3,431 shellac records · mostly British pressings, 1900s–1950s
3,431 records matching · page 41 of 72
Lanin (likely Paul Lanin, a dance-band leader of the 1920s-1930s) on 'You didn't know the Music' and a Lombardo number, from Columbia CB415. Both Lanin and Guy Lombardo were major recording artists of the dance-band era; these are typical popular dance sides.AI summary
Columbia CB415 Dance
Lanin recorded 'On the Beach with You' and 'Many Happy Returns of the Day' for Columbia, catalogue CB341. This is an early dance-band recording from the Edwardian or 1920s era.AI summary
Columbia CB341 Dance
Lanin led a popular American dance orchestra of the 1920s-1930s; this Columbia recording, catalogue CB119, features 'Promises' and 'Dancing with Tears in My Eyes' (with vocalist Ruth Etting and the Selvin orchestra).AI summary
Columbia CB119 Dance
Lanny Ross on Columbia DD1462, performing 'Thanks a Million' and 'Day Dreams'. Ross was an American tenor and film star of the 1930s–40s, popular in light song and musical theatre.AI summary
Columbia DD1462 Voice
Larry Adler, the great virtuoso harmonica player, recorded for Columbia. Adler was an internationally celebrated musician and remains actively collected; this side dates from the 1940s–1950s.AI summary
Columbia DB1490 Instrumental
Larry Adler (1914–2001) was the world's most celebrated harmonica virtuoso, equally at home in classical transcriptions and popular ballads. This Columbia DB-series pressing of a Genevieve waltz and blues material shows his musical range.AI summary
Columbia DB3327 Instrumental
Larry Adler was the world's most celebrated harmonica virtuoso and a major concert and recording artist from the 1930s onwards. This Columbia DB-series 78 captures two of his characteristic lyrical interpretations, blending popular melody with sophisticated harmonic arrangement.AI summary
Columbia DB3327 Instrumental
Larry Adler, the American harmonica virtuoso, recorded 'A Foggy Day' and 'Remember Me' for Columbia. These instrumentals showcase his refined playing on popular song melodies.AI summary
Columbia FB1886 Instrumental
Lauri de Frece and (on side B) M Lester recorded two songs for Columbia's L-series (mid-1920s): "I Understood" and "Dirty Work". Lauri de Frece was a versatile musical-comedy and concert singer of the Edwardian–1920s era.AI summary
Columbia L1158 Voice
Layton and Johnstone, the American vocal duet, on Columbia 3511 with hot-jazz novelty songs from the late 1920s. The pair was known for rhythmic comedy numbers and close harmonies during the dance-band era.AI summary
Columbia 3511 Jazz
Layton and Johnstone, a celebrated African-American vocal duo and jazz artists, recorded 'Hard Hearted Hannah' and 'It Had to Be You' for Columbia, catalogue 3511. The duo were influential jazz vocalists of the early and mid-1920s, and their recordings remain sought after by jazz collectors.AI summary
Columbia 3511 Jazz
Layton and Johnstone were an influential American vocal duo who recorded numerous sides in the 1920s–30s, known for their close harmonies and charm. This Columbia recording of two popular standards typifies their easy-listening style and was likely mass-pressed by the major label.AI summary
Columbia DB245 Voice
Layton and Johnstone perform 'Goodnight Sweetheart' and 'Shout for Happiness' on Columbia DB513 from the late 1920s or early 1930s. Layton and Johnstone were a popular duo, mainly known as a vaudeville act.AI summary
Columbia DB513 Voice
Layton and Johnstone, the celebrated American vocal duo, performing 'I've Gotta Right to Sing the Blues' and 'Stormy Weather' on Columbia's DB-series in the early 1930s.AI summary
Columbia DB1066 Voice
Layton and Johnstone performing their signature material on Columbia DX306. Layton and Johnstone were a famous African American song-and-dance duo who recorded extensively in the 1920s–30s and were among the most recorded entertainers of their era.AI summary
Columbia DX306 Personalities (Prs)
Layton and Johnstone, a British vocal duo, performing 'Love Is the Sweetest Thing' and 'Nightfall' on Columbia DB1029, a standard dance-era coupling.AI summary
Columbia DB1029 Voice
Layton and Johnstone were a popular American vocal duo of the 1920s and 1930s, best known for their light, sophisticated close-harmony style; this Columbia DB740 sides 'I Found a Million Dollar Baby' and 'Love Letters in the Sand' are representative of their repertoire.AI summary
Columbia DB740 Voice
Layton and Johnstone were a British vocal duo popular in the 1920s–1930s; this Columbia pressing features sentimental ballads of the period.AI summary
Columbia DB889 Voice
Layton and Johnstone, an American vocal duo, recorded 'Alabamy Bound' and 'I'll take her back (if...)' for Columbia in the 1920s. Layton and Johnstone were a popular novelty and comedy singing duo known for their work in musical theatre and recordings.AI summary
Columbia 3672 Voice
Leon Goossens, the celebrated British oboist, performed with a piano accompanist (credited as 'Simple Aveu'), recorded for Columbia. Goossens was one of the finest oboists of the mid-20th century and recorded extensively.AI summary
Columbia DB600 Instrumental
Lecuona Cuban Boys, a well-known Cuban dance band, perform two Latin standards: 'Amapola' and 'Tabou'. This is a Columbia Records UK pressing, and the group's recordings remain sought by Latin music and dance collectors.AI summary
Columbia FB1273 Dance
Lee Morse, a highly accomplished American jazz singer and instrumentalist of the 1920s-30s, performs Cole Porter's 'Let's Do It' and 'If You Want the Rainbow' on Columbia — key sides in her discography.AI summary
Columbia 1659D Jazz
Lee Morse, a popular blues and jazz singer of the 1920s, performing 'I'm doing what I'm doing for Love' and 'He's a good Man to have around' on Columbia.AI summary
Columbia 5588 Jazz
Lee Morse, an American jazz and blues singer, on Columbia with 'We' and 'Rosita'; Morse was a sophisticated jazz vocalist and instrumentalist from the 1920s.AI summary
Columbia 1082D Jazz
Lee Morse, an American jazz and blues vocalist of the 1920s, performs two ballad songs on Columbia 1149D: "I've Looked All Over for a Girl Like You" and "Dawning." Morse was a significant early recording artist and this is a British Columbia pressing from the mid-1920s.AI summary
Columbia 1149D Jazz
Lee Morse, an American jazz and blues singer of the 1920s, on Columbia 1621D. Morse was a prolific recording artist and occasional instrumentalist, and her sides are sought by jazz and blues collectors.AI summary
Columbia 1621D Jazz
Lee Morse on Columbia 2564D, 'Call me Darling' / 'I'm for you a hundred percent'. Lee Morse was a notable 1920s–1930s female vocalist, saxophonist and bandleader, recorded extensively on major labels.AI summary
Columbia 2564D Voice
Lee Morse on Columbia DB147, the jazz and blues vocalist Morse performing 'Cooking Breakfast for the one I love' and 'Funny Dear what Love can do', from the late 1920s.AI summary
Columbia DB147 Jazz
Lee Morse was an American blues and jazz singer active from the 1920s; this Columbia DB-series disc from the early 1930s carries two spiritually-tinged numbers, credited to her but possibly group recordings.AI summary
Columbia DB579 Voice
Lee White and J Morrison performing two popular songs—'On the 5.15' and 'High Cost of Loving'—on Columbia 527, a pre-1920s popular vocal recording.AI summary
Columbia 527 Voice
Leff Pouishnoff, a pianist, on Columbia 4830 with 'Moment Musicale' and 'Tango', from Columbia's early numerical catalogue.AI summary
Columbia 4830 Instrumental
Lefty Frizzell, the pioneer of honky-tonk, performing 'Travelin' Blues' and 'I Want to Be with You Always' on Columbia MC3422, a British pressing of the Texas country singer.AI summary
Columbia MC3422 Country
Lefty Frizzell (1928–1975) was an influential American honky-tonk and country singer who helped define the honky-tonk sound of the 1950s; this Columbia side, recorded in the early 1950s, captures two of his sentimental country ballads.AI summary
Columbia MC3412 Country
Lefty Frizzell, a major honky-tonk pioneer, recorded 'Shine Shave Shower' and 'Look What Thoughts Will Do' for Columbia in the early 1950s.AI summary
Columbia MC3412 Country
Lefty Frizzell, a pioneering American country singer, recorded the country songs 'Shine Shave Show' and 'Look What Thoughts Will Do' for Columbia in the early 1950s.AI summary
Columbia 20772 Country
Lefty Frizzell, the American country-music pioneer, recording 'Blue Yodel No 6' and 'Travelli' Blues' for Columbia 20842, likely early 1950s.AI summary
Columbia 20842 Country
Lefty Frizzell recorded 'Brakeman's Blues' and 'My Rough and Rowdy Ways' for Columbia (MC3431). Frizzell was an important American country and honky-tonk singer of the late 1940s–50s; these are early recordings in his influential style.AI summary
Columbia MC3431 Country
Len Fillis performs 'The World Is Waiting for the Sunrise' and 'Three Little Words' on Columbia DB series, two very popular American songs from the 1920s–1930s.AI summary
Columbia DB498 Voice
Len Fillis recorded 'No. 13 Blues' and an instrumental numbered piece for Columbia in the 1920s. Fillis is not otherwise well documented as a recording artist.AI summary
Columbia DB723 Jazz
Len Fillis recorded 'No 13 blues' and 'In A' for Columbia DB723, likely a British jazz or instrumental side from the late 1920s or 1930s.AI summary
Columbia DB723 Jazz
Len Fillis was a South African recording artist of the 1950s; these titles in Afrikaans were recorded for the Columbia South African market.AI summary
Columbia DE123 Voice
Len Fillis, credited on Columbia 5698, performing 'Progressions' and a piece with Al Bowlly titled 'Anita'. Limited information available about Fillis, though Bowlly was a prolific British vocalist of the 1930s.AI summary
Columbia 5698 Voice
Len Fillis, a British dance-band saxophonist, recorded these three titles for Columbia around the early 1930s. The medley format and saxophone-feature arrangement are typical of the period's popular dance music.AI summary
Columbia 4161 Dance
Len Fillis recorded 'Sort of Uncertain' and 'My Rose' for Columbia; both are sentimental popular songs of the 1920s–1930s.AI summary
Columbia 4383 Voice
Len Fillis performing 'Suite Strings' and 'Tamin' the Tenor' on Columbia 4161, a light instrumental recording.AI summary
Columbia 4161 Instrumental
Len Fillis Entertainers on Columbia, light novelty songs of the late 1920s.AI summary
Columbia 5328 Instrumental
Len Fillis Novelty Quartet on Columbia 5538 with 'Deep Night' and 'I'll Never Ask for More', a British novelty vocal group on Columbia's early numerical series.AI summary
Columbia 5538 Music Hall
Len Fillis and his novelty quartet recorded for Columbia in the 1950s; ballad novelties likely from the South African market.AI summary
Columbia 5522 Voice