3,431 shellac records · mostly British pressings, 1900s–1950s
3,431 records matching · page 46 of 72
Mackey performing 'Two little bluebirds' and 'D'ye love me?' on Columbia 4101, from the early 1930s.AI summary
Columbia 4101 Voice
Credited to Mackey on Columbia 4144, a high catalogue number in the popular-vocal series; the titles suggest sentimental or novelty material from the late 1920s.AI summary
Columbia 4144 Voice
Mackey recorded the popular songs 'Beautiful Baby' and 'Don't Forget' for Columbia early in the 1930s. The artist is not further identified.AI summary
Columbia 4145 Voice
Mackey performing novelty popular songs on Columbia 4151, a mid-to-late 1920s Columbia pressing. Mackey's name appears on several contemporary dance and novelty recordings.AI summary
Columbia 4151 Music Hall
Mackey performing two popular songs on Columbia, a major British label.AI summary
Columbia 4174 Voice
A dance number by Mackey on Columbia 4213, a popular British label of the 1920s–30s.AI summary
Columbia 4213 Dance
Mackey on Columbia 4253 with 'Waiting for the Rainbow' and 'Ça C'est Paris', mid-1930s popular songs. The artist Mackey is not clearly identified in standard references.AI summary
Columbia 4253 Voice
The Mackey Band with a Columbia recording pairing 'Mercenary Mary' with the Columbians' 'Honey I'm in Love with You'. These are light dance and novelty numbers typical of mid-to-late 1920s Columbia output.AI summary
Columbia 3742 Dance
The Madrid Symphony Orchestra under the composer Arbós recorded 'Noche de Arabia' (Arabian Night) for Columbia. Arbós was a Spanish conductor and composer of the early 20th century.AI summary
Columbia 9583 Orchestra
Columbia 292020
Mae West, the American entertainer and actress, performing two risqué novelty numbers from her film *I'm No Angel* (1933): *I'm No Angel* and *They Call Me Sister Honky Tonk* on Columbia. West was a major film star and recording artist of the 1930s.AI summary
Columbia DB1804 Personalities (Prs)
Maggie Jones, a classic female blues shouter of the 1920s, recorded 'Good Time Flat blues' and 'Screamin the blues' for Columbia. Jones was a contemporary of Bessie Smith and a significant figure in early recorded blues.AI summary
Columbia 14055D Jazz
Maggie Jones, a blues and vaudeville singer, performing 'Cheatin on me' and 'Mama' for Columbia 14074D.AI summary
Columbia 14074D Voice
Malcolm McEachern, the Scottish comedian and vocalist, recorded these comic character songs for Columbia in the 1930s, celebrating rural English and West Country life.AI summary
Columbia DB1320 Music Hall
Malcolm McEachern, the Scottish baritone, recorded 'I am a Friar of Orders Grey' and 'Drinking' for Columbia. McEachern was a celebrated concert and recording artist known for his rich baritone voice and interpretation of art songs and ballads.AI summary
Columbia DB174 Voice
Columbia DB174
Malcolm McEachern, a Scottish baritone and comedian, recorded two Scottish novelty songs for Columbia at an extremely early point in the label's history (Columbia DB4, among the very first in the DB series). McEachern was a popular Scottish music-hall performer.AI summary
Columbia DB4 Music Hall
Mallory and Comber recorded 'Love and Duty' and 'Leander' for Columbia. These appear to be classical or theatrical pieces, possibly performed by vocalists or an ensemble.AI summary
Columbia 3628 Personalities (Prs)
Mannie Klein, a virtuoso swing trumpet player, recorded with Hawaiian-inflected titles on Columbia FB-series around the mid-1930s, blending jazz swing with tropical styling.AI summary
Columbia FB2015 Hawaiian
Mannie Klein's swing group recorded Hawaiian-flavoured instrumental numbers 'Dreamy Hawaiian Moon' and 'Moonlight in Waikiki' for Columbia; Klein was a respected jazz trumpeter of the 1930s.AI summary
Columbia FB2015 Hawaiian
An artist credited as 'Manonvitch' recorded 'Slavonic Rhapsody' parts 1 and 2 for Columbia, probably in the early 1920s. The piece is a classical piano or violin work, but the performer is not clearly identified.AI summary
Columbia is4527 Classical
Columbia FB2136 Dance
Mantovani and his orchestra on two light orchestral pieces, Columbia FB pressing from the 1940s.AI summary
Columbia FB2122 Orchestra
A Maori Hawaiian ensemble recorded two German-language songs (oddly billed as Hawaiian music) for Columbia in the 1930s–40s, likely for the German-speaking market.AI summary
Columbia DCW24 Hawaiian
Marcel Ciampi, a French pianist, recorded solo classical repertoire on Columbia, likely 1920s–30s.AI summary
Columbia D13074 Classical
Marcel Ciampi, a French pianist, recorded Chopin's Nocturne for Columbia D15226. Ciampi was a concert pianist of minor international reputation.AI summary
Columbia D15226 Classical
Marcel Journet was a distinguished French bass who sang at the Met, Covent Garden, and the Paris Opéra over a long career. Columbia 3135 presents his account of the Stances from Delibes's Lakmé — an unusual choice for a bass, suggesting this may be a different extract or a transcription. An early Columbia single-sided acoustic pressing by a major operatic bass.AI summary
Columbia 3135 Opera
Marek Weber, a German salon orchestra leader, recorded two takes of a Strauss medley, 'In Old Vienna', for Columbia in the 1930s.AI summary
Columbia 36493 Orchestra
Columbia DB1172
Margaret Bannerman was a British musical-theatre performer; these Columbia sides are from her recording career in the early 1930s.AI summary
Columbia DB1172 Voice
Margaret Woodrow Wilson, daughter of US President Woodrow Wilson, sings 'The Star-Spangled Banner' on Columbia A1685, with patriotic airs by band on the reverse. This is a genuine curiosity — a presidential daughter who pursued a brief singing career, recording for American Columbia during her father's presidency. The novelty of the attribution gives it a collector interest beyond its musical content.AI summary
Columbia A1685 Voice
Maria Gay, a Spanish mezzo-soprano of international standing, performing two operatic arias—the Habanera and the Card Game air—on Columbia Records. Gay was a celebrated artist of the early 20th century.AI summary
Columbia A5279 Opera
Maria Zamboni on Columbia, this pressing of 'Cui si spesso' and 'La Tua nonla mano' is an operatic soprano's Italian aria coupling.AI summary
Columbia D12565 Opera
Marie Burke recorded two sentimental ballad sides for Columbia. Burke was a British musical theatre performer and singer active in the mid-20th century.AI summary
Columbia 5348 Voice
Marie Burke was a British soprano and musical-theatre performer of the 1920s-30s, and this Columbia recording captures her in two romantic ballads typical of her repertoire.AI summary
Columbia 5375 Voice
Marie Burke and Dennis Noble performing waltzes from the operetta Vienna on Columbia, a duet recording of the 1940s–50s.AI summary
Columbia DB620 Opera
Marie Spink on Columbia 667, a whistling novelty recording 'Zig zag Whistling selection' in two parts, from the early 1900s–10s.AI summary
Columbia 667 Misc.
Marimbaphone Band performing 'At the Cotton Pickers' Ball' and a novelty piece on Columbia 2909, a British dance recording from the 1920s.AI summary
Columbia 2909 Instrumental
Mario Harp Lorenzi recorded 'Le Cygne' (Saint-Saëns' 'The Swan') and 'Rendezvous' for Columbia, offering harp performances of salon-classical repertoire; a specialist instrumentalist.AI summary
Columbia FB1994 Instrumental
Mario Harp Lorenzi and his Rythmics recorded jazz standards for Columbia in the 1930s. Harp Lorenzi was an Italian-American jazz ensemble leader of minor standing.AI summary
Columbia FB1168 Jazz
Mario Lorenzi on Columbia, recorded for the company's FB (12-inch) series; these instrumental pieces exploit the harp's timbre in the interwar period.AI summary
Columbia FB1916 Instrumental
Marion Green recorded two songs with traditional English themes for Columbia in the 1920s-30s. Green is not documented as a major artist.AI summary
Columbia L1306 Voice
Marion Harris, an influential American jazz and blues vocalist of the 1920s, recorded 'I'm a Jazz Vampire' and 'Never Let No One Man Worry Your Mind' on Columbia A3328. Harris was one of the earliest white singers to record jazz and blues material.AI summary
Columbia A3328 Jazz
Marion Harris, an American blues and popular singer of the 1920s, recorded 'Would You Like to Take a Walk?' and 'My Canary Has Circles Under His Eyes' for Columbia.AI summary
Columbia DB453 Voice
Marion Harris, an American popular singer of the 1920s, performing 'Spring Is Here Again' and 'Getting Sentimental' on Columbia DB851.AI summary
Columbia DB851 Voice
Marion Harris, a popular American jazz and blues singer of the 1920s, on Columbia catalogue A3367, performing 'Look for the Silver Lining' and 'I'm gonna do it if I like'. Harris was among the first white singers to record jazz material and had significant commercial success.AI summary
Columbia A3367 Jazz
Mark Sheridan performing 'Belgium Put the Kibosh on the Kaiser' — one of the most popular British comic songs of the First World War — and 'Here We Are Again', on Columbia catalogue 2483. This wartime coupling is historically interesting; 'Belgium Put the Kibosh on the Kaiser' was a major patriotic hit of 1914.AI summary
Columbia 2483 Music Hall
Mark Sheridan singing 'Belgium Put the Kibosh on the Kaiser' and 'Here We Are Again' on Columbia 2483. Sheridan was a popular British music hall comedian and singer, and the title track is his best-known comic song about the First World War.AI summary
Columbia 2483 Music Hall