3,430 shellac records · mostly British pressings, 1900s–1950s
3,430 records matching · page 70 of 72
Whidden on Columbia, performing light sentimental songs with Oriental themes from the late 1920s.AI summary
Columbia 4067 Voice
Whidden performs a 'Blue Skies' selection (both sides) on Columbia 9239. This is an orchestral or piano-based arrangement of Irving Berlin's evergreen.AI summary
Columbia 9239 Orchestra
A singer named Whidden performed 'Shepherd of the Hills' and 'Sheila O'Shay' for Columbia, catalogue 4266, in the late 1920s–early 1930s. The artist and label are obscure.AI summary
Columbia 4266 Voice
Whit Cunliffe on Columbia catalogue 1730, with 'Just a Wee Deoch and Doris' and 'I Want to Mingle with the Girls' — the same coupling as id 19248 on Regal. This is a Columbia pressing of the same material; Columbia pressings of Cunliffe's work are moderately common.AI summary
Columbia 1730 Music Hall
Whit Cunliffe on Columbia catalogue 1873, with 'There's Something in the Seaside Air' and 'Follow the Bald Heads'. Columbia pressings of Cunliffe's work in the 1000-series are moderately common.AI summary
Columbia 1873 Music Hall
Whit Cunliffe, the Edwardian music-hall comedian, performing 'Any Girl Is Better Than No Girl' and 'Paree, That's the Place for Me' on Columbia catalogue 1933. Columbia pressings of Cunliffe's work at this catalogue number are moderately common.AI summary
Columbia 1933 Music Hall
Whit Cunliffe on Columbia catalogue 2020, with 'That's What They All Say' and 'Mister Cupid'. Columbia pressings of Cunliffe's work in the 2000-series are moderately common.AI summary
Columbia 2020 Music Hall
Whit Cunliffe performing 'Just a Wee Deoch and Doris', a Scottish novelty song on Columbia 1730, an early acoustic recording.AI summary
Columbia 1730 Music Hall
The White Coons, a group recorded on Columbia 3213, performing 'Nobody Ever' and 'Love Dreams'.AI summary
Columbia 3213 Music Hall
Paul Whiteman's 'My Angeline' and 'Coquette' on Columbia 5388; Whiteman was a major dance bandleader of the 1920s and 1930s, and his recordings remain widely collected.AI summary
Columbia 5388 Dance
Whiteman recorded 'Song of the Dawn' and 'I like to do Things for you' for Columbia CB series, likely from the early 1920s. This is probably an orchestral or dance-band side.AI summary
Columbia CB87 Orchestra
Paul Whiteman and his orchestra on Columbia 5377, performing selections from 'The New Moon' operetta. Whiteman was the most famous bandleader of the 1920s and early 1930s and his recordings were widely distributed; this catalogue number suggests a common issue.AI summary
Columbia 5377 Dance
A band recording credited to Whiteman on Columbia 5544, with two popular ballads.AI summary
Columbia 5544 Dance
Paul Whiteman, the 'King of Jazz' and a dominant dance-band leader of the 1920s, on Columbia catalogue 1465D, performing 'I'm on the Crest of a Wave' and 'What d'ya say'. Two popular sides from Whiteman's prolific recording career.AI summary
Columbia 1465D Dance
Paul Whiteman and his orchestra recorded 'Should I' and 'Bundle of Old Love Letters' on Columbia, catalogue 2047D. Whiteman was the dominant dance bandleader of the 1920s–30s and his many recordings are readily available.AI summary
Columbia 2047D Orchestra
Columbia 2163D Dance
Paul Whiteman on Columbia 5007, with popular sentimental dance-band material from the late 1920s–early 1930s. Whiteman was the leading American dance-band leader and recorded extensively for all major labels.AI summary
Columbia 5007 Orchestra
Paul Whiteman's orchestra recorded "Get Out and Get Under the Moon" and "Roses of Yesterday" for Columbia catalogue 5161. A mainstream dance side from Whiteman's most prolific recording period.AI summary
Columbia 5161 Dance
Paul Whiteman and his orchestra recorded 'I'm on the Crest of a Wave' and 'What d'ya Say' on Columbia 5241. Whiteman was the best-selling bandleader of the 1920s and his records are among the most common dance band recordings of the era.AI summary
Columbia 5241 Dance
Whiteman performing Cole Porter's 'Let's do it let's fall in love' and 'If you don't love me' on Columbia. This is likely bandleader Paul Whiteman's orchestra or a similar group.AI summary
Columbia 5331 Dance
Paul Whiteman, the 'King of Jazz', led one of the most successful orchestras of the 1920s-1930s and made numerous recordings for major labels; 'Cradle of Love' and 'Nola' appear on this Columbia pressing, catalogue 5411.AI summary
Columbia 5411 Dance
Whiteman performing 'Louise' and 'Blue Hawaii' on Columbia 5456 — likely Paul Whiteman, the 'King of Jazz', or a related 1920s–30s dance band recording.AI summary
Columbia 5456 Dance
Paul Whiteman, the 'King of Jazz', recorded these two sentimental popular numbers for Columbia in the mid-1920s, capturing the sweet-jazz style that dominated dance halls of the era.AI summary
Columbia 5484 Jazz
A Columbia recording (catalogue 5548B) of jazz and popular standards, likely from the late 1920s or early 1930s. The title 'Louise' and the reference to Whiteman suggest this may be a Paul Whiteman side, though the credit is unclear.AI summary
Columbia 5548B Jazz
Whiteman performing two sentimental songs on Columbia 5675, a British pressing from the late 1920s or early 1930s. The artist and titles are unplaceable without research.AI summary
Columbia 5675 Voice
Paul Whiteman performs 'You Brought a New Kind of Love to Me' and 'Livin' in the Sunlight' on Columbia CB117. These are recordings from Whiteman's orchestra of the late 1920s.AI summary
Columbia CB117 Jazz
Paul Whiteman, the "King of Jazz," on Columbia CB120 with "Sittin' on a Rainbow" and "Old New England Moon" from the early 1930s. Whiteman was one of the most recorded and collected artists of the era.AI summary
Columbia CB120 Jazz
Paul Whiteman, the 'King of Jazz', on Columbia 4951 performing 'Get out and get under the Moon' and 'Constantinople', from the early 1920s jazz craze.AI summary
Columbia 4951 Jazz
Paul Whiteman's orchestra recorded "Taint So Honey Taint So" and "Chiquita" for Columbia catalogue 4981. A mainstream dance and popular record from Whiteman's peak commercial period.AI summary
Columbia 4981 Dance
Paul Whiteman, the famous American 'King of Jazz', recorded 'That's My Weakness Now' and 'Wa Da' for Columbia in the late 1920s. Whiteman was one of the biggest recording artists of the era.AI summary
Columbia 5006 Jazz
Whiteman — likely Frankie Whiteman or another member of the Whiteman dance-band circle — recorded for Columbia; 'S'posin'' and 'Laughing Marionette' are light dance-novelty titles of the 1920s–30s.AI summary
Columbia 5520 Dance
Paul Whiteman (listed as 'Whiteman') on Columbia CB116, performing 'Without a Song' and 'Great Day'. Whiteman was the most famous bandleader of the 1920s-30s, known as the 'King of Jazz'; these are significant popular songs from his repertoire.AI summary
Columbia CB116 Orchestra
Who's Who at Whipsnade, Animals on Parade, in two sides on Columbia C223.AI summary
Columbia C223 Personalities (Prs)
Wilbur Sweatman performing 'A Good Man is Hard to Find' and 'That's Got 'Em' on Columbia A2721. Sweatman was an early jazz clarinetist and bandleader of the 1910s–1920s.AI summary
Columbia A2721 Jazz
Rudy Wiedoeft, a celebrated American saxophone soloist and composer, on Columbia is1523, performing 'Rosy Posy' and 'Dear Old Southland'. Wiedoeft was a major recording artist of the 1920s and recorded extensively for American labels.AI summary
Columbia is1523 Instrumental
Wiesmeyer & Stein, two violinists, on Columbia DB1791, performing a classical duo piece 'Duo for two Violins' and Goehr's 'Octandre'.AI summary
Columbia DB1791 Classical
Wilbur Sweatman, the pioneering African-American jazz clarinettist, performing two blues sides on Columbia A2548. Sweatman was among the first Black jazz musicians to record and remains important to early jazz history.AI summary
Columbia A2548 Jazz
Wilbur Sweatman, an influential early jazz and vaudeville clarinetist and multi-instrumentalist, on Columbia A2611: 'Indianola' and 'Oh You La'. Sweatman was one of the first African-American recording stars and a major figure in early jazz and dance music (1900s–1920s).AI summary
Columbia A2611 Jazz
Wilbur Sweatman, an early jazz clarinet and multi-instrumentalist, recorded 'Those Draftin' Blues' and 'Rockabye Your Baby' for Columbia; Sweatman was a major jazz recording artist of the early 1920s and a significant figure in early jazz history.AI summary
Columbia A2645 Jazz
Wilbur Sweatman, the jazz clarinet pioneer, on Columbia with two jazz sides; another coupling from Sweatman's prolific recording career in the early 1920s.AI summary
Columbia A2707 Jazz
Wilbur Sweatman, the pioneering American jazz clarinetist and bandleader, on Columbia with 'Hello' and 'I ain't gonna give Nobody none of this Jellyroll'. Sweatman was a key figure in early jazz recording, active from the 1910s onward.AI summary
Columbia A2818 Jazz
Wilbur Sweatman was a New Orleans jazz clarinetist and bandleader of the 1920s; this Columbia pressing of 'Kansas City Blues' and 'Alcoholic Blues' (credited to his Louisiana 5) is an early hot-jazz recording in the UK market.AI summary
Columbia A2768 Jazz
Wilbur Sweatman, a pioneering jazz clarinettist and bandleader of the 1920s, performing two blues sides on Columbia A2682. Sweatman was one of the earliest African-American jazz recording artists.AI summary
Columbia A2682 Jazz
Wilbur Sweatman, an early jazz clarinetist and virtuoso performer, playing 'I'll say she does' and 'Lucille' on Columbia—significant jazz-age material.AI summary
Columbia A2752 Jazz
Wilkie Bard on Columbia is508 — 'All Change for Llanfairfechan' and 'Robert Go to Dinner' — is from the Columbia 'is' sub-series, an early and slightly less common variant of the Columbia catalogue. 'All Change for Llanfairfechan' is a topographical comic song well suited to Bard's style. The is-series pressings are less common than standard Columbia.AI summary
Columbia is508 Music Hall
Will Bradley leading his orchestra on "Think of Me" and "Tea for Two" (the McKinley arrangement) for Columbia 36101. Bradley was an important big-band and swing trombonist and leader in the 1930s–1940s.AI summary
Columbia 36101 Dance
Will Bradley and his orchestra recorded 'Basin Street Boogie' and 'Call It Anything It's Love' for Columbia 36340. Bradley was an American bandleader and xylophone player known for boogie-woogie style recordings.AI summary
Columbia 36340 Jazz
Will Bradley was an American trombonist and bandleader who led a popular swing band in the 1930s and 1940s; this Columbia side captures the energetic 'Beat Me Daddy' boogie style he popularized.AI summary
Columbia 36956 Jazz