3,430 shellac records · mostly British pressings, 1900s–1950s
3,430 records matching · page 53 of 72
Payne recorded the novelty 'My Wife is on a Diet' and 'Doll's House' for Columbia 5630 in the late 1920s, comic-novelty material typical of that period.AI summary
Columbia 5630 Voice
Payne on Columbia 5659, performing 'Sunnyside Up Selection' (both sides). The artist is not identified; this is a medley or selection from a popular song or operetta.AI summary
Columbia 5659 Dance
Jack Payne led the BBC Dance Orchestra, one of Britain's most famous ensembles of the 1920s-1930s; 'Californian Serenade' and 'Say a Little Prayer for Me' appear on this Columbia pressing, catalogue CB130.AI summary
Columbia CB130 Dance
A performer named Payne on Columbia, recording popular ballads and novelties of the early period.AI summary
Columbia CB37 Voice
Payne recorded 'Lucky Me Lovable You' and 'Happy Days Are Here Again' for Columbia, catalogue CB9, in the mid-1920s. An early Columbia popular-song recording.AI summary
Columbia CB9 Voice
A singer credited as Payne on Columbia CB197, performing 'You're Gonna Be Young' and 'Sittin' on a Five Barred Gate', likely from the early 1930s.AI summary
Columbia CB197 Voice
Payne recorded 'Makin' Faces at the Man in the Moon' and 'Cherie C'est Vous' for Columbia, popular songs likely from the 1920s–30s.AI summary
Columbia CB347 Voice
Payne, a singer performing popular songs on Columbia's budget CB series, likely from the 1930s.AI summary
Columbia CB356 Voice
Columbia CB388 Dance
Credited to Payne on Columbia 5001, performing ballads 'There Are Your Eyes' and 'Just a Voice'.AI summary
Columbia 5001 Voice
Columbia 5518 Dance
A recording by an unidentified artist credited to Payne on Columbia's CB series, a budget line of the late 1920s or early 1930s.AI summary
Columbia CB17 Voice
A 78rpm single by Payne on Columbia, catalogue 5518, from the early acoustic era of British recording; without more information about the artist or recording date, this remains difficult to place.AI summary
Columbia 5518 Dance
Payne Band performing two light songs on Columbia's early catalogue (5000 series), dating from the 1910s–1920s. The band is not identified in standard references.AI summary
Columbia 5118 Dance
Peggy O'Neil and A W Bascomb on Columbia 3000 series, an early dance or popular vocal recording, likely from the mid-1920s.AI summary
Columbia 3808 Voice
Columbia 3808 Personalities (Prs)
Penrose and Whitlock, a British music hall duo, performing two novelty and character numbers on Columbia; the is780 catalogue number places this in Columbia's early electrical or late acoustic period, circa 1925–1928.AI summary
Columbia is780 Music Hall
Perceval Allen performing two Scottish traditional songs, 'Robin Adair' and 'Comin' thro' the Rye', on Columbia 2668. A vocal performance in the salon style common to early acoustic recordings.AI summary
Columbia 2668 Voice
Percy Grainger on Columbia performing 'Shepherd's Hey' and 'Country Gardens', English folk settings by the Australian composer and pianist, recorded for the classical repertoire.AI summary
Columbia DB1664 Classical
Percival Mackey recorded 'Tea for Two' and 'I Want to Be Happy' for Columbia—light instrumental or dance arrangements from the 1920s–1930s by a British bandleader of the period.AI summary
Columbia 3663 Dance
Percival Mackey, a British bandleader, performing popular dance material on Columbia 3847. Mackey led a well-known British dance band of the 1920s-30s.AI summary
Columbia 3847 Dance
Columbia CB168
Percival Mackey, a British bandleader and violinist active in the 1920s–1930s, on Columbia with light dance and song material. Mackey led one of Britain's popular dance orchestras.AI summary
Columbia 3709 Dance
Percival Mackey at the piano on Columbia 3230, performing 'My Pet' and 'Greenwich Witch', likely light piano pieces or novelty numbers from the early 1920s.AI summary
Columbia 3230 Instrumental
Percival Mackey Band, a British dance orchestra, recorded 'Here in My Arms' and 'Tiny Flat Near Soho Square' for Columbia, typical of the light dance music popular in the 1920s–30s.AI summary
Columbia 4184 Dance
Percival Mackey Band on Columbia 4090, a British dance orchestra, with 'Gentlemen prefer blondes' and 'I don't care what you used to be'.AI summary
Columbia 4090 Dance
Percival Mackey, a London bandleader and theatre musical director of the 1920s, with Delibes' 'Naila' intermezzo and 'Echoes of Ireland' on Columbia.AI summary
Columbia 3821 Orchestra
Percival Mackey's Band on Columbia — Mackey was a British bandleader and conductor active in the 1920s–30s.AI summary
Columbia 4173 Dance
Percy Buck on Columbia D40103: a spoken-word educational recording on music appreciation, recorded in the electrical era (post-1925).AI summary
Columbia D40103 Personalities (Prs)
Percy Faith, Canadian composer and conductor, led popular orchestral-pop arrangements for Columbia; this 40000-series pressing from the 1950s represents a major commercial orchestral act.AI summary
Columbia 40277 Orchestra
Percy Grainger performing Chopin's Scherzo Op. 31 No. 2 across two sides on Columbia catalogue 2025M. Grainger was a distinctive and accomplished pianist; Columbia pressings of his Chopin playing are of moderate collector interest.AI summary
Columbia 2025M Instrumental
Percy Grainger performing his own fantasy on Strauss's Der Rosenkavalier across two sides on Columbia DB28. The DB-series Columbia is a 12-inch pressing series; Grainger's own fantasy arrangement of the Rosenkavalier waltzes is a distinctive and characteristic piece of his piano writing, and a Columbia DB-series pressing is moderately uncommon.AI summary
Columbia DB28 Instrumental
Percy Grainger performing Liszt's Hungarian Fantasy across two sides on Columbia A6115. Grainger was a distinctive and accomplished pianist as well as a composer; the A-series Columbia suggests an American-market pressing of his piano work.AI summary
Columbia A6115 Instrumental
Percy Grainger performing Chopin's Polonaise in E Major across two sides on Columbia A6205. Grainger was a distinctive and accomplished pianist; Columbia A-series pressings of his Chopin playing are of moderate collector interest.AI summary
Columbia A6205 Instrumental
Percy Grainger performing Liszt's Hungarian Rhapsody No. 2 on Columbia L1302, a 12-inch pressing. Grainger was a distinctive and technically accomplished pianist as well as a composer; his Columbia piano recordings are collected by enthusiasts of early keyboard playing. A 12-inch Grainger Columbia pressing is moderately uncommon.AI summary
Columbia L1302 Instrumental
Percy Grainger performing Chopin's Polonaise in A Flat Major and Prelude in A Flat on Columbia L1352 — a 12-inch pressing. Grainger was a distinctive and accomplished pianist; Columbia L-series 12-inch pressings of his Chopin playing are moderately uncommon.AI summary
Columbia L1352 Instrumental
Percy Grainger performing Liszt's Hungarian Fantasy on Columbia L1368, a 12-inch pressing. Grainger was a distinctive and accomplished pianist as well as a composer; his Columbia piano recordings are collected by enthusiasts of early keyboard playing.AI summary
Columbia L1368 Instrumental
Percy Grainger, the Australian-born pianist and composer, performing Brahms' 'Étude/Waltz' and Chopin's 'Prelude in A Flat Major' on Columbia 7109, an electrical recording of one of the twentieth century's great pianists.AI summary
Columbia 7109 Classical
Percy Grainger performing Liszt's Hungarian Rhapsody No. 2 on Columbia L1302 — a duplicate of id 15084 in this collection. Both copies should be compared for condition before sale.AI summary
Columbia L1302 Instrumental
Pete Kelly's Orchestrion on Columbia with 'I never knew' and 'Pete Kelly's blues'; Pete Kelly's Blues was a hit novelty recording of the early 1950s.AI summary
Columbia 40592 Dance
Pete Woolery recorded 'Then Came the Dawn' and 'If You Don't Love Me' for Columbia, catalogue 5114; both are sentimental popular songs, likely from the 1920s-1930s.AI summary
Columbia 5114 Voice
Peter Gawthorne was a British baritone and character singer active in the 1920s–1930s; 'Garden of Girls' and 'Hearts that Were Aching' are typical drawing-room and sentimental ballad material from his repertoire.AI summary
Columbia D1344 Voice
Columbia DB2551
Petula Clark, who later became an international pop star, recorded 'I'll Always Love You' and 'Clancy Lowered the Boom' on Columbia DB2551 as a young artist in the late 1940s.AI summary
Columbia DB2551 Voice
Petula Clark recorded 'I'll always love you' and 'Clancy lowered the Boom' for Columbia DB series in the early 1950s. Clark was a British child star and recording artist who later became an international popular singer.AI summary
Columbia DB2551 Voice
Phil Brown performing 'Crazy People' and 'Love in Lilac Time' on Columbia CB499, a catalogue format suggesting early 1920s pressing.AI summary
Columbia CB499 Voice
Columbia FB1152
The Philharmonia Orchestra under Arthur Bliss performs 'Welcome the Queen' on Columbia DX1912, a large-format 12-inch pressing from the DX series. Bliss was Master of the Queen's Music and composed this piece for the coronation period; a 1950s Columbia DX pressing of a contemporary royal commission.AI summary
Columbia DX1912 Classical