3,288 shellac records · mostly British pressings, 1900s–1950s
3,288 records matching · page 53 of 69
P Dare and H Welchman performing the Finale of Act 2 from *The Street Singer* and 'A perfect little Lady' for HMV C1164, a pre-electrical or early electrical recording.AI summary
His Master's Voice C1164 Opera
P. Gawthorne and N. Taylor performing two sentimental songs—'I've always got Time to talk to you' and 'Have a Heart'—on His Master's Voice C834.AI summary
His Master's Voice C834 Voice
P Graves and P Charles performing two novelty vocal pieces on His Master's Voice POP series, a post-war budget line.AI summary
His Master's Voice POP132 Comic
Pete Johnson and Albert Ammons, two pioneering boogie-woogie pianists, recorded 'Barrel House Boogie' and 'Cuttin' the Boogie' for His Master's Voice in the early 1940s; these are important early examples of boogie-woogie, a style that went on to shape rhythm and blues and rock and roll.AI summary
His Master's Voice B9251 Jazz
P Monkman and L Cliff performing 'Conversation' and 'We'll go to Church on Sunday' on His Master's Voice B1443, a vocal or dialogue recording from the early 1920s.AI summary
His Master's Voice B1443 Voice
P Walker and C Mollison performing two songs on His Master's Voice (catalogue B4224), from the interwar period.AI summary
His Master's Voice B4224 Voice
A pianist credited as Paderewweski performing 'Valse Caprice' on His Master's Voice 045510—likely a misspelling of the famous Polish virtuoso, but attribution should be verified.AI summary
His Master's Voice 045510 Classical
His Master's Voice DA633 Classical
The Palace Orchestra under Fink recorded 'Hullo America' for His Master's Voice in the early acoustic era, before 1920.AI summary
His Master's Voice C877 Orchestra
Palace Theatre Orchestra under H Fink performing two movements from 'Toilet of Venus' — ballet music from a theatrical production — on His Master's Voice B531, an early UK pressing of theatre orchestral music.AI summary
His Master's Voice B531 Orchestra
His Master's Voice B1161
Palie K. Lua and David K. Kaili performing Hawaiian dance music and traditional waltzes for His Master's Voice; the artists are likely Hawaiian musicians recorded in the inter-war era.AI summary
His Master's Voice B297 Hawaiian
Pamela Baselow on His Master's Voice C1085, performing 'In Romany' and 'Violet Essex - Just for A While', an obscure vocalist from the early recording era.AI summary
His Master's Voice C1085 Voice
Pasquale Amato was an Italian baritone of the early 20th century, famous for his Metropolitan Opera performances; this His Master's Voice pink-label acoustic recording of the Neapolitan song 'Torna a Surrento' is an early acoustic vocal.AI summary
His Master's Voice 7-52057(pinklabel) Opera
His Master's Voice 2-052054 Voice
Pat Kirkwood, a British actress and singer, on His Master's Voice BD793, performing 'You've Done Something to My Heart' and 'Drift'. Kirkwood was a well-known British entertainer of the 1940s–50s.AI summary
His Master's Voice BD793 Voice
Patrick Shuldham-Shaw was a British folksinger and collector of traditional songs, accompanied on this His Master's Voice side by the celebrated pianist Gerald Moore; the programme features traditional British folk songs ('O Waly' and others).AI summary
His Master's Voice B9965 Voice
Paul Whiteman's orchestra recorded in Britain for His Master's Voice in the late 1920s. Whiteman was the most famous bandleader of the era, and this HMV B-series side pairs a Hawaiian-influenced jazz number with a light orchestral piece. His recordings remain highly sought.AI summary
His Master's Voice B1397 Jazz
Paul Fenoulhet's Band recorded 'Royal Garden Blues' and 'Phil the Fluter's Ball' for His Master's Voice BD5985. 'Royal Garden Blues' is a jazz standard; 'Phil the Fluter's Ball' is a traditional Irish-derived piece.AI summary
His Master's Voice BD5985 Dance
Paul Fenoulhet and his band perform 'Yippee Olly Ay No' and 'It Might As Well Be Spring' on His Master's Voice, a British dance orchestra active through the 1940s and 1950s.AI summary
His Master's Voice BD5928 Dance
Paul Fenoulhet's band recorded 'Hey Ba Ba Re Bop' and 'Cement Mixer' for His Master's Voice during the immediate post-war bebop craze of the late 1940s. These novelty-styled titles reflect American bebop influence in British dance music.AI summary
His Master's Voice BD5943 Dance
Paul Fenoulhet led a British dance band; this His Master's Voice side features two light dance pieces from the 1940s.AI summary
His Master's Voice BD5945 Dance
Paul Fenoulhet was a British bandleader and composer active in the 1920s and 1930s. This HMV BD pressing of two novelty or popular songs is a routine dance-band side from the period.AI summary
His Master's Voice BD5985 Dance
Paul Laval on His Master's Voice N4457, a voice record from the N-series. Laval appears to have been a minor vocalist of limited recording career.AI summary
His Master's Voice N4457 Voice
Paul Laval on His Master's Voice N4482 recorded 'Runnin' Wild' (A. Harrington Gibbs, Joe Grey and O. A. Harrington, 1923) and 'Dinah's Blues' (credited to D. Shore); Laval is an unrecognised French or European artist.AI summary
His Master's Voice N4482 Jazz
Paul Robeson on His Master's Voice B4052, performing 'My Heart is Where the Mohawk Flows' and 'The Folks I Used to Know'. Robeson was a major American bass-baritone, actor and political figure, one of the most recorded singers of the 20th century.AI summary
His Master's Voice B4052 Voice
Paul Robeson, the legendary American bass-baritone and political activist, recorded in His Master's Voice in the 1930s; two songs from his extensive discography.AI summary
His Master's Voice B8541 Voice
Paul Robeson, the American bass-baritone and political activist, recorded these two spirituals for HMV in the 1930s—'Lazybones' and 'Carry Me Back to Green Pastures' showcase the rich, resonant voice that made him one of the most celebrated singers of his era.AI summary
His Master's Voice B8010 Voice
Paul Robeson, the American baritone and actor who became an international symbol of civil rights and anti-racism, recorded for His Master's Voice throughout his career. This pressing of 'I ain't lazy I'm just dreamin'' and 'Little Man you've had a busy Day' dates to the 1930s–40s and remains a touchstone of his early recording work.AI summary
His Master's Voice B8202 Voice
Paul Robeson, the great American bass-baritone, performing two African-American spirituals, 'Swing Low, Sweet Chariot' and 'On Ma Journey', on His Master's Voice. Robeson was one of the most important singers of the twentieth century, and his recordings remain highly collectable.AI summary
His Master's Voice B8372 Voice
Paul Robeson on HMV B8591, performing 'Roll Up Sailorman' and 'I Don't Know What's Wrong'. Robeson (1898–1976) was an American baritone, actor and political activist of major significance; his recordings for HMV are keenly collected.AI summary
His Master's Voice B8591 Voice
Paul Robeson, the African-American bass-baritone, actor and civil rights figure, on His Master's Voice performing African-American spirituals and work songs. Robeson was one of the most significant recording artists of the 1920s–30s.AI summary
His Master's Voice B8637 Voice
Paul Robeson, the legendary American bass-baritone, recorded two songs for His Master's Voice: 'Absent' and 'Sea Fever' (John Masefield), B9257; Robeson was one of the greatest singers of the 20th century and a major recording artist from the 1920s onwards.AI summary
His Master's Voice B9257 Opera
Paul Robeson, the American baritone, actor and civil rights activist, recorded for His Master's Voice in the 1920s–30s. Robeson was one of the greatest singers of his era and remains a towering cultural figure; his recordings range from spirituals and work songs to classical art songs and political material.AI summary
His Master's Voice B8135 Voice
Paul Robeson, the great American bass-baritone and civil rights figure, sings his signature 'Ol' Man River' from Show Boat, backed with 'I Still Suits Me' with Elisabeth Welch, on His Master's Voice.AI summary
His Master's Voice B8497 Voice
Paul Robeson on His Master's Voice B2187, the American bass-baritone and actor, with 'Water Boy' and 'Steal away', spirituals that became his signature pieces.AI summary
His Master's Voice B2187 Voice
His Master's Voice C2621 Personalities (Prs)
Paul Robeson recorded 'Mah Lindy Lou' and 'Ma Curly Headed Baby' for HMV in the late 1920s or early 1930s; the bass-baritone and actor was one of the most significant recording artists of the era.AI summary
His Master's Voice B4309 Voice
His Master's Voice 57165
Paul Whiteman and his orchestra performing Gershwin's Rhapsody in Blue, the famous two-part recording, on His Master's Voice C1171. A landmark early electrical recording of an American jazz-classical masterpiece.AI summary
His Master's Voice C1171 Jazz
His Master's Voice B5541
Paul Whiteman and his orchestra in Gershwin's Rhapsody in Blue, two-part, on His Master's Voice L634. An important early electrical recording of the most famous jazz-classical fusion work.AI summary
His Master's Voice L634 Jazz
Paul Whiteman, the American bandleader famous for symphonic jazz and his dance orchestra of the 1920s–1930s, recorded 'I'm in Love with You, That's Why' and 'No Fooling' for His Master's Voice; Whiteman was one of the most successful recording artists of the jazz age.AI summary
His Master's Voice B5084 Jazz
His Master's Voice B1811 Dance
His Master's Voice B1847 Dance
Paul Whiteman's orchestra, the "King of Jazz" and a dominant American bandleader of the 1920s-30s, recorded two sentimental ballads on His Master's Voice, likely mid-1930s.AI summary
His Master's Voice BD130 Dance
Paul Whiteman and his orchestra on His Master's Voice, catalogue B6399, with 'Ah but Is It Love' and 'My Moonlight Madonna'. Another side from Whiteman's vast HMV catalogue during the swing era.AI summary
His Master's Voice B6399 Dance
Paul Whiteman and his orchestra on His Master's Voice (B5510) with 'In my bouquet of memories' and 'My angel'; Whiteman was the most recorded bandleader of the 1920s–1930s, and this is a standard commercial pressing.AI summary
His Master's Voice B5510 Dance