3,430 shellac records · mostly British pressings, 1900s–1950s
3,430 records matching · page 55 of 72
R Miller performs 'Parade of the Wooden Soldiers' and the Happy Six recording 'Pick me up and lay me down' on Columbia 3162. 'Parade of the Wooden Soldiers' was a standard novelty number of the 1920s era.AI summary
Columbia 3162 Dance
'C'e Mimi' by R. Pampanini et al. on Columbia, a pre-war vocal recording in Italian. The artist is not well documented in English-language sources.AI summary
Columbia D14526 Voice
R Scott recorded 'Merry Carousel' and 'Beau Night in Hotchkiss Corners' for Columbia, catalogue 36288.AI summary
Columbia 36288 Dance
R Starita, credited on Columbia 4765, a vocal side from the early 1930s; the artist and titles are obscure.AI summary
Columbia 4765 Voice
R Starita performing 'There's Somebody New' and 'Together' on Columbia 4872, from the early 1930s. Starita was a bandleader and accordionist, though the artist listing and pressing suggest a vocal record.AI summary
Columbia 4872 Voice
R. Starita, a bandleader active in the early 1930s, recorded for Columbia. The titles suggest a light dance or vocal piece of that era.AI summary
Columbia 4919 Dance
R Starita on Columbia CB series, likely the bandleader and composer, performing light popular ballads from the late 1920s.AI summary
Columbia CB122 Voice
R. Starita (likely a Starita dance band or orchestra) recorded 'Truly Rural' (featuring Lily Morris, a known British performer) and 'Ah Sweet Mystery of Life' for Columbia 5145, suggesting a 1920s-1930s pressing.AI summary
Columbia 5145 Dance
Rudy Starita and his Havana Band, a successful British dance and novelty group of the early 1930s, recorded extensively for Columbia. This disc (Col4658) features popular dance material typical of their output.AI summary
Columbia 4658 Dance
R Starita on 'Who's that knockin' at my door?' and 'In the Woodshed', from Columbia 4700. Ruggero Starita was an Italian-British bandleader and accordionist active in Britain during the 1920s-1930s; his sides for Columbia are sought by dance-music and world-music collectors.AI summary
Columbia 4700 Dance
Roberto Starita was a British-Italian dance bandleader of the 1920s–30s, active in London's dance-band scene. 'Rolling the Log' and 'My Man' are dance standards of the period.AI summary
Columbia 4851 Dance
R Starita was a British bandleader active in the late 1920s and 1930s; this Columbia disc of 'Blue River' and 'Love Lies' represents typical dance-band material from a prolific recording artist.AI summary
Columbia 4853 Dance
Columbia 4871 Dance
Raffaele Starita, the Italian-British dance-band leader, recorded 'There must be a Silver Lining' and 'Ramona' for the earlier Columbia series (catalogue 4909), likely mid-to-late 1920s.AI summary
Columbia 4909 Dance
R. Starita recorded 'Crazy Rhythm' and 'Where Have You Been All My Life' for Columbia, catalogue 5137, in the late 1920s. An obscure dance or hot-jazz recording.AI summary
Columbia 5137 Jazz
R Starita on Columbia, performing 'I Think of What You Used to Think of Me' and 'Just a Night for Meditation', likely early 1930s sentimental material.AI summary
Columbia 5179 Voice
R Starita, the continental dance bandleader, recorded 'Spread a Little Happiness' and 'Ev'ry Little Moment' for Columbia 5228.AI summary
Columbia 5228 Dance
R Starita, a continental dance bandleader of the late 1920s and 1930s, recorded 'All Alone in Lovers' Lane' and 'My Flame of Love' for Columbia 5376.AI summary
Columbia 5376 Dance
R Starita performing 'You're the Cream in my Coffee' and 'To know you is to love you' on Columbia 5423, two popular sentimental songs recorded in the late 1920s.AI summary
Columbia 5423 Dance
R Starita recorded 'Blue Hills of Pasadena' and 'Ever so Goosey' for Columbia 5424 in the 1920s, part of the same recording artist's catalogue visible in other entries in this collection.AI summary
Columbia 5424 Voice
R Starita recorded 'Iz izzy azzy wozz' and 'Sarah Jane' for Columbia 5479 in the 1920s. Starita (likely Ray or Rudy Starita) was part of the British dance and popular music scene of that era.AI summary
Columbia 5479 Voice
Ronnie Starita, a British bandleader and violinist, performing novelty dance numbers on Columbia.AI summary
Columbia 01338 Dance
R Starita led a popular dance orchestra in the 1920s and early 1930s; this Columbia side pairs 'Come on Baby' with 'Through'.AI summary
Columbia 5590 Dance
R Starita on Columbia, catalogue 5679 — likely an early dance or jazz recording from the acoustic era, though artist and material are otherwise unrecorded.AI summary
Columbia 5679 Dance
R. Starita on Columbia CB25. Starita was a British-Italian bandleader and recording artist active in the 1920s-1930s, and his work appears on several British labels. CB-series Columbia 78s were standard pressings of that period, but the specific artists and recordings require confirmation.AI summary
Columbia CB25 Dance
R Starita on 'Talkie Tunes' (two sides the same), from Columbia CB32. Ruggero Starita was an Italian-British bandleader and accordionist; 'Talkie Tunes' is a medley or potpourri. The identical catalogue on both sides suggests a single-sided pressing or pressing error.AI summary
Columbia CB32 Dance
R. Starita recorded 'Pickin' Petals off o' Daisies' and 'Night of Happiness' for Columbia CB4. This very early Columbia catalogue number suggests a recording from the 1920s, but the artist is not established.AI summary
Columbia CB4 Voice
R Starita performing 'My Love Affair' and 'When I passed the old Church Door' on Columbia CB96, a vocal and dance number from the mid-1920s.AI summary
Columbia CB96 Dance
R Starita conducting a 'Stand up & Sing' selection on Columbia DX218, a British pressing. The DX series was used for longer or special material on Columbia's British label.AI summary
Columbia DX218 Orchestra
R Starita (Ralph Starita), a prolific British dance-band bandleader and accordionist, recording 'Umtcha da da da' and 'Blue Days are over' on Columbia 5502 in the late 1920s.AI summary
Columbia 5502 Dance
Columbia 5523 Jazz
R Starita on Columbia 9295, a two-part orchestral or dance selection. Starita was a British or European musician of the 1920s-30s era.AI summary
Columbia 9295 Dance
R Starita Band performing 'Hollow of a hill' and 'Don't make my Heart your Plaything' on Columbia 5480, standard dance-band fare from the late 1920s.AI summary
Columbia 5480 Dance
'Radio Dance' on Columbia 3160, 'Singing' and 'If Winter Comes', likely a dance band recording from the late 1920s or early 1930s.AI summary
Columbia 3160 Dance
Radio Dance orchestra recording 'Caravan' and 'I Want Some Money' on Columbia, from the early 1930s dance-music catalogue.AI summary
Columbia 3173 Dance
The Radio Revellers performing 'Maybe It's Because I'm a Londoner' and 'Broken Record' on Columbia, a popular music-hall style novelty side from the 1950s.AI summary
Columbia FB3485 Music Hall
Radio Rhythm Rascals on Columbia FB1107, a house band of the early 1930s.AI summary
Columbia FB1107 Dance
The Radio Rhythm Rascals perform hot jazz numbers 'Sweet Sue' and 'Dinah' on Columbia. The band is not well documented in standard discographies.AI summary
Columbia FB1107 Jazz
Ralph Lynn, the British comedian, in 'A gay young Dog' and 'Our Wedding Day' (with B Tomlin) for Columbia L1246.AI summary
Columbia L1246 Personalities (Prs)
Ralton performs two popular songs on Columbia British 3910, from the early 1920s.AI summary
Columbia 3910 Voice
Credited to Ralton on Columbia 4019, an early catalogue number suggesting a 1910s recording; the repertoire ('Pearl of Malabar', 'Carolina') suggests a popular vocalist of the acoustic era.AI summary
Columbia 4019 Voice
A ukulele novelty credited to Ralton on Columbia, performing "Tune Up the Uke" and "Could I? I Certainly Could".AI summary
Columbia 4041 Instrumental
Ralton performing 'Headin' for Home' and 'She Was Just a Sailor's Sweetheart' on Columbia 3825, an early 1920s vocal recording.AI summary
Columbia 3825 Voice
Ralton performing two sentimental songs—'Brown Eyes why are you blue?' and 'Isn't she the sweetest thing?'—on Columbia 3826.AI summary
Columbia 3826 Voice
Ralton on Columbia 3883; an early Columbia acoustic catalogue number suggesting popular material from the 1920s.AI summary
Columbia 3883 Voice
Ralton recorded 'I Never See Maggie Alone' and 'Am I Wasting My Time on You' for Columbia 4092 in the 1920s, two popular sentimental songs of the period.AI summary
Columbia 4092 Voice
The Ralton Band recorded 'Goodbye' and 'I Would Like to Know Why' for Columbia in the early-to-mid 1920s; a dance band of the acoustic era.AI summary
Columbia 3861 Dance
Ramon Blanchart performing the Prologue from Leoncavallo's Pagliacci on Columbia A5206, an early catalogue number suggesting a 1920s pressing.AI summary
Columbia A5206 Opera