3,288 shellac records · mostly British pressings, 1900s–1950s
3,288 records matching · page 63 of 69
'Come Over Here' was a London musical comedy of 1913, and this HMV C-series pressing of a selection from it probably dates from that year. The C-series was used for twelve-inch records. The artist 'Steiner' in this context is likely a conductor or band. Show selections of this type were standard HMV catalogue material and were pressed in large quantities.AI summary
His Master's Voice C290 Dance
Stewart Gardner singing the Prologue on His Master's Voice D225, likely from an operatic or theatrical work.AI summary
His Master's Voice D225 Opera
Strand Theatre Orchestra on His Master's Voice with '1066 and All That'; likely an orchestral recording tied to the popular stage revue or publication of that title from the 1930s.AI summary
His Master's Voice C2804 Orchestra
The Streamliners recorded 'Let's go steady' and 'March Hare' for His Master's Voice POP series, a popular dance label of the 1950s.AI summary
His Master's Voice POP228 Dance
Svend Asmussen, a virtuoso Danish jazz violinist, performing 'My Blue Heaven' and 'Tiger Rag' on His Master's Voice X4570. Asmussen was one of Europe's finest jazz violinists from the 1930s onward; his HMV recordings are collectible.AI summary
His Master's Voice X4570 Jazz
His Master's Voice B1486 Voice
The Sylvians on His Master's Voice, a popular vocal group of the 1920s–30s.AI summary
His Master's Voice B5203 Voice
Tiana Lemnitz and Torsten Ralf performing the 'Lohengrin' love duet on His Master's Voice DB4667. Lemnitz was a renowned German mezzo-soprano and Ralf a distinguished Heldentenor; this is operatic repertoire at a high level.AI summary
His Master's Voice DB4667 Opera
Lotte Lemnitz and Helge Ralf were renowned German operatic singers; this His Master's Voice pressing captures the love duet from Verdi's *Othello* in German, from the electrical era.AI summary
His Master's Voice DB4668 Opera
Talbot O'Farrell was an Irish tenor and one of the earliest vocal recording artists, active from the 1900s; this HMV B820 issue preserves Irish songs that were staples of his recording career.AI summary
His Master's Voice B820 Voice
His Master's Voice's Model 521 gramophone demonstration record — a practical test disc issued by the manufacturer to showcase sound quality; a scarce industrial artifact rather than a musical recording.AI summary
His Master's Voice B10 Misc.
Tallulah Bankhead, the celebrated stage and film actress, performing 'What Do I Care' and 'Don't Tell Him What Happened to Me' on HMV B3687, a spoken-word or light vocal side from the 1920s–1930s.AI summary
His Master's Voice B3687 Personalities (Prs)
Tampa Red, a pioneering slide guitarist and blues composer, recorded 'Since Baby's been gone' and 'Pretty Baby blues' for His Master's Voice. This JO series pressing is from the early 1930s, when Tampa Red was at the height of his influence on Chicago blues and hokum style.AI summary
His Master's Voice JO301 Jazz
Tango Band (artists unidentified) on His Master's Voice B5355, performing 'Zulu Wail' and 'A Blue Serenade'. The 'Zulu Wail' suggests an exotic or novelty number; tango and Latin dance music was popular in the 1930s.AI summary
His Master's Voice B5355 Dance
The Tanner Sisters on His Master's Voice performing novelty and folk material of the late 1940s–early 1950s.AI summary
His Master's Voice B10100 Voice
Hawaiian instrumental ensemble led by Tau Moe, recorded for His Master's Voice; Moe was a respected Hawaiian musician working in Britain during the 1930s.AI summary
His Master's Voice NE596 Hawaiian
Ted Weems' orchestra recorded 'Miss Wonderful' and 'I'm a Dreamer' (credited to the HighHatters) for His Master's Voice B5745. Weems was an American bandleader of the swing era whose recordings often appeared on HMV.AI summary
His Master's Voice B5745 Dance
Teddie Gerard on His Master's Voice B 520, recorded in the late 1920s; Gerard was a British music hall performer and comedian known for novelty material.AI summary
His Master's Voice B520 Music Hall
Teddy Foster and his Kings of Swing on His Master's Voice BD5301. Foster was a British bandleader and recording artist of the swing era; his sides were pressed in moderate quantities.AI summary
His Master's Voice BD5301 Jazz
Teddy Joyce was a British dance bandleader of the 1930s–40s; this His Master's Voice BD-series disc carries two popular ballads from the late 1930s.AI summary
His Master's Voice BD144 Dance
Teddy Joyce and his orchestra recorded these two sides for His Master's Voice, a British budget electrical series; Joyce was a British bandleader of the late 1920s and early 1930s.AI summary
His Master's Voice BD162 Dance
Teddy Joyce Band on His Master's Voice, a British dance orchestra, with 'I'll Take the South' and 'Rehearsing a Lullaby'—early dance music from the 1920s-1930s.AI summary
His Master's Voice BD176 Dance
Teddy Joyce led a dance band during the 1930s–40s and recorded for His Master's Voice. This BD177 recording pairs two popular dance standards from the swing era.AI summary
His Master's Voice BD177 Dance
Teddy Joyce led a dance orchestra, recorded here on His Master's Voice for 'Call Me Sweetheart' and 'Here Comes That Rainbow'. The BD series places this in the early 1930s.AI summary
His Master's Voice BD190 Dance
Teddy Joyce's dance band recorded for His Master's Voice with 'Two Tired Eyes' and 'Marina', a British bandleader of the pre-war era.AI summary
His Master's Voice BD191 Dance
His Master's Voice B6029 Jazz
Tenna Fredericksen, a Danish soprano, performs Butterfly's aria from Madama Butterfly and an aria from Tosca on HMV 083019/20, a large-format double-sided pressing. The 083000 HMV series is a Scandinavian or Northern European pressing; Fredericksen appears to be a regional operatic artist not widely represented in major catalogues.AI summary
His Master's Voice 083019/20 Opera
The Tennessee Ten, a dance and novelty band, records 'You've Got to See Mamma Ev'ry Night' alongside Paul Whiteman performing 'Nothin' But' on HMV B1677. Paul Whiteman is among the most collected dance-band names of the 1920s; the Whiteman coupling on a standard HMV B-series electric pressing is of modest dance-band collector interest.AI summary
His Master's Voice B1677 Dance
The Tennessee Ten, a string ensemble or small orchestra, recorded these two jazz-influenced numbers for HMV in the early 1920s (B1677 is an early catalogue number). This is a dance or jazz ensemble recording from the early electrical era.AI summary
His Master's Voice B1677 Orchestra
A legendary vocal ensemble featuring Tetrazzini, Caruso, De Luca, Amato, Journet, Jacoby and Bada performing 'Chi mi frena' (the Act II sextet from *La traviata*) on His Master's Voice: an exceptionally rare collaboration of early 20th-century opera superstars, recorded acoustically.AI summary
His Master's Voice 2-054034 Opera
Tex Beneke, the pianist and singer of the Glenn Miller orchestra, recorded 'Poinciana' and 'Man I love' for HMV, likely in the post-war 1940s.AI summary
His Master's Voice BD6038 Voice
Tex Beneke, the American bandleader and saxophonist who fronted the Glenn Miller orchestra in the 1940s and led his own band thereafter, recorded 'Sunrise Serenade' and 'An Old Sombrero' for His Master's Voice; 'Sunrise Serenade' was a Glenn Miller signature tune.AI summary
His Master's Voice BD1198 Jazz
After Glenn Miller's death, saxophonist and singer Tex Beneke led the band under the Miller name. This late-1940s HMV issue couples 'Pin-Striped Pants' with 'The Whiffenpoof Song'.AI summary
His Master's Voice BD1252 Dance
Texas Jim Robertson on His Master's Voice B9969, performing country-flavored popular material. Robertson was an American recording artist active in the 1940s-1950s, and HMV pressings of his work are moderately available. This recording is of interest to collectors of American country and hillbilly material of that era.AI summary
His Master's Voice B9969 Country
Texas Jim Robertson, an American country and western performer, recorded 'Wildcat Baby' and 'A pretty Woman is a deadly Weapon' for His Master's Voice, probably in the early 1930s. The MH series suggests a British pressing of American material.AI summary
His Master's Voice MH163 Country
Sides 5 and 6 of HMV's record of the 1937 Coronation of King George VI and Queen Elizabeth, catalogue RG.3.AI summary
His Master's Voice RG.3
Sides 11 and 12 of HMV's record of the 1937 Coronation of King George VI and Queen Elizabeth, catalogue RG.6.AI summary
His Master's Voice RG.6
Sides 15 and 16 of HMV's record of the 1937 Coronation of King George VI and Queen Elizabeth, catalogue RG.8.AI summary
His Master's Voice RG.8
The Fontane Sisters were an American vocal trio popular in the 1950s; this His Master's Voice recording is a UK pressing of their work.AI summary
His Master's Voice B10066 Voice
The Olympics on His Master's Voice POP528, performing 'Well' and 'Western Movies'. If this is the American R&B group the Olympics (best known for 'Western Movies' in 1958), this would be a UK pressing of a significant pop-chart record and rhythm-and-blues milestone.AI summary
His Master's Voice POP528 Rock
The Olympics were an American vocal group who had a hit with "Western Movies" in 1958; this HMV POP pressing brings their doo-wop style to the British market.AI summary
His Master's Voice POP528 Voice
The Olympics were an American R&B vocal group of the 1950s; 'Western Movies' was one of their most successful recordings, a playful novelty hit that became a rock and roll standard.AI summary
His Master's Voice POP528 Rock
The Three Chuckles were an American vocal trio active in the early 1950s, best known for their novelty and doo-wop influenced recordings. This His Master's Voice pressing reflects their brief but prolific recording period.AI summary
His Master's Voice B10835 Voice
The Three Suns, an American trio known for novelty instrumentals and Caribbean-flavoured swing, on His Master's Voice JO318 with two boogie and Latin-rhythm pieces from the 1940s.AI summary
His Master's Voice JO318 Instrumental
His Master's Voice B10701 Personalities (Prs)
Theodore Chaliapine, the legendary Russian bass-baritone, recorded 'They won't let Masha walk by the Brook' (a Russian folk song) for His Master's Voice, catalogue 022213. Chaliapine was one of the greatest operatic singers of the 20th century, and his records are widely collected. This appears to be an early acoustic recording from the 1920s.AI summary
His Master's Voice 022213 Opera
Feodor Chaliapin, the legendary Russian bass and one of the greatest opera singers of the early 20th century, recorded two pieces 'The Prisoner' and 'Black Eyes' on HMV DB3463. Chaliapin was a principal artist for HMV and his records remain highly collectable.AI summary
His Master's Voice DB3463 Opera
Feodor Chaliapin, the legendary Russian bass, recorded these arias from Gounod's Faust and other operatic works for His Master's Voice, the major British label that held exclusive rights to his recordings.AI summary
His Master's Voice DB942 Opera