3,289 shellac records · mostly British pressings, 1900s–1950s
3,289 records matching · page 44 of 69
M. Michailova was a Russian contralto. This His Master's Voice recording in the E catalogue (a cheaper HMV series for less prominent artists) offers two numbers: 'Let Joy Abide' and 'Stormy Breezes', likely folk songs or art songs of the pre-war era.AI summary
His Master's Voice E185 Voice
A dance novelty recording credited to M Tabmann and the Mayfair Novelty ensemble on His Master's Voice from the early 1930s.AI summary
His Master's Voice B8019 Dance
Mabel Garrison, the American lyric soprano, performing 'Hymne au soleil' on His Master's Voice, a classical vocal recording likely from the early electrical era.AI summary
His Master's Voice 7-33024 Classical
Mac recorded 'They're Either Too Young or Too Old' and 'Say a Prayer for the Boys Over There' for His Master's Voice, catalogue NE787. The first title is a wartime song popularized by Bette Davis; the catalogue number and arrangement of initials suggest 1940s wartime material.AI summary
His Master's Voice NE787 Voice
Mackey on His Master's Voice BD128, a popular song recording from the 1930s or later.AI summary
His Master's Voice BD128 Voice
Mackey recorded 'Who's Been Polishing the Sun' and 'No a Thousand Times No' for His Master's Voice, catalogue B6553, in the early 1930s.AI summary
His Master's Voice B6553 Voice
Madam Metcalfe Casals (possibly related to the cellist Pablo Casals, though this is unconfirmed) recorded classical songs on His Master's Voice. The titles 'Soir', 'Nell', 'Le Secret', and 'Le Don Silencieux' suggest French romantic vocal music. The HMV JG series was used for prestige classical releases, indicating this was marketed as a serious classical recording.AI summary
His Master's Voice JG22 Classical
Madam Metcalfe Casals recorded Schumann for His Master's Voice's 'JG' series, a classical chamber music line from the early 1930s.AI summary
His Master's Voice JG19-22 Classical
Maggie Teyte performing Debussy's *Proses lyriques* ('De fleur' and 'De rêve') on HMV JG179. Teyte was a renowned British soprano, celebrated for her interpretation of French art-song, particularly Debussy and Ravel.AI summary
His Master's Voice JG179 Classical
Maggie Teyte was a celebrated British soprano, a leading interpreter of French art song and opera. This HMV DA-series pressing presents two French vocal pieces from her repertoire.AI summary
His Master's Voice DA1819 Opera
Maidie Scott sings 'I'm Glad I Took My Mother's Advice' and 'Father Got the Sack from the Waterworks' on HMV B568. The B-prefix HMV series for popular vocal material is a standard acoustic-era 10-inch format; this is a typical Maidie Scott HMV coupling from her recording prime.AI summary
His Master's Voice B568 Music Hall
Maidie Scott sings 'Bird on Nelly's Hat' and 'School Strike' on HMV C616, a 12-inch coupling. The C-prefix HMV series for popular vocals indicates an acoustic-era pressing; 12-inch popular vocal issues are less common than 10-inch equivalents, and the early Zonophone-to-HMV transition period pressings of Scott carry modest collector interest.AI summary
His Master's Voice C616 Music Hall
Maisie Gay was a popular British actress and revue comedian of the interwar period. This HMV B712 disc contains 'Jim' and 'I'm Through with Roaming Romeos'. HMV B-series pressings of interwar revue comedy material are moderately common.AI summary
His Master's Voice B712 Music Hall
His Master's Voice POP303
Marcel Bianchi on His Master's Voice, singing French sentimental songs. Bianchi is not a widely recognised artist; the titles suggest café or light-music French material. An HMV SG series release, likely from the 1920s-30s.AI summary
His Master's Voice SG665 Voice
Marcel Bianchi singing two Spanish-language songs, 'Quien Será' and 'Ho La Que Tal', on His Master's Voice SG691.AI summary
His Master's Voice SG691 Voice
Marcel Journet was a distinguished French bass who sang at the Paris Opéra and the Metropolitan Opera. This HMV pressing (7-52093) of the Italian National Anthem is an unusual side — a bass singing a patriotic piece rather than an operatic aria — but Journet's name gives it collecting appeal. The 7-52xxx catalogue range suggests an early acoustic pressing.AI summary
His Master's Voice 7-52093 Opera
Marcel Journet, the distinguished French bass, recorded 'La Brabançonne' (the Belgian national anthem) and the 'Chant de Guerre Cosaque' (Russian folk song) for His Master's Voice—nationalist and folk repertoire by a celebrated opera singer of the early 20th century.AI summary
His Master's Voice DA256 Opera
Marcel Journet, the distinguished French-Belgian bass-baritone, recorded Wagner's Lohengrin for HMV's prestige 3-series in the 1920s.AI summary
His Master's Voice 3-42550 Opera
Marcel Wittrisch, an Austrian tenor, recorded these two German songs for His Master's Voice, likely in the 1930s.AI summary
His Master's Voice EG2706 Voice
Marcel Wittrisch was a German tenor known for operatic roles and Lieder; this His Master's Voice side features two German art songs (Strauss and Schumann).AI summary
His Master's Voice EG3056 Opera
Marcel Wittrisch, the German operatic tenor, recorded German operatic selections 'Nun wer die Fraun nie fragt' and 'Was war ich ohne euch' for His Master's Voice EG2255, the European electric series.AI summary
His Master's Voice EG2255 Opera
Marcel Wittrisch, a celebrated German tenor of the operetta and light-music repertoire, on His Master's Voice EG2545 with two Viennese songs.AI summary
His Master's Voice EG2545 Opera
His Master's Voice EG2195
Marcel Wittrisch, a leading German operatic tenor of the 1930s, sings the carols 'O Du Fröhliche' and 'Stille Nacht, Heilige Nacht' on His Master's Voice, likely from HMV's continental export catalogue.AI summary
His Master's Voice EG2362 Voice
Marcel Wittrisch, an Austrian tenor, recorded two German waltzes and operetta material—'Komm in Die Gondel' and 'Wiener Blut Walzer'—for His Master's Voice. Wittrisch was a noted operetta and concert tenor of the 1920s-40s, and this recording documents his work in the British market.AI summary
His Master's Voice EG2545 Classical
His Master's Voice EG2342
Margaret Cooper on His Master's Voice 03228, performing 'Agatha Green', likely a music-hall or novelty piece. Cooper is unidentified; the 03000 catalogue number suggests an early acoustic or transitional recording.AI summary
His Master's Voice 03228 Music Hall
Margaret Cooper singing 'Ma Dusky Maid' and 'Inquisitive Ann' on His Master's Voice catalogue E37 — very early HMV pressings, likely from c. 1910–1912.AI summary
His Master's Voice E37 Voice
Margaret Cooper recorded 'Hullo Tu Tu' on His Master's Voice; the artist and song title are not easily placed in surviving discographies of the 1920s–30s.AI summary
His Master's Voice 03164 Voice
Margaret Cooper recorded 'Plumstones' for His Master's Voice. The artist and musical context are unconfirmed.AI summary
His Master's Voice 03263 Music Hall
Margaret Cooper was a British vocalist; this His Master's Voice pressing of 'Hullo Tu Tu' is a novelty song from the early 1930s, recorded as a single side.AI summary
His Master's Voice 03164 Voice
Margaret Cooper recorded 'Peter' for His Master's Voice, catalogue 03218. Cooper is an unidentified artist; the catalogue number, with leading zero, suggests an early or special issue.AI summary
His Master's Voice 03218 Music Hall
Margaret Cooper on His Master's Voice 03228, an acoustic-era vocal recording from around 1910–1915. The singer is unidentified in modern reference works.AI summary
His Master's Voice 03228 Voice
Margherita Perras recorded 'Il Pensieroso' and 'Ave Maria' for His Master's Voice. Little is known of Perras; the titles suggest art-song or sacred music, likely from the 1940s–50s.AI summary
His Master's Voice DB4464 Voice
Maria Basilides was a celebrated Hungarian mezzo-soprano of the early 20th century, known for her concert and operatic work. This His Master's Voice recording in Hungarian dates from the electrical era. Basilides was an internationally recorded artist, though UK pressings of her work are comparatively uncommon.AI summary
His Master's Voice AM1675 Opera
Maria Gay, a Spanish mezzo-soprano, recorded the French song 'Printemps qui commence' (Spring is Beginning) on His Master's Voice.AI summary
His Master's Voice 033040 Opera
Maria Ivogun, the Hungarian soprano (1891–1987), was a major operatic singer of the interwar years; this His Master's Voice disc pairs scenes from Meyerbeer's *Les Huguenots* and Strauss's *Die Fledermaus*, recorded in the 1920s or early 1930s.AI summary
His Master's Voice B24235 Opera
Maria Jeritza was an Austrian operatic soprano renowned for her dramatic voice and stage presence; this HMV disc features two celebrated Italian opera arias, "Voi Lo Sapete, O Mamma" from Cavalleria Rusticana and the famous aria from Tosca, "Vissi d'Arte, Vissi d'Amore".AI summary
His Master's Voice DA565 Opera
Maria Jeritza, an internationally celebrated Austrian soprano of the 1920s–30s, sings Gluck's 'Das Glück, das mir verblieb' and Wagner's 'Dich, teure Halle' for His Master's Voice. Jeritza was one of Europe's leading operatic voices and a major recording artist.AI summary
His Master's Voice DA524 Opera
Maria Jeritza, the celebrated Austro-Hungarian operatic soprano, recorded operatic arias for His Master's Voice. Jeritza was one of the great international stars of the 1920s and 1930s, famous for her roles in Puccini and for her dramatic intensity on stage.AI summary
His Master's Voice DA579 Opera
Maria Jeritza, an internationally celebrated opera soprano, on His Master's Voice DB306 with German-language operatic repertoire 'Allmacht'ge Jungfrau' and 'Einsam in truben Tagen'.AI summary
His Master's Voice DB306 Opera
Maria Jeritza, the celebrated Austro-Hungarian soprano, recorded German operatic arias for His Master's Voice's DB series: 'Allmacht'ge Jungfrau' and 'Einsam in truben Tagen'.AI summary
His Master's Voice DB306 Opera
Maria Jeritza, a celebrated Austrian soprano, recorded operatic material for His Master's Voice's Red Label; an important voice of the early 20th-century operatic stage.AI summary
His Master's Voice 2-033090 Opera
Maria Jeritza, the celebrated Austrian soprano, performing 'Allmacht'ge Jungfrau' and 'Einsam in truben Tagen' for HMV DB306.AI summary
His Master's Voice DB306 Opera
Marie Hall, a celebrated British violinist, recorded Rameau's 'Sarabande et Tambourin' on His Master's Voice. The HMV 2-prefix catalogue number indicates a classical acoustic recording from the late 1920s–early 1930s.AI summary
His Master's Voice 2-07953 Classical
Marie Hall was a British violinist prominent in the 1930s–1950s; Le Cygne (The Swan) is Saint-Saëns' most famous miniature, and this HMV recording captures one of Britain's leading string soloists.AI summary
His Master's Voice 3-7972 Classical
Marie Hall was a celebrated British violinist and concerto soloist of the early 20th century; this His Master's Voice 78 is a solo violin recording of 'Jota Aragonesa', a Spanish showpiece.AI summary
His Master's Voice 2-07956 Instrumental