3,430 shellac records · mostly British pressings, 1900s–1950s
3,430 records matching · page 57 of 72
Harry Reser, influential jazz banjoist and composer, recording two instrumental pieces for Columbia in the mid-1920s; Reser was a prolific recording artist and innovator on the instrument.AI summary
Columbia 4437 Jazz
Harry Reser recorded 'Swanee Shore' and '(Vorhees) Dawning', two instrumental pieces, for Columbia; Reser was the pre-eminent Hawaiian steel guitarist of the 1920s and 1930s.AI summary
Columbia 4873 Hawaiian
Harry Reser, an American ukulele and banjo soloist and popular dance-recording artist, recorded 'Ukulele Lady' and 'Yes Sir That's My Baby' (with the Brigode orchestra) for Columbia in the mid-1920s.AI summary
Columbia 3730 Instrumental
Harry Reser, an American banjo and ukulele soloist, recorded 'Craving' and 'When Eyes of Blue Are Fooling You' for Columbia in the mid-1920s; Reser was a popular dance and novelty recording artist of the period.AI summary
Columbia 3755 Instrumental
Reser (likely Harry Reser, an American banjo virtuoso) performing 'I'd rather be alone' and 'Rhythm of the Day' (credited to Gorman) on Columbia 3958.AI summary
Columbia 3958 Instrumental
Reser, recorded 'Somebody's Lonely' and 'Lonesome and Sorry' for Columbia 4023 in the early 1920s, likely a dance ensemble or solo pianist.AI summary
Columbia 4023 Instrumental
Harry Reser, a pioneering American jazz banjo and ukulele player, recorded 'Someone Is Losin' Susan' and 'Who Wouldn't' for Columbia, catalogue 4135, in the 1920s.AI summary
Columbia 4135 Jazz
Reser performing 'I'm in Love with You That's Why' and 'Clicquot' on Columbia, circa mid-1920s.AI summary
Columbia 4136 Dance
Harry Reser was an American banjo virtuoso and bandleader of the 1920s–30s; 'Susie's Feller' is a novelty title, and 'That Night in Araby' is a known popular standard. Columbia 4206 indicates a 1920s pressing. Reser's banjo and jazz-novelty sides are sought by hot-jazz and novelty collectors.AI summary
Columbia 4206 Jazz
Harry Reser was a pioneering jazz banjo and ukulele player; this Columbia recording from the mid-1920s features his hot-jazz style with the Columbians dance band.AI summary
Columbia 4558 Jazz
Reser performing two pieces on Columbia 4913, a British pressing of the late 1920s or early 1930s. The artist is unrecognised without research.AI summary
Columbia 4913 Dance
Reser on Columbia 4271. Harry Reser was a prolific 1920s novelty and dance-band leader whose ukulele and xylophone sides remain of interest to jazz and dance-band collectors.AI summary
Columbia 4271 Dance
Harry Reser was a banjo virtuoso and bandleader who recorded dance and novelty sides for Columbia in the 1920s–30s. 'I Wonder How I Look When I'm Asleep' and 'Fire' are typical novelty dance numbers; this is a standard commercial dance recording.AI summary
Columbia 4380 Dance
Columbia 4380 Dance
Rev F.E. Hutchinson reading from John Bunyan's Pilgrim's Progress, part 4, on Columbia. A spoken-word recording from the early electrical era, likely 1920s-1930s.AI summary
Columbia D40069 Voice
Riccardo Stracciari, Italian baritone, singing two Neapolitan songs on Columbia DB264, likely an acoustic or early electrical recording from the 1920s.AI summary
Columbia DB264 Opera
Riccardo Stracciari, the celebrated Italian baritone, singing two operatic arias on Columbia D1625: an excerpt from *Il Trovatore* and the Barcarolle from *La Gioconda*.AI summary
Columbia D1625 Opera
Credited to Rich on Columbia 4798, with a title 'Chirp Chirp' and a piece by the bandleader Ruggero Starita; this appears to be a comic novelty or dance-band side from the 1920s or 1930s, but the artist remains unidentified.AI summary
Columbia 4798 Dance
Rich on Columbia 4798, an unidentified performer on an early Columbia issue from the 1920s.AI summary
Columbia 4798 Dance
Rich was a singer recorded for Columbia in the early acoustic era. 'Singin' in the Rain' was an extremely popular song of the 1920s-1930s, recorded by many artists.AI summary
Columbia 1838 Voice
Rich (likely a session vocalist or minor artist) recorded 'It All Depends on You' and 'The Birth of the Blues' for Columbia 4392, likely mid-1920s.AI summary
Columbia 4392 Voice
A vocal recording credited to Rich on Columbia 4721, light popular material of the late 1920s.AI summary
Columbia 4721 Voice
Rich (artist unidentified) on Columbia 4786, 'Man I Love' and 'Dolly Dimples'; an early 1930s dance or vocal side.AI summary
Columbia 4786 Dance
A recording by Rich on Columbia's 5000 series, featuring two popular songs of unclear genre and no identifiable artist biography available.AI summary
Columbia 5545 Dance
A singer named Rich performing novelty material on Columbia.AI summary
Columbia 5622 Voice
Rich recorded for Columbia; 'When the Real Thing Comes Your Way' and 'Revolutionary Rhythm' are typical light ballad and dance titles of the 1920s–30s.AI summary
Columbia 5632 Dance
A Columbia CB-series recording by Rich, pairing 'Sing Something Simple' with Guy Lombardo's 'Baby's Birthday Party'. Rich is an unrecognised artist.AI summary
Columbia CB194 Dance
Rich (artist unidentified) on Columbia CB316, 'Got the Bench' and 'We're All Good Pals at Last'; the CB series suggests a Decca-era comedy or novelty side.AI summary
Columbia CB316 Dance
Rich performing 'Man I Love' and 'Dolly Dimples' for Columbia 4786, a catalogue number from the 1920s–30s.AI summary
Columbia 4786 Jazz
Rich performing 'Good News' and 'Lucky in love' on Columbia 4965.AI summary
Columbia 4965 Voice
Rignold performing 'One Day When We Were Young' and 'Sweethearts' on Columbia in the 1930s or 1940s.AI summary
Columbia FB2186 Voice
Robb Wilton, the Lancashire comedian and character actor, on Columbia FB2960, performing his signature 'Home Guard' routine as a two-sided sketch. Wilton was a hugely popular radio and stage comedian of the 1940s-50s.AI summary
Columbia FB2960 Comic
Robert Carr recorded 'City of Laughter' and 'In sweet September' for Columbia, catalogue IS1263, likely from the early 1930s or earlier.AI summary
Columbia IS1263 Voice
Columbia IS1294
Robert Carr, a vocalist on Columbia's IS series (a budget line), performing sentimental or religious material, likely from the 1930s-40s.AI summary
Columbia IS1353 Voice
Columbia 5257
Robert Leonhardt performing two German classical pieces, 'Aus der Jugendzeit' and 'Wenn Schneeglockchen Lauten', on Columbia E3140, a German-language pressing.AI summary
Columbia E3140 Classical
Robert Tredinnick's 'Sampler Record 41' on Columbia, one of a series of demonstration or promotional discs issued by Columbia to showcase their catalogue.AI summary
Columbia BXO41 Misc.
Adrian Rollini, the hot-jazz reed and keyboard player, on Columbia DB5006, performing 'Swing Low' and 'Tap Room Swing', likely 1930s.AI summary
Columbia DB5006 Jazz
Ronnie Munro band on Columbia (FB2289), single-sided, titled 'War time melodies'; a wartime or immediate post-war British big-band recording.AI summary
Columbia FB2289 Dance
Rosa Chalia, a singer of Spanish vocal material, on Columbia C2656 in the early acoustic period.AI summary
Columbia C2656 Voice
Rosa Chalia recorded 'Juanita' and 'Dolores' for Columbia, probably in the early 1920s. Chalia was a minor vocal artist of the acoustic era.AI summary
Columbia C2656 Voice
Rosa Linde Wright performing 'La Paloma' on Columbia catalogue 3502. The artist does not appear prominently in standard discographic references; the Columbia 3000-series is a relatively early catalogue number. This appears to be the same disc as id 11889 in this collection.AI summary
Columbia 3502 Voice
Rosa Linde Wright performing 'La Paloma' on Columbia catalogue 3502. The artist does not appear prominently in standard discographic references; the Columbia 3000-series suggests an early pressing. An unrecognised artist on an early Columbia catalogue number warrants a closer look.AI summary
Columbia 3502 Voice
Rosalia Chalia performing two Spanish-language dance numbers—a calesera and a tango gitano—on Columbia, from the late 1920s or early 1930s.AI summary
Columbia C2695 Dance
Rosemary Clooney, the American pop and jazz vocalist, recorded "Botch a me" and "Half as much" for Columbia, both well-known songs from her early 1950s repertoire.AI summary
Columbia DB3129 Voice
Rosemary Clooney's hit novelty recording 'Come On-A My House' and 'Kentucky Waltz' on Columbia DB2895, from 1951. This was Clooney's first major success in both the US and UK, a playful Middle Eastern-inflected pop song that defined her early career.AI summary
Columbia DB2895 Voice
Columbia DB3129 Personalities (Prs)