3,430 shellac records · mostly British pressings, 1900s–1950s
3,430 records matching · page 52 of 72
Pantomime company performance of Dick Whittington on Columbia 349, a two-part theatrical recording.AI summary
Columbia 349 Misc.
A pantomime recording of 'Cinderella' on Columbia 422, likely a British theatrical or music hall release from the early 1900s–1920s.AI summary
Columbia 422 Music Hall
Percival Mackey's band recorded 'Bouquet' and 'Who Takes Care of the Caretaker's Daughter' for Columbia 3687. Mackey was a British bandleader and composer of the 1920s-1930s.AI summary
Columbia 3687 Dance
Pat Kirkwood, a British actress and musical theatre star, on Columbia DB2400, performing medley/duet material with Vic Oliver, including 'I'll think it over / So Little Time' and 'Make mine allegro'.AI summary
Columbia DB2400 Personalities (Prs)
Paul Anka with Diana and Don't Gamble with Love on Columbia DB3980. Diana was his 1957 hit.AI summary
Columbia DB3980 Rock
Paul Anka, the teen pop idol of the 1950s, recorded 'Tell Me That You Love Me' and 'I Love You, Baby' for Columbia Records.AI summary
Columbia DB4022 Voice
Paul Anka on Columbia DB4110. Anka was a hugely successful pop singer-songwriter of the 1950s and early 1960s, known for hits including 'Diana', 'Lonely Boy' and as a songwriter.AI summary
Columbia DB4110 Rock
Paul Ash, a British conductor and pianist, performing two popular songs on Columbia—'My Pet' and 'Dolores'. Ash was a well-known dance bandleader and composer of the 1920s–30s.AI summary
Columbia 4936 Dance
Paul Klenau conducting Debussy's 'Iberia' (parts 3–4) on Columbia L2000, a mid-period electrical recording of orchestral music.AI summary
Columbia L2000 Classical
Columbia L1772 Classical
Paul Mares on Columbia, catalogue 35686, with 'Reincarnation' and 'Maple Leaf Rag'. Mares was a New Orleans jazz trumpeter active in the 1920s, and this side represents early American jazz on a British pressing.AI summary
Columbia 35686 Jazz
Paul Robeson, the renowned American baritone and activist, performing two folk songs—'John Henry' and 'Water Boy'—on Columbia DB2506. Robeson was a major recording and concert artist whose folk and spiritual recordings remain influential and sought-after.AI summary
Columbia DB2506 Voice
Paul Robeson on Columbia, performing 'John Henry' and 'Water Boy' — the American bass singer, actor and civil-rights activist, performing iconic American folk and work songs.AI summary
Columbia DB2506 Voice
Paul Robeson, the celebrated African American bass-baritone and actor, recorded 'Song of the Fatherland' and 'Song of the Plains' for Columbia DB2125 in the electrical era.AI summary
Columbia DB2125 Voice
Paul Robeson, the great American bass-baritone, actor and activist, recorded on Columbia. 'John Henry' and 'Water Boy' are spirituals and folk songs central to Robeson's repertoire and ideology. Robeson's recordings are widely sought.AI summary
Columbia DB2506 Voice
Columbia A3863 Dance
Paul Tremaine and his orchestra on Columbia CB138, performing "When day's work's all been done" and "Steamboat Bill"; CB series indicates very early Columbia catalogue.AI summary
Columbia CB138 Orchestra
Paul Weston's orchestra performing 'Anna' and 'Stardust' on Columbia; Weston was a respected American bandleader and arranger of the 1940s–1950s.AI summary
Columbia 50026 Orchestra
Paul Whiteman and his orchestra, the most commercially successful dance band of the 1920s, recorded 'Orange Blossom Time' and 'Your Mother and Mine' for Columbia; the low catalogue number indicates an early electrical recording or late acoustic period.AI summary
Columbia 1845 Dance
Paul Whiteman, the American bandleader and composer, recording 'The New Tiger Rag' and 'The Wedding of the Birds' for Columbia CB-series (CB163), likely early 1920s.AI summary
Columbia CB163 Jazz
Untitled
Paul Whiteman was the celebrated American 'King of Jazz' and bandleader; this Columbia CB catalogue entry is too sparse to identify but represents a major figure in dance-band recording.AI summary
Columbia CB86 Jazz
Paul Whiteman's orchestra, 'The King of Jazz', recorded 'How About Me' and 'Just a Sweetheart' for Columbia, representing the leader's dominant position in 1920s–30s dance music.AI summary
Columbia 5305 Dance
Paul Whiteman and his orchestra on two standards from the jazz age: 'After You've Gone' and 'Nobody's Sweetheart', recorded for Columbia. Whiteman was the most famous dance-band leader of the 1920s-30s, and his records remain sought-after by collectors of hot jazz and early swing.AI summary
Columbia 5702 Dance
Columbia 5204
Untitled
Columbia CB87
Paul Whiteman band, the leading American dance orchestra of the 1920s–30s often called the 'King of Jazz', performing 'That's my weakness now' and 'Ja da' on Columbia 5006. Whiteman was one of the most influential bandleaders of the early jazz era.AI summary
Columbia 5006 Dance
Paul Whiteman, the bandleader known as the 'King of Jazz,' recorded 'How About Me' and 'Just a Sweetheart' for Columbia; Whiteman was one of the most prolific recording artists of the 1920s–30s.AI summary
Columbia 5305 Dance
Paul Whiteman's orchestra, one of the most celebrated American dance bands of the jazz age, on Columbia; Whiteman was hugely prolific and his recordings were widely available.AI summary
Columbia 1553D Jazz
Paul Whiteman and his Orchestra on Columbia, catalogue 5544. Whiteman was the most famous American bandleader of the 1920s–30s, billed as the 'King of Jazz', and a prolific recording artist. His records are among the most collected of the era.AI summary
Columbia 5544 Orchestra
The Rhythm Boys were a close-harmony vocal trio, best known as Paul Whiteman's featured singers in the late 1920s; this Columbia side captures their sophisticated jazz-inflected style on 'Rhythm King' and the novelty number 'My Suppressed Desire'.AI summary
Columbia 5240 Jazz
Paula Green performing the Latin American hit 'Tico Tico' and 'What a Difference a Day Made' on Columbia FB3084, a 1940s British dance recording.AI summary
Columbia FB3084 Voice
Paula Green recorded 'I'm in love with two sweethearts' and 'Symphony' for Columbia FB3158, a light popular vocal from the 1930s–1940s era.AI summary
Columbia FB3158 Voice
Paula Green Band on Columbia FB3158 from the 1940s or 1950s.AI summary
Columbia FB3158 Dance
Paula Green Band on Columbia FB3172 from the 1940s or 1950s.AI summary
Columbia FB3172 Dance
Payne performing 'You Die If You Worry' and 'Blue Pacific Moonlight' on Columbia CB76, from the late 1920s.AI summary
Columbia CB76 Voice
A performer credited as Payne recorded "On Her Doorstep Last Night" and "Fairy on the Clock" (with Somers) for Columbia's 5000-series catalogue, circa early 1930s.AI summary
Columbia 5634 Voice
A piano or small ensemble recording credited to Payne on Columbia 5635, featuring 'I've got a Feeling I'm falling' and 'Riding on a Camel'.AI summary
Columbia 5635 Dance
Jack Payne and his orchestra performing 'It's an Old Spanish Custom' and 'Give Yourself a Pat on the Back' on Columbia 5739.AI summary
Columbia 5739 Dance
Payne on Columbia CB-series (light entertainment material from the late 1920s), performing novelty songs of the period.AI summary
Columbia CB144 Voice
A vocalist credited as Payne performs 'An Old Italian Love Song' and 'All Hands on Deck' on this Columbia early pressing, likely from the 1920s or early 1930s.AI summary
Columbia CB8 Voice
Payne on Columbia, performing light dance-band material from the late 1920s.AI summary
Columbia 4933 Dance
Payne's recording of "Sweet Sue" and "Out of the Dawn" for Columbia's 5000 series.AI summary
Columbia 5074 Voice
Credited to Payne on Columbia 5417, a high catalogue number in a series that ran to the early 1930s; the titles 'Do Something' and 'I'll always be in Love with you' suggest a popular vocalist.AI summary
Columbia 5417 Voice
Payne performing the popular song 'Look in Her Eyes' on Columbia 5451, a British pressing from the 1920s–30s era.AI summary
Columbia 5451 Voice
A singer credited as Payne recorded "My Ideal" and "This Is Heaven" on Columbia's 5000-series catalogue, circa early 1930s.AI summary
Columbia 5452 Voice
Payne performing popular song material on Columbia 5482, a mid-to-late 1920s pressing. The artist Payne is not prominently recorded in standard discographies.AI summary
Columbia 5482 Voice
Payne performing 'Huggable Kissable You' and 'Excuse Me Lady' on Columbia 5482.AI summary
Columbia 5482 Voice
A vocalist credited as Payne on Columbia, recording sentimental popular songs of the 1920s–30s.AI summary
Columbia 5500 Voice