded these two sides for Columbia in the early 1950s. Laine was a major commercial artist of the period, and this pressing represents his work during his peak popularity in Britain.AI summary
Columbia DB2907 Voice
Frankie Laine on Columbia DB3017, performing 'One for My Baby' and 'She Reminds Me of You'. Laine was an American pop and jazz-inflected singer, hugely popular from the late 1940s onward.AI summary
Columbia DB3017 Voice
Columbia DB3113 Voice
Frankie Laine and Jimmy Boyd, two American popular singers, duetted on these two songs for Columbia in the early 1950s.AI summary
Columbia 39945 Voice
Frankie Lymon, the teenaged lead of Frankie Lymon and the Teenagers, recorded 'Goody Goody' and 'Creation of Love' for Columbia, likely in the mid-1950s during the group's peak years.AI summary
Columbia DO3898 Rock
Frankie Yankovic was an American polka-accordion virtuoso, 'Polka King' and a major figure in American folk-dance music. 'Charlie Was a Boxer' and 'Blue Skirt Waltz' are folk-dance numbers; this Columbia MC3376 pressing is from an American label's polka catalogue.AI summary
Columbia MC3376 Dance
Fred Astaire was the greatest dancer and one of the finest singers of the 20th century. This Columbia DB pressing documents two of his most celebrated recordings: 'Lady Be Good', from the 1924 Gershwin musical, a signature Astaire piece.AI summary
Columbia DB3969 Personalities (Prs)
Fred Astaire, one of the most celebrated dancers and entertainers of the 20th century, recorded two Cole Porter songs—"After You, Who" and "Night and Day"—for Columbia.AI summary
Columbia DB1215 Personalities (Prs)
Fred Astaire on Columbia DB1633, performing two Irving Berlin songs, 'Let Yourself Go' and 'Let's Face the Music and Dance', from the 1930s; a classic recording by one of the greatest dancers and entertainers of the century.AI summary
Columbia DB1633 Personalities (Prs)
Fred Astaire, the dancer and singer, on Columbia DB1635 from the mid-1930s. This is a standard dance or comedy number from Astaire's prolific recording career; HMV pressings of Astaire are widely available.AI summary
Columbia DB1635 Personalities (Prs)
Columbia DB1809 Personalities (Prs)
Columbia DB1810 Personalities (Prs)
Fred Astaire (1899–1987) was the most celebrated dancer and entertainer of the 20th century; this Columbia side captures two numbers from his stage material, 'The Yam' and 'The Yam Step', demonstrating his rhythm and comedic flair.AI summary
Columbia DB1810 Personalities (Prs)
Fred Astaire, the legendary dancer and entertainer, recorded 'Poor Mister Chisholm' and 'Dig It' for Columbia, capturing his distinctive rhythmic vocal style in the early 1930s.AI summary
Columbia DB2014 Personalities (Prs)
Fred Astaire, the world's greatest dancer and a distinguished recording artist, performs these two song standards for Columbia; "High Hat" became a classic of the era.AI summary
Columbia 5173 Personalities (Prs)