3,430 shellac records · mostly British pressings, 1900s–1950s
3,430 records matching · page 65 of 72
Columbia 3575 Dance
Ted Lewis Band on "I Miss My Swiss" and "Say Arabella" for Columbia 3753. Lewis was a bandleader and clarinettist active in the 1920s–1930s, known for novelty and popular dance material.AI summary
Columbia 3753 Dance
Ted Lewis Band recorded 'Just around the Corner' and 'While we danced till Dawn' for Columbia, catalogue 3865, likely from the late 1920s dance-band era.AI summary
Columbia 3865 Dance
Ted Wallace led a dance orchestra and recorded 'Telling It to the Daisies' and 'Stein Song' for Columbia in the late 1920s, as the low catalogue number indicates. The Stein Song was a popular novelty of the period.AI summary
Columbia 2151D Dance
The Ted Wallace band recorded 'Absence Makes the Heart Grow Fonder' and 'Little White Lies' for Columbia; Wallace was a British or American bandleader active in the dance-band era.AI summary
Columbia CB137 Dance
Tedd Wallace's orchestra is little documented. This Columbia CB-series coupling of 'Little white lies' and 'Absence makes the heart grow fonder' represents typical light orchestral material of the early 1930s, pressed on a budget British label.AI summary
Columbia CB137 Dance
Teddie Gerard performing 'She'd a Hole in Her Stocking' and 'Raggin' Thro' the Rye' on Columbia L1187. Gerard was a British music-hall and revue performer active in the 1910s-1920s.AI summary
Columbia L1187 Music Hall
Columbia L1188 Personalities (Prs)
Teddie Gerard, the Anglo-Argentine revue actress and singer who was a West End star of the 1910s, performs 'Twinkle in Her Eye' and — with C Cobb — 'Wild Thyme' on Columbia L1251, a 12-inch coupling. Gerard is a recognised name in British musical theatre collecting; 12-inch Columbia L-series pressings of revue performers are less common than standard 10-inch format.AI summary
Columbia L1251 Music Hall
Teddie Gerard recorded 'Curfew' and 'Let's all go raving mad' for Columbia, catalogue L1252.AI summary
Columbia L1252 Music Hall
Teddy Bryan recorded "My Heart Stood Still" and "Desert Song" for Columbia 4469, early catalogue numbers from the acoustic era around 1927–1928.AI summary
Columbia 4469 Voice
Terance Casey recorded 'Father's Favourites' in two parts for Columbia; a novelty or sentimental number, likely from the 1930s–1940s.AI summary
Columbia YBX5 Music Hall
Terance Casey on Columbia YBX5, a comic number called 'Father's Favourites' recorded in two parts. YBX series context requires checking.AI summary
Columbia YBX5 Comic
Terence O'Casey recorded 'Father's Favourites' for Columbia, catalogue 5525; an unidentified artist on a major label.AI summary
Columbia 5525 Misc.
Tessie O'Shea, a British music hall comedian and singer, performed "Let It Be Soon" and "The 'Ampstead Way" for Columbia. O'Shea was a popular variety entertainer known for her broad comedic persona and Cockney character work.AI summary
Columbia DB2232 Music Hall
Columbia 3537 Dance
The Coronets were a vocal group recording on Columbia in the 1950s; these novelty or character songs represent the group's light entertainment work.AI summary
Columbia DB3476 Voice
The Four Lads were a Canadian male vocal quartet popular in the early 1950s; this Columbia 40000-series pressing carries two ballads.AI summary
Columbia 40811 Voice
The Four Lads were a popular American close-harmony vocal group of the 1950s. This Columbia recording of 'Down by the River Side' and 'Take Me Back' represents their lighter material from the early 1950s.AI summary
Columbia C2218 Voice
The Georgians recorded dance numbers for Columbia in the early 1920s; this coupling pairs a popular song with a novelty dance instruction number.AI summary
Columbia 11D Dance
The Georgians were a prolific dance orchestra of the 1920s, and this Columbia 142D release captures their jaunty instrumental style in early numerical catalogue pressings.AI summary
Columbia 142D Dance
The Georgians, an American jazz ensemble, performing 'You May Be Fast' and 'Home Town Blues' on Columbia 23D — an early UK pressing of a 1920s jazz band.AI summary
Columbia 23D Jazz
The Georgians, a jazz and dance ensemble, recorded 'Everybody Loves My Baby' and 'My Best Girl' for Columbia 252D. 'Everybody Loves My Baby' was a jazz standard; The Georgians were active in the early 1920s.AI summary
Columbia 252D Jazz
The Georgians on Columbia A3775 with 'I wish I could shimmy like my Sister Kate' and 'Chicago', classic hot-dance recordings from the early 1920s. The Georgians were a popular early jazz and dance group, and these titles are among the period's most recognisable dance sides.AI summary
Columbia A3775 Jazz
The Georgians were a dance band of the early 1920s; 'Loose Feet' and 'Aggravatin' Papa' are jazz-inflected dance numbers on Columbia, typical of the era's hot-dance fad.AI summary
Columbia A3825 Jazz
The Georgians, a dance band of the early 1920s, perform 'Farewell Blues' and 'Snakes Hips' on Columbia A3864—an early acoustic recording from the jazz age.AI summary
Columbia A3864 Jazz
The Georgians recorded 'Mamma goes where Papa goes' for Columbia, an early 1920s jazz-influenced vocal group. The Georgians were active in the early jazz age but are now obscure.AI summary
Columbia A3996 Jazz
Credited to 'The Master Brain', a novelty record or novelty-music item on Columbia, catalogue ROX53. The catalogue code suggests an experimental or unusual release, possibly a test recording or novelty item; no substantive information is available.AI summary
Columbia ROX53 Misc.
The Modernaires with 'Juke Box Saturday Night' and 'Salute to Glenn Miller' on Columbia—a vocal group recording popular songs during the swing era, including a tribute to the bandleader Glenn Miller who disappeared in 1944.AI summary
Columbia 36992 Voice
The Two Bobs recorded 'Casey Jones' for Columbia, an early novelty or comedy vocal duo. The identity of the performers is unclear.AI summary
Columbia 1932 Comic
The Two Bobs performing 'Alexander's Ragtime Band' and 'Baby Rose' on Columbia, early ragtime-era novelty or dance material.AI summary
Columbia 1971 Dance
Thelma Terry, a jazz pianist and bandleader of the 1920s, performs 'Dusky Stevedore' and (with Tracy Brown) 'Chloe' on Columbia. Terry was active in jazz and dance music of the jazz age.AI summary
Columbia 5164 Jazz
Thelma Terry, an American jazz and dance pianist, performing 'Dusky Stevedore' and 'Chloe' on Columbia 5164, a 1920s recording.AI summary
Columbia 5164 Jazz
Thomas Chalmers, an American baritone of the early 20th century, on Columbia 161: two hymn or religious vocal standards, recorded in the acoustic era (before c. 1925).AI summary
Columbia 161 Classical
Thomas Mills performing 'Four Little Blackberries' and the Scottish reel 'White Cockade' on Columbia D207, an early vocal or novelty recording from the acoustic era.AI summary
Columbia D207 Music Hall
Thorpe Bates, a British baritone with a substantial recording career, performing two ballads on Columbia's L-series long-playing format. Bates was a concert singer and teacher active from the acoustic era through electrical recording.AI summary
Columbia L1159 Voice
Thorpe Bates, a celebrated British baritone and actor, recorded two dramatic character songs, 'Company Sergeant Major' and 'Lighterman Tom', for Columbia in the 1920s.AI summary
Columbia L1346 Voice
Thorpe Bates, a British tenor, performing sentimental vocal standards on Columbia F1048 — a commercial label release from his career.AI summary
Columbia F1048 Voice
Thorpe Bates, a British baritone singer, on Columbia catalogue F1081, performing 'Land o' mine' and 'Call to Arms' (with Ivy Tresmand). A solo voice recording from the late 1920s or early 1930s.AI summary
Columbia F1081 Voice
Thorpe Bates was a British baritone and concert singer of the early 20th century. This Columbia recording of 'Sincerity' and 'Flower of All the World' is from the acoustic era (catalogue 447 suggests early Columbia). Bates was a respected but not hugely famous classical vocalist.AI summary
Columbia 447 Voice
The Three Professors on Columbia DB3845, performing "Vulgar Boatmen Rock" and "Yew stept owt offa Dreme" — likely a comic or novelty side from the 1930s, with titles in phonetic dialect humour.AI summary
Columbia DB3845 Comic
Tino Rossi, the French-Corsican singer, on Columbia with two French popular songs: 'Le Bonheur N'est Plus Un Rêve' and 'Tchi! Tchi!'—recordings from a major European star.AI summary
Columbia DB1813 Voice
Tino Rossi, the French-Corsican tenor, on Columbia's OD series — a cheaper line that pressed many continental operatic and light-classical performers.AI summary
Columbia OD230 Voice
Tino Rossi, a French-Corsican singer and film star, recorded these two popular continental songs for Columbia in the late 1930s–40s.AI summary
Columbia DB1917 Voice
Tom Burke recorded two songs for Columbia's 'D' series: 'The Minstrel Boy' and 'Thank God for a Garden'. These are traditional ballads recorded in the acoustic era, likely the mid-1920s.AI summary
Columbia D1594 Voice
Tom Clare on Columbia, recording light comic or novelty material: 'One Little One More' and 'This Freedom (My Wife is Away)'. British music-hall style performer.AI summary
Columbia 3561 Comic
Tom Clare singing novelty songs 'At home I'm my Wife's Husband but when I'm away I'm me' and 'Where does Daddy go to?' for Columbia (3978), early comic material from the acoustic era.AI summary
Columbia 3978 Comic
Tom Costello recorded "Memories" for Columbia's DX (deluxe) series, a premium label aimed at serious music lovers in the 1920s–1930s.AI summary
Columbia DX544 Voice