3,288 shellac records · mostly British pressings, 1900s–1950s
3,288 records matching · page 54 of 69
His Master's Voice BD130 Dance
His Master's Voice B2562
Paul Whiteman and his orchestra on His Master's Voice with 'Shaking the Blues Away' and 'Ooh Maybe It's You'—dance sides from the 1920s by the 'King of Jazz', one of the era's most recorded ensembles.AI summary
His Master's Voice B5415 Dance
Pauline Potter recorded two pieces from pantomime — 'Jack & the Beanstalk' and 'Dick Whittington & His Cat' — for His Master's Voice; Potter was a British light mezzo-soprano known for comedy and character roles in musical theatre.AI summary
His Master's Voice C503 Music Hall
Pearl Eddy is an unidentified vocalist; 'That's what a Heart is for' and 'Devil Lips' are generic popular song titles from the 1920s–30s. This HMV B10775 pressing is from the company's mainstream catalogue.AI summary
His Master's Voice B10775 Voice
Pepe Pinto singing 'Como mi mare' and 'Fandangos de Guadalupe' on His Master's Voice JOS24, part of HMV's 'Overseas' series for Spanish and Latin American repertoire. Pinto was a Spanish guitarist and singer.AI summary
His Master's Voice JOS24 Voice
Per Aabel was a Norwegian entertainer and comedian; this His Master's Voice AL-series disc carries two Norwegian songs, 'Karl Johan' and another number, likely recorded in the 1930s–40s.AI summary
His Master's Voice AL3212 Personalities (Prs)
Percival Mackey led the New Mayfair dance band, a popular British ensemble of the 1920s and 1930s; this His Master's Voice side features two light dance pieces.AI summary
His Master's Voice B6553 Dance
Percy Grainger performing his own 'Shepherd's Hey' (dated 1914) coupled with C. Sharp's arrangement of 'La Paloma' on HMV E147. Grainger was both a distinctive composer and pianist; a self-performed HMV pressing of 'Shepherd's Hey' — one of his most famous pieces — is a primary document of his own interpretations.AI summary
His Master's Voice E147 Instrumental
Percy Mott on His Master's Voice, recorded on the very early C-series (catalogue C15) with two short pieces: 'Welcome' and 'All aboard'. The early catalogue number suggests this is among HMV's earliest 78rpm releases.AI summary
His Master's Voice C15 Voice
Perry Como on His Master's Voice 1251, with 'Marcheta' and 'I Don't See Me in Your Eyes Anymore'. Como was one of the most popular and widely recorded singers of the 1940s–1950s, known for his smooth baritone and mainstream appeal.AI summary
His Master's Voice 1251 Voice
Perry Como on His Master's Voice, recorded during his early years in British release. 'Till the End of Time' was one of his signature sentimental ballads.AI summary
His Master's Voice BD1120 Voice
Perry Como recorded 'You must have been a beautiful baby' and 'Little man you've had a busy day' for His Master's Voice. Como was one of the most successful popular singers of the 1940s and 1950s.AI summary
His Master's Voice BD1161 Voice
Perry Como recorded 'If I'm Lucky' and 'Blue Skies' for His Master's Voice BD1154. Como was one of the most commercially successful vocalists of the 1940s-1950s, and his recordings were widely distributed.AI summary
His Master's Voice BD1154 Voice
Perry Como, the American balladeer and film star, recording 'The Rosary' and 'Bless This House' for His Master's Voice. The EA-series number places this in the late 1950s.AI summary
His Master's Voice EA3955 Voice
Perry Como was one of the most successful American popular singers of the 1940s–1950s, with a vast recording career and crossover into film and television. 'Jingle Bells' and 'Winter Wonderland' are seasonal novelties, likely from the early 1950s.AI summary
His Master's Voice BD1187 Voice
Perry Como, one of the most successful American popular singers of the 1950s, on His Master's Voice BD1156 with two standards.AI summary
His Master's Voice BD1156 Voice
His Master's Voice B10595 Personalities (Prs)
Pete Johnson and Albert Ammons on HMV, catalogue B9251. Johnson and Ammons were leading American boogie-woogie and blues pianists of the 1930s–40s; their records are collectable by blues and jazz enthusiasts.AI summary
His Master's Voice B9251 Jazz
Pete Mandell, with the Savoy Orpheans, recorded 'Get going' and 'Take your pick' for HMV B5035 in the 1930s—likely dance or novelty sides.AI summary
His Master's Voice B5035 Dance
Peter Anders, the German tenor, singing arias from Weber's Der Freischütz on His Master's Voice, a prestige operatic recording from the pre-war era.AI summary
His Master's Voice DA5514 Opera
Peter Dawson, the Australian baritone celebrated for popular ballads and character songs, singing 'The Winding Road' and 'Waltzing Matilda' on His Master's Voice B9191 — the latter his signature recording.AI summary
His Master's Voice B9191 Voice
Peter Dawson, the Australian baritone and one of the most prolific recording artists of the early 20th century, recorded classical ballad material for His Master's Voice; 'Hybrias the Cretan' is a narrative song in the classical-ballad tradition.AI summary
His Master's Voice B8513 Classical
Peter Dawson, the renowned Australian baritone, recorded two sailor songs, 'The Fleet's not in Port very long' and 'Rivetter', for His Master's Voice, catalogue B8554. Dawson was one of the most prolific and collected vocalists of the acoustic and early electrical era, known for narrative ballads and folk songs.AI summary
His Master's Voice B8554 Voice
Peter Dawson, one of Britain's finest baritones of the acoustic era, recorded 'Silver Patrol' and 'Old Plantation' for His Master's Voice; Dawson's HMV catalogue is extensive and highly collected.AI summary
His Master's Voice B8583 Voice
Peter Dawson was a dominant Australian baritone who recorded prolifically for His Master's Voice; 'Hotel Pimlico' and 'I Never Knew' are comic-sentimental songs typical of his British vaudeville repertoire.AI summary
His Master's Voice B1158 Voice
Peter Dawson, one of Britain's finest baritones of the early twentieth century, recorded two classical English songs—"Down Among the Dead Men" and "O Mistress Mine"—for His Master's Voice B851.AI summary
His Master's Voice B851 Voice
Peter Dawson, a major British baritone and ballad singer of the late 1800s–1930s, performing 'Smuggler's song' and 'Pauper's drive' on His Master's Voice B1311. Dawson was one of the most prolific classical-voice recording artists in British history.AI summary
His Master's Voice B1311 Voice
Peter Dawson, the great Australian baritone, recorded these two songs for His Master's Voice, likely in the 1920s based on the early catalogue number.AI summary
His Master's Voice B1348 Voice
Peter Dawson, the celebrated Australian baritone, in ballad songs for His Master's Voice. Dawson's HMV sides from the acoustic and early electrical era remain highly sought after.AI summary
His Master's Voice B777 Voice
Peter Dawson was one of the finest British baritones of the 20th century, with a recording career spanning five decades. This HMV side pairs two of his signature pieces: 'On the road to Mandalay' and 'Sylvia', which he recorded repeatedly throughout his life.AI summary
His Master's Voice B8886 Voice
Peter Dawson, one of Britain's greatest baritone singers, recorded 'Jerusalem' for His Master's Voice. This is a solo recording of Parry's patriotic anthem by an artist celebrated for recital and operatic work.AI summary
His Master's Voice OB5938-1 Classical
His Master's Voice OB5940-2 Voice
His Master's Voice EA3462
Peter Dawson was one of the finest British baritone singers of the early 20th century, celebrated for his ballads and sentimental songs. This His Master's Voice recording of 'Man Is Master of His Fate' and a song arrangement by Jones captures Dawson in the 1920s repertoire for which he became famous.AI summary
His Master's Voice B1512 Voice
His Master's Voice B1435 Personalities (Prs)
Peter Pears, the British tenor, accompanied by Benjamin Britten at the piano, performing Michelangelo's Seven Sonnets (set to music by Britten) on His Master's Voice, a significant chamber recording from the early wartime era.AI summary
His Master's Voice B9302 Classical
Peter Sellers, the celebrated British comic actor and entertainer, performing 'Dipso Calypso' and 'Never Never Land' on His Master's Voice (catalogue B10724).AI summary
His Master's Voice B10724 Calypso
Phemie Marquis, a Scottish singer, recorded these two ballads for His Master's Voice: 'A Fairy's Love Song' and 'The Land of the Mountains'. Both are sentimental character pieces.AI summary
His Master's Voice B974 Voice
Phil Baker, a popular American comedian and entertainer of the 1920s–30s, performs comedy sketches on His Master's Voice B2670.AI summary
His Master's Voice B2670 Personalities (Prs)
Phil Harris was an American entertainer, comedian, singer and actor known for his work in radio, theatre, and film. This HMV pressing of "Smoke, Smoke, Smoke!" (a novelty hit) and "Crawdad Song" captures his light, comedic style.AI summary
His Master's Voice BD1195 Voice
Phil Harris, an American entertainer and singer active from the 1920s onward, performs 'Goofus' on His Master's Voice B10007 — a novelty recording likely from the early 1930s.AI summary
His Master's Voice B10007 Personalities (Prs)
Phil Harris performing 'The Old Master Painter' and the novelty swing song 'Chattanooga Shoe-Shine Boy' on His Master's Voice 9895, a British pressing from the late 1940s.AI summary
His Master's Voice 9895 Voice
Phil Harris and his Orchestra recorded "Woodman, Spare that Tree" and "Dark Town Poker Club" for His Master's Voice BD1176. Harris was a singer, comedian and actor popular in the 1930s-1940s.AI summary
His Master's Voice BD1176 Orchestra
Phil Harris and his Orchestra, recorded 'Woodman, Spare that Tree' and 'Dark Town Poker Club' for His Master's Voice.AI summary
His Master's Voice BD1176 Dance
Cornetist Phil Napoleon performing two novelty jazz numbers with risqué titles, 'Go Joe go' and 'Take your Finger out of your Mouth', on His Master's Voice B5331. Napoleon led the Original Memphis Five and was a prominent hot-jazz soloist of the 1920s.AI summary
His Master's Voice B5331 Jazz
Phil Napoleon with His Master's Voice BD120, 'You Can't Cheat a Cheater' (recorded 1929) and 'Swingin' Uptown' (recorded 1934, credited to Jimmy Lunceford). Napoleon was a trumpet player and bandleader, and this disc pairs two different-era jazz recordings on one release—a common reissue practice.AI summary
His Master's Voice BD120 Jazz
Phil Napoleon with His Master's Voice BD120, 'You Can't Cheat a Cheater' (recorded 1929) and 'Swingin' Uptown' (recorded 1934, credited to Jimmy Lunceford). Napoleon was a trumpet player and bandleader, and this disc pairs two different-era jazz recordings on one release—a common reissue practice.AI summary
His Master's Voice BD120 Jazz