3,431 shellac records · mostly British pressings, 1900s–1950s
3,431 records matching · page 40 of 72
JW Myers recorded 'The Wearing of the Green' on Columbia 194. Myers is not a major recording artist of known prominence, though the Irish song title is well-known.AI summary
Columbia 194 Voice
K.A. Hunter (described as 'sex' — possibly indicating vocal character or accompaniment style) on Columbia, performing 'Saxema' and 'Valse Erica'. Columbia was a major British label and this IS series suggests late 1920s or early 1930s.AI summary
Columbia is1375
Kahn, credited on an early Columbia 16D catalogue number, performing popular-song material of the late 1920s.AI summary
Columbia 16D Voice
Kaley on Columbia 4607, a dance-era novelty song from the mid-1920s.AI summary
Columbia 4607 Dance
Columbia DX1194
Kathleen Parlow, the Canadian concert violinist, performs three Romantic short pieces for Columbia's L-series: 'Melody' by Tchaikovsky, Bach's Gavotte, and Arensky's Serenade.AI summary
Columbia L1070 Classical
Kathleen Parlow (1890–1963), a Canadian concert violinist, performing Dvořák's 'Humoreske' and Rubinstein's 'Melody' on Columbia; Parlow was an internationally renowned recitalist.AI summary
Columbia L1080 Classical
Kathleen Parlow, a Canadian violinist of international renown, performing Chopin-Sarasate's *Nocturne* and *Liebesfreud* on Columbia. Parlow was one of the leading concert violinists of the early 20th century.AI summary
Columbia L1081 Classical
Kathleen Parlow, the Canadian violinist, recorded 'Les Millions d'Arlequin' and 'Indian Lament' for Columbia (A5798). Parlow was an internationally renowned concert violinist of the early twentieth century; this is an early electrical or late acoustic recording.AI summary
Columbia A5798 Classical
Kathleen Parlow, a Canadian concert violinist of international standing, recorded two classical showcase pieces for Columbia's prestige A-series in the 1920s.AI summary
Columbia A5843 Classical
Kathleen Parlow, the Canadian classical violinist, recorded "Humoreske" and a piece attributed to Rubinstein for Columbia; Parlow was a renowned soloist of the early twentieth century.AI summary
Columbia L1080 Classical
Kay Kyser and his orchestra, the 'Ol' Professor', performing 'On a Slow Boat to China' and 'Horses Don't Bet on People' for Columbia, the bandleader known for novelty and comedy recordings.AI summary
Columbia FB3450 Dance
Kemp vocal on Columbia 3426, a British dance-vocal side from the 1920s–30s.AI summary
Columbia 3426 Dance
Kemp's orchestra performing 'Red Hot Mamma' and 'June Night' (attributed to Lewis) on Columbia 3446, a dance record from the early 1920s.AI summary
Columbia 3446 Dance
Columbia L1026
Albert Ketèlby was a prolific English composer of light orchestral and ballet music, famous for descriptive and atmospheric pieces. This Columbia recording features two of his best-known salon compositions, characteristic of the Edwardian and interwar light-music tradition.AI summary
Columbia 068 Orchestra
King Nawahi's Hawaiians performing Hawaiian vocal numbers on Columbia. Nawahi was a Hawaiian musician recorded in the early acoustic era; UK copies of Hawaiian sides on the DB series are relatively scarce.AI summary
Columbia DB248 Hawaiian
Columbia GE17805
Kit-Kat, a vocal group or entertainment act, on Columbia 4399, performing light popular material of the late 1920s.AI summary
Columbia 4399 Dance
Kit-Kat performing two songs on Columbia 4655, a British pressing of the late 1920s or early 1930s.AI summary
Columbia 4655 Voice
Columbia 4703 Dance
Kitty Reidy was a vocalist recorded by Columbia in the 1920s; this disc preserves one of the few surviving recordings of her work.AI summary
Columbia 3891 Voice
Knickerbockers Band performing two novelty dance numbers on Columbia, one credited to the Cavaliers. This is an early 1920s dance recording from an unidentified or house orchestra.AI summary
Columbia 5402 Dance
The Knickerbockers Band, a light dance ensemble, recorded two popular songs on Columbia's cheap 5000 series, likely early 1930s.AI summary
Columbia 5402 Dance
André Kostelanetz, the Russian-American conductor known for orchestral arrangements of popular music, recorded 'Turkey in the Straw' and 'Bugle Call Rag' for Columbia DB1821, a UK pressing. Kostelanetz was a prolific Columbia recording artist.AI summary
Columbia DB1821 Orchestra
Kunz recorded waltzes 'Two Lips' and 'Twelve o'clock Waltz' for Columbia 5077, likely from the 1920s or early 1930s. The artist's identity and nationality are unclear.AI summary
Columbia 5077 Dance
L Henson and C Hulbert (Claude Hulbert, a British comedian) recorded a theatrical sketch for Columbia 9002, drawing on stage material about Mary Queen of Scots.AI summary
Columbia 9002 Comic
L. Henson and Stanislaus Holloway performing 'Careless Talk' on Columbia DB1965. A propaganda or wartime-topical recording from World War II era.AI summary
Columbia DB1965 Music Hall
L. Henson and T. Walls, credited on Columbia, recorded 'A Little Touch of Spring'. The catalogue number MC17 and artist credits suggest a dramatic or theatrical recording from the 1930s-40s. Nothing further is known of this recording.AI summary
Columbia MC17 Personalities (Prs)
L. Herval and J. Coast on Columbia 3904, performing 'Just We Two' and 'Memories' (credited to A. Prior), sentimental popular songs of the early 1920s.AI summary
Columbia 3904 Voice
L Lipowska and R Blanchart perform the duets 'Là ci darem la mano' and 'Dunque io son' from Don Giovanni on Columbia A5297. Both artists are opera singers of the early recording era not widely represented in major discographies; this is a standard acoustic-era operatic duet coupling.AI summary
Columbia A5297 Opera
A duet or comedy song featuring L St John and F Leslie on Columbia's F-series catalogue.AI summary
Columbia F1063 Music Hall
Laddie Cliff, a British comedian, singer and revue performer, recorded 'Fried Chicken' for Columbia. Cliff was popular in stage revue in the late 1920s–30s.AI summary
Columbia 3438 Music Hall
Laddie Cliff, a British performer and composer active in revue and musical theatre, recorded 'It's a great little World' and 'Nice Baby' for Columbia. Cliff was known for comic and novelty material.AI summary
Columbia 4080 Music Hall
Laddie Cliff, a British actor and entertainer of the 1920s–1930s, performing two songs on Columbia 4340. Cliff was known for stage revues and light entertainment.AI summary
Columbia 4340 Personalities (Prs)
Lanin, a prolific American dance-orchestra leader, recorded 'Sweet Child' and 'My Castle in Spain' for Columbia, catalogue 548D. Lanin was an important early 1920s dance-band leader, and his sides were extensively recorded and pressed both in the US and UK.AI summary
Columbia 548D Dance
Lanin's orchestra recorded two popular dance tunes for Columbia in the late 1920s or early 1930s.AI summary
Columbia CB341 Dance
Lanin, likely Sam Lanin or his orchestra (a prolific American dance bandleader of the 1920s), performs 'Oh by Jingo' and 'La Veeda' on Columbia.AI summary
Columbia 2982 Dance
Lanin's orchestra performing 'When the Red Red Robin' and 'For Heaven's Sake' on Columbia, a popular dance recording from the mid-1920s.AI summary
Columbia 4049 Dance
Lanin's orchestra recorded 'Baby Face' and 'Blue Bonnet' for Columbia, one of the major British labels, in the late 1920s—two jazz-age standards that were widely recorded.AI summary
Columbia 4098 Dance
Lanin, the prolific dance bandleader, in two pieces on Columbia: "Give me a Night in June" and "There must be Somebody Else", from the early 1930s.AI summary
Columbia 4874 Dance
Sam Lanin, a prolific New York bandleader and recording director of the 1920s, recorded two standards for Columbia in the early dance-band era.AI summary
Columbia 5107 Dance
Lanin's orchestra, a prolific American dance band of the 1920s, on Columbia. 'Gloriana' and 'Sally of My Dreams' are typical light dance repertoire from their extensive discography.AI summary
Columbia 5243 Dance
Sam Lanin was a prolific American bandleader and recording artist for Columbia; these mid-to-late 1920s sides, 'Deep Night' and 'Weary River', are typical orchestral dance music from his extensive catalogue.AI summary
Columbia 5373 Dance
Lanin (likely Sam Lanin or a member of his orchestra), recorded 'My sweeter than sweet' and 'My strongest weakness is you' for Columbia 2006D, a UK pressing from the late 1920s. The Lanin orchestras were prolific dance-band recording units.AI summary
Columbia 2006D Dance
Lanin's orchestra on Columbia, recording 'Hang On to Me' and 'Just You Just Me'. A typical dance-band side from Lanin's prolific 1920s recording career.AI summary
Columbia 5633 Dance
Credited to Lanin (likely Sam Lanin, the prolific bandleader), this Columbia CB series release pairs 'Promises' with 'Dancing with Tears in my Eyes', featuring Ruth Etting on vocals—credited here to Selvin.AI summary
Columbia CB119 Dance
Sam Lanin's orchestra recorded 'Cooking Breakfast for the One I Love' and 'Kickin a Hole in the Sky' for Columbia CB72, the Columbia budget series with very low catalogue numbers.AI summary
Columbia CB72 Dance