97 shellac records · mostly British pressings, 1900s–1950s
97 records matching · page 1 of 3
The Alan Selby Band on Curry's Records, a very obscure British label, performing two sentimental dance-band numbers. Neither the label nor the band is documented in standard references; Curry's appears to have been a local or regional British marque.AI summary
Curry's 130 Dance
Anonymous recording on the Curry's label, a minor British imprint, with two sentimental or comic titles, "Forgive & Forget" and "You'll never get to heaven with those eyes".AI summary
Curry's 432 Dance
Anonymous performers on Curry's 208, a cheap British label of the early 1930s, singing 'Show me the Way to go Home' and 'Will you Remember Me?': a generic pop item with no artist identification.AI summary
Curry's 208 Voice
An uncredited performer recorded 'Dream Boat' and 'Barcarolle' (from Offenbach) for Curry's, catalogue 1099.AI summary
Curry's 1099 Voice
Anonymous performers on Curry's 1099, a British retail-store label, performing 'Dream Boat' and an arrangement of Offenbach's 'Barcarolle'. Curry's was a Edinburgh department store that issued discs under its own label.AI summary
Curry's 1099 Instrumental
Band (artist unidentified) on Curry's 334, performing 'I Fell Head Over Heels in Love' and 'Shady Tree'. Curry's was a small British label, likely from the 1920s–1930s.AI summary
Curry's 334 Dance
A band recording on Curry's Records, catalogue 91, performing 'Temptation Rag' and 'Epler's Whiskers', dance and ragtime material from the acoustic era or early 1920s.AI summary
Curry's 91 Instrumental
A band performing 'Marche Militaire' and Chopin's 'Polonaise' for Curry's Records 120, a British label of obscure provenance. Curry's catalogue numbers and output are largely unrecorded.AI summary
Curry's 120 Orchestra
A dance band on 'Hit the Deck' selection (two parts), from Curry's 347. 'Hit the Deck' was a popular operetta of the 1920s; this is a medley or selections recording. Curry's was a small British label.AI summary
Curry's 347 Dance
An unidentified band recorded the '1812 Overture' Finale and 'Old Comrades' for Curry's, a minor British label, catalogue 88. Nothing is known of this label or the ensemble.AI summary
Curry's 88 Orchestra
An unidentified band performing 'Ram Sami' and 'Rio Nights' on Curry's label, credited only as an imprint name — possibly a retailer's house label or a very small specialist pressing.AI summary
Curry's 94
An unidentified band on Curry's 125 recorded 'Love Dance' and 'Love's Last Word'; Curry's was a small or short-lived British imprint.AI summary
Curry's 125 Dance
An unidentified band on Curry's 224, performing 'Every Step Towards Killarney' and 'Pal of My Cradle Days'.AI summary
Curry's 224 Orchestra
The Billy Cotton band were one of Britain's most popular dance orchestras from the 1930s through to the 1950s; this Curry's Records pressing is from an obscure or short-lived British label, making it scarce.AI summary
Curry's 186 Dance
Billy Melville on Curry's 107, performing comic novelty 'I Toddled In' and 'Vacuum Cleaner'.AI summary
Curry's 107 Comic
Billy Whitlock on Curry's Records 9, an extremely obscure British label; instrumental or dance material from the early acoustic era.AI summary
Curry's 9
Curry's 3078 Dance
California Ramblers, a prolific American dance orchestra of the 1920s, recorded 'Rose Marie' and 'O Katherine' for Curry's 201, a very minor or regional label.AI summary
Curry's 201 Dance
The California Ramblers, a prolific American dance orchestra of the 1920s, performing on the obscure Curry's label, a small British regional imprint of which few copies are known to survive.AI summary
Curry's 202 Dance
Charles Penrose, a British music-hall entertainer, recorded two comedy sketches for Curry's label.AI summary
Curry's 31 Music Hall
Cotton recorded two popular songs for Curry's, a very minor British label. Neither the artist nor Curry's are documented in standard discographies.AI summary
Curry's 186 Voice
Cove & Charman, a duo credited on Curry's, a tiny or short-lived British label of the early 1930s. The titles suggest sentimental popular songs of that era. Nothing is known of either performer or the label beyond this catalogue entry.AI summary
Curry's 347 Voice
Currys Dance Band on their own label, Curry's, catalogue 345. This was a self-issued or house label, and recordings on such small imprints are typically scarce.AI summary
Curry's 345 Dance
Curry's Dance Orchestra recorded two popular dance numbers for Curry's own label in the early 1930s. This is a house band recording for a small, proprietary British imprint.AI summary
Curry's s298 Dance
Currys Dance Orchestra, performing on the Curry's label, an obscure British dance imprint of the early 1930s.AI summary
Curry's s331 Dance
D Jackson on Curry's 303, performing 'Nevada' and 'Red Lips Kiss my Blues away'.AI summary
Curry's 303
Dan Jackson on Curry's label 276, an early dance or popular song recording. Curry's was a small British label of the 1920s, and little is known of Jackson's recording career.AI summary
Curry's 276
A dance band on the obscure Curry's label performing two orchestral standards, 'Waves of the Danube' and 'L'Estudiantina'.AI summary
Curry's 335 Orchestra
Derrick's Band in two pieces on Curry's, a small British label of the 1920s: "Shufflin' along" and "J'en ai Marre".AI summary
Curry's 128 Dance
Dick Henderson, a British entertainer, recorded two sentimental or novelty songs for Curry's, a small British label.AI summary
Curry's 240 Voice
Ernest Gray performing patriotic songs on Curry's, a small and obscure British label of the early 1900s, now rarely seen.AI summary
Curry's 97 Voice
Ernie Mayne recorded 'Dirty Face' and 'Why does a Hen lay an Egg?' for Curry's, a minor British label. Curry's was active in the early 1930s and specialised in variety and comic material from minor entertainers.AI summary
Curry's 8060 Music Hall
The Four Musical Minstrels on Curry's, a minor British imprint, this pressing of 'Before You Go' and '(Baileys) I Love the Girl Who Kisses' is a sentimental popular vocal.AI summary
Curry's 9007 Voice
Greening performing 'In a Street of Chinese Lanterns' and 'Mediterranean Blues' on Curry's 322, a novelty or dance recording on an obscure British label.AI summary
Curry's 322 Dance
Curry's 101 Music Hall
Harry Jacobson on 'Do something' and 'I'll always be in Love with you', from Curry's 331. Curry's was a small British label of unclear provenance, likely 1920s-1930s. Jacobson is not a known major recording artist.AI summary
Curry's 331 Voice
HM King's Colonials recorded for Curry's Records, a minor British imprint, in the 1920s–30s.AI summary
Curry's 53 Orchestra
Hurlingham Club Band performing 'Cut yourself a Piece of Cake' and 'When you & I were dancing' on Curry's, a small British label. The Hurlingham Club was a fashionable London polo and social club; this appears to be a recording by or for members.AI summary
Curry's 2148 Orchestra
I Curwood singing two hymns on Curry's, a small British label, in the early acoustic period.AI summary
Curry's 23 Voice
Two mid-1920s popular songs on the Curry's label: the 1925 hit 'Show Me the Way to Go Home', sung by J. Nowlan, and 'June Night', sung by J. Richman.AI summary
Curry's 200 Voice
Jack Charman recorded novelty and character songs for Curry's, a minor British label; little is known of this artist or the label's pressings.AI summary
Curry's 18 Music Hall
A First World War coupling on the Curry's label: 'They Sang God Save Our King', credited to Jack Judge (the name of the music-hall man who wrote 'It's a Long Way to Tipperary'), backed by S. Kirkby singing Ivor Novello's 1914 'Till the Boys Come Home', the song better known as 'Keep the Home Fires Burning'.AI summary
Curry's 337 Music Hall
Jack Lewis on Curry's 116 with 'Broadcasting' and 'What Happens After the Ball', on an obscure independent British label.AI summary
Curry's 116 Personalities (Prs)
Jack Lewis sings 'Where the Bamboo Babies Grow' and 'Yes We Have No Bananas' on Curry's, a private label issued by the British electrical retailer of that name in the 1920s.AI summary
Curry's 137 Comic
Jack Lewis recording 'Turned up' and 'Delaney's Domino Party' for Curry's, a small British label of uncertain date.AI summary
Curry's 165
Jack Lewis recorded the novelty comedy song 'Does the Spearmint Lose Its Flavour on the Bedpost Overnight?' — a classic British music-hall perennial — for Curry's, a small budget label.AI summary
Curry's 186 Music Hall
Jack Lewis recorded 'Julius' and 'Wide Awake Walter from Wimbledon Way' for Curry's, a small, short-lived British label active in the late 1920s–early 1930s.AI summary
Curry's 216 Dance
Jack Lewis performed 'Bread and Marmalade' and 'Who Tied the Can on the Old Dog's Tail' for Curry's, a small British label of the early 1930s.AI summary
Curry's 115 Comic