19 shellac records · mostly British pressings, 1900s–1950s
19 records matching
Grammavox A85 Orchestra
A descriptive phonograph novelty recording titled 'One of England's Watch Dogs' and 'Inspection of Territorials & Naval Reserves' for the GramA label, catalogue 162. These are spoken-word or sound-effect recordings, possibly from the Gramophone Company's early experimental releases.AI summary
Grammavox A162 Orchestra
F Shepherd recorded two songs for Gramophone, a small or short-lived British imprint: 'Mamie May' and 'Maisie Lou', probably in the 1920s.AI summary
Grammavox 4103 (E58) Ragtime
Two ragtime songs of 1912, 'Hitchy-Koo' and 'Waiting for the Robert E. Lee', sung by H. Cove and W. Thompson on Grammavox.AI summary
Grammavox E90 Ragtime
Harry Thornton on two ballads, 'The Jolly Old Cavalier' and 'Roses', from GramD 22. GramD is not a known standard British label; this appears to be a very small or regional imprint, likely 1920s-1930s. Thornton's identity is unclear.AI summary
Grammavox D22 Voice
Jack Charman on GramE 77, ragtime or novelty material 'Keep on swinging me Charlie' and 'Waltz me Willie in Rag Time', from the early 1900s–10s.AI summary
Grammavox E77 Ragtime
Grammavox E29 Music Hall
Lloyd Morgan on Gramophone E 44 performing two popular songs of the early 1900s, 'I'm Afraid to Go Home in the Dark' and the traditional Scots song 'I Love a Lassie' (composed by Harry Lauder). GramE (Gramophone E series) was an early budget label.AI summary
Grammavox 4013/4119 (44) Voice
Mahmoud Almaz performing two pieces of Arabic classical or traditional music on Gramophone 12016. The titles are transcribed from Arabic and suggest Middle Eastern classical repertoire or maqam music.AI summary
Grammavox 12016/12017 Instrumental
An Arabic mawwal, the improvised vocal form, 'Oum fi dough el lel', in two parts by Mahmoud Almaz on the British Grammavox label.AI summary
Grammavox 12006/12007 Instrumental
A dance or light orchestral coupling by the Metropolitan Orchestra on Grammavox, a minor British label of the early twentieth century. 'Smiles then Kisses' and 'Night of Love' suggest popular salon pieces of the 1910s–20s. Grammavox pressings are uncommon today and seldom documented.AI summary
Grammavox 054 Orchestra
Mr Cope-Bulmer performs 'The Shield of our mighty Empire' and 'Stick to your guns' on Gramophone D 221. Both titles are patriotic/military songs, likely from the early 1900s or a later period of national mobilisation. The artist is unidentified. GramD may be an early or regional imprint.AI summary
Grammavox D221 Music Hall
Norman Williams performing instrumental selections—'Lute Player' and 'There is a flower'—on GramD, an obscure or short-lived British label.AI summary
Grammavox 2098/2183 (D53) Instrumental
Vincent Hards, recorded on GramD 122 (Gramophone Company), performed 'Doreen' and 'E'en bravest heart,' sentimental vocal pieces. The artist and label details are obscure.AI summary
Grammavox 2182/2199 (D122) Voice
Wilfred Virgo recorded 'Arethusa' and 'Hybrias the Cretan' for GramD, a small or obscure British label. Both titles are classical or concert pieces. Nothing is known of Virgo or GramD Records.AI summary
Grammavox 2029/2062 (A20) Classical
Will Terry performing the music-hall standards 'I Do Like to Be Beside the Seaside' and 'I've Been Out with Charlie Brown' on Gram E1 (Gramophone label E series).AI summary
Grammavox E1 Music Hall
Will Terry on Gramophone Electrical, performing 'Don't take me home' and 'I'm afraid to go Home in the Dark'.AI summary
Grammavox E8 Music Hall
Will Terry on Gramophone Electrical, a small British label of the late 1920s, performing two popular songs: 'Molly O'Morgan' and 'Tiny Seed of love'.AI summary
Grammavox 4015/4026 (E2) Voice
Will Thompson recorded two romantic popular songs on GramD (Gramophone Company general or archive series), catalogue 209, likely pre-1910s or very early acoustic period. Thompson and this catalogue series are not clearly identifiable.AI summary
Grammavox D209 Music Hall