3,431 shellac records · mostly British pressings, 1900s–1950s
3,431 records matching · page 29 of 72
Columbia 3437 Music Hall
George Robey, the British music-hall comic and singer, on 'Never as Long as I Live' and 'I Ain't Had Nobody Crazy Over Me' (with Chester) for Columbia, catalogue 3437; Robey was one of the biggest stars of the British stage.AI summary
Columbia 3437 Personalities (Prs)
George Robey on Columbia, performing 'It's Strange What One Can Do Without' and 'Safety First' — the British music-hall star and comedian.AI summary
Columbia F1057 Music Hall
George Robey, the famous British music-hall comedian, on 'What I mean is—' and 'Nero' for Columbia 3727. Robey was one of Britain's best-known stage entertainers, and his recordings have historical and collector interest.AI summary
Columbia 3727 Music Hall
Columbia 3773 Music Hall
George Robey, the legendary British music hall star, performing two comedy monologues—'See what I Mean Why of Course' and 'A Prison Soliloquy'—on Columbia 3111; Robey was one of the most celebrated entertainers of the early 20th century and a prolific recording artist.AI summary
Columbia 3111 Music Hall
George Robey, the legendary British music hall comedian and pantomime star, on Columbia 2644, performing two comedy monologues. Robey was one of the biggest entertainment stars of his era and recorded extensively from the 1900s onward.AI summary
Columbia 2644 Comic
George Robey, the British comedian and music-hall star known as 'The Prime Minister of Mirth', recorded 'Conclusions' for Columbia. Robey was one of the most famous entertainers of the Edwardian and inter-war era.AI summary
Columbia 3854 Personalities (Prs)
George Robey, the British music-hall comic, on Columbia 4124 with "Such a Look" and "The Bride" — early acoustic Columbia pressings of Robey's 1920s recordings.AI summary
Columbia 4124 Music Hall
George Robey, the portly British Music Hall comedian and performer, on Columbia performing 'Quite Alright' and 'Thing-Um-My-Bob' — comic numbers from the latter part of his career.AI summary
Columbia 4460 Personalities (Prs)
George Robey, the British music-hall legend, on Columbia 3273. Robey's career spanned stage, film and recording from the Edwardian era onward.AI summary
Columbia 3273 Personalities (Prs)
George Robey, the legendary British music-hall comedian, performing 'Except for That' and 'I Haven't the Faintest Idea' on Columbia 3274, likely early 1920s.AI summary
Columbia 3274 Music Hall
George Robey, the British music-hall star and comedian, performing two sketches for Columbia: 'Shurrup' and 'Fact is'.AI summary
Columbia L1237 Personalities (Prs)
George Robey, the famous British music-hall comedian, performing comic monologues on Columbia. Robey was a major Edwardian and post-war entertainer, and his recordings are actively sought by music-hall and comedy collectors.AI summary
Columbia L1146 Music Hall
George Robey, one of Britain's greatest music hall comedians, performing two comic songs on Columbia's L-series.AI summary
Columbia L1223 Music Hall
George Robey (1869–1954), a British music-hall comedian and pantomime star, on Columbia performing his characteristic comic material; Robey was a major variety entertainer for fifty years.AI summary
Columbia L1237 Music Hall
George Robey, the celebrated British music hall comedian and actor, performing 'It's Strange What One Can Do Without' and 'Safety First' on Columbia.AI summary
Columbia F1057 Personalities (Prs)
George Robey, the legendary British comedian and Music Hall star, recorded 'I Stopped I Looked I Listened' for Columbia. Robey was one of the most celebrated entertainers of the early twentieth century, and his recordings remain sought after by collectors of vintage British variety.AI summary
Columbia L1034 Music Hall
Music hall comedian George Robey performing 'I stopped I looked I listened' and, with Violet Loraine, 'Another little Drink', on Columbia L1034. Robey was a major British stage and film comedian of the Edwardian and inter-war periods.AI summary
Columbia L1034 Music Hall
Columbia 581 Music Hall
George Robey, the British music-hall star known as 'The Prime Minister of Mirth', performing 'Family Ghost' and 'Best Man at the Wedding' on Columbia 583. Robey was one of the most celebrated British entertainers of the early twentieth century.AI summary
Columbia 583 Music Hall
George Robey, the major British music hall star, recorded for Columbia catalogue 586. This is an earlier Columbia recording than his HMV catalogue; Robey's recordings span multiple labels.AI summary
Columbia 586 Music Hall
George Robey performing 'The Face' and 'Just the Reverse' on Columbia 3773. Robey was the most famous British music-hall comedian of the Edwardian and inter-war era, celebrated for his monologues and patter.AI summary
Columbia 3773 Music Hall
George Robey, the legendary British music-hall comedian and actor, recorded these two numbers for Columbia. The titles 'Such a Look' and 'The Bride' suggest comic or satirical songs typical of his theatrical material from the 1920s-1930s. Robey was one of Britain's biggest entertainment stars.AI summary
Columbia 4124 Personalities (Prs)
George Robey, the legendary British music-hall comedian and actor, recorded these two numbers for Columbia: 'Such a Look' and 'The Bride'. This appears to be a duplicate of record 20375.AI summary
Columbia 4124 Personalities (Prs)
Georges Guetary, a French-American singer and actor, performing "I Dreamt I Was Back in Paris" and "Magdalena" on Columbia, likely from the 1940s-50s recording period.AI summary
Columbia DB2327 Voice
Georges Guetary performing two more popular songs, "Tonight" and "She's Got That Look in Her Eye", on Columbia.AI summary
Columbia DB2427 Voice
Georges Guétary, 'O-La O-Lé' and 'Where Flamingoes Fly', on Columbia DG2362; Guétary was a French popular singer and film actor of the 1950s, whose theatrical recordings were aimed at the family and light-entertainment market.AI summary
Columbia DG2362 Voice
Georges Milton was a French comic singer and actor popular in the 1930s–1940s. This Columbia DF-series recording is of French music-hall material.AI summary
Columbia DF992 Music Hall
Georges Thill on Columbia D1609 with 'On with the Motley' and 'When Stars were shining brightly'. Thill was a renowned French tenor of the 1920s–1940s, celebrated for operetta and vocal performance; 'On with the Motley' is a famous piece from *Pagliacci*.AI summary
Columbia D1609 Opera
Georges Ulmer, a French guitarist and singer, recorded for Columbia in the post-war period. Ulmer was known for Django Reinhardt-influenced jazz guitar and chanson.AI summary
Columbia BF558 Jazz
The Georgians, an American dance band, recorded two popular songs for Columbia Records (catalogue 3379) in the mid-1920s: 'I'm sitting pretty in a pretty little City' and 'I've got a Song for Sale'.AI summary
Columbia 3379 Dance
The Georgians, an early dance and jazz ensemble, performing 'I've got a cross-eyed Papa' and 'You'd better keep babying baby' on Columbia, from the early 1920s.AI summary
Columbia 3412 Jazz
The Georgians recorded 'Barney Google' for Columbia; the Columbians recorded 'That Redhead Girl' on the same release. The catalogue 3325 places this in the mid-1920s dance band era.AI summary
Columbia 3325 Dance
The Georgians, an American dance band, recorded 'Doodle-Doo-Doo' and 'Worried' for Columbia 3554. The Georgians were a moderately popular dance outfit of the 1920s.AI summary
Columbia 3554 Dance
The Georgians, an American dance band of the early 1920s, performing two jazz-inflected novelty numbers on Columbia 3297. The Georgians recorded sporadically in the early 1920s and are known to collectors of early jazz.AI summary
Columbia 3297 Jazz
The Georgians, a dance and novelty band of the early 1920s, recorded 'Charleston Baby o' mine' and 'You forgot to remember' (vocal by Billy Gorman) for Columbia 3673, capturing the spirit of the Jazz Age.AI summary
Columbia 3673 Dance
Geraldo, the prolific British bandleader, recorded 'Indian Summer' and 'Oh Mamma Mia' for Columbia; Geraldo was a successful and prolific recording artist throughout the 1930s–1950s.AI summary
Columbia FB2418 Dance
Geraldo, a Spanish-British bandleader and pianist, on Columbia CB808. Geraldo led one of Britain's most popular orchestras in the 1930s–40s; 'The Continental' is a swing-era standard.AI summary
Columbia CB808 Dance
Geraldo, the Argentine-born British bandleader and radio personality, performing 'Leave Me With a Love Song' and 'Sorrento by the Sea' on Columbia FB1173, a 1930s British dance recording.AI summary
Columbia FB1173 Dance
Geraldo band, a leading British dance orchestra of the 1930s–50s, performing 'Moon was yellow' and 'What a difference a day made' on Columbia FB1006. Geraldo was one of the most successful British bandleaders of his era.AI summary
Columbia FB1006 Dance
Geraldo (Gerald Bright) was a popular British bandleader and pianist with a long recording career; this Columbia FB pressing of sentimental material represents his mainstream output of the 1930s-40s.AI summary
Columbia FB1016 Dance
Geraldo and his orchestra performing two numbers from the 1940 Disney film Pinocchio on Columbia. Geraldo was a prominent British dance-band and orchestra leader; this is a standard commercial release from a major label during the swing era.AI summary
Columbia FB2397 Orchestra
Geraldo's Gaucho Tango Band recorded 'Plegaria' and 'Lovely Carmelita' on Columbia, with tango arrangements typical of the 1930s.AI summary
Columbia CB453 Dance
Geraldo's Gaucho Tango Band on "Song of a Slave" and "Wanna Lot o' Love" for Columbia CB541. Geraldo was a leading British bandleader and pianist, known for tango, café, and popular dance music in the 1930s–1950s.AI summary
Columbia CB541 Dance
Geraldo was a celebrated British bandleader; this Columbia side credits his 'Gaucho Tango' group with two tango standards.AI summary
Columbia CB618 Dance
Geraldo's Tango Orchestra, led by the British bandleader Geraldo, recorded 'Marvellous' and 'A Girl Like Nina' for Columbia; Geraldo was a prolific dance-band leader recording for major British labels in the 1930s–1950s.AI summary
Columbia CB668 Dance
Elena Gerhardt — the celebrated German Lieder singer — performing 'O Tannenbaum' with accompaniment by Leo Bloch on Columbia catalogue 58256. Gerhardt's recordings are collected by specialists in early German song; a Christmas piece with a named accompanist is of modest specialist interest.AI summary
Columbia 58256 Voice