576 shellac records · mostly British pressings, 1900s–1950s
576 records matching · page 5 of 12
Harry James, the legendary big-band trumpet leader and Hollywood personality, performing 'Record Session' and 'Indiana' on Parlophone. James was one of the most commercially successful jazz musicians of the 1930s-1950s.AI summary
Parlophone R2883 Jazz
Harry Leader on Parlophone F2259, performing 'The Cokey Cokey' and 'The Palais Glide'. Leader was a British bandleader and entertainer. 'The Cokey Cokey' became a major novelty hit in the late 1940s–early 1950s.AI summary
Parlophone F2259 Dance
Harry Parry's jazz band performing 'At the Jazz Band Ball' and 'Clarinet Blues' on Parlophone R3119 from the swing era.AI summary
Parlophone R3119 Jazz
Harry Roy and his band, performing two novelty numbers for Parlophone, likely from the early 1930s.AI summary
Parlophone F1002 Dance
Harry Roy and his band perform 'Run Rabbit Run' and 'Man with the Mandoline' for Parlophone. 'Run Rabbit Run' was a major novelty hit in wartime Britain (1939), and Roy's recording was a popular version.AI summary
Parlophone F1546 Dance
Harry Roy, a popular British dance bandleader of the 1930s, recorded two novelty numbers on Parlophone's F-series, including the charming "It's a Hap Hap Happy Day".AI summary
Parlophone F1620 Dance
Harry Roy was a sophisticated British bandleader and saxophonist of the 1920s and 1930s, leader of the Bat Club Boys, and a major figure in the jazz-influenced dance music that became fashionable among smart London society.AI summary
Parlophone F413 Dance
Harry Roy and his orchestra, a successful British dance and swing bandleader, on Parlophone with 'Bye Bye Baby' and 'Sing Baby Sing'.AI summary
Parlophone F592 Dance
Harry Roy was a celebrated British dance-band leader and entertainer popular in the 1920s and 1930s; this Parlophone side captures two of his typical light dance recordings.AI summary
Parlophone F934 Dance
Harry Roy on Parlophone performing 'Out of the Rag Bag Medley' (parts 1 and 2), a novelty medley by the British bandleader and entertainer known for jump and novelty recordings.AI summary
Parlophone F338 Dance
Parlophone F280 Dance
Harry Roy, the British dance band leader, on Parlophone; the catalogue number (F100) indicates an early Parlophone pressing, likely early 1930s.AI summary
Parlophone F100 Dance
Harry Roy, the British dance-band leader, recorded this pair of standards for Parlophone; early sides like this are among the most recorded material of the late 1920s.AI summary
Parlophone F102 Dance
Parlophone F115 Dance
Harry Roy's Parlophone side pairs two waltz medleys typical of the early 1930s dance-band repertoire.AI summary
Parlophone F147 Dance
Harry Roy and his band perform 'On the Night of June Third' and 'Jubilation Rag' on Parlophone's early F series from the early 1930s.AI summary
Parlophone F158 Dance
Harry Roy and his dance orchestra perform two Cole Porter numbers from Anything Goes, 'You're the Top' and 'I Get a Kick Out of You', on Parlophone's F series, the label's mainstream dance catalogue of the 1930s.AI summary
Parlophone F176 Dance
Harry Roy, the British bandleader and saxophonist who led the Mayfair Hotel orchestra through the 1920s and 1930s, recorded 'Believe it, Beloved' and 'Haunting Me' for Parlophone; Roy was known for his hot dance and swing-influenced sides.AI summary
Parlophone F177 Dance
Untitled
A Harry Roy recording on Parlophone; the catalogue number (F2150) and format suggest early 1930s, but side titles are not recorded.AI summary
Parlophone F2150 Dance
Harry Roy and his band on Parlophone, catalogue F458, performing 'Jazz Me Blues' and 'Cheerful Blues'. Roy was a prominent British bandleader and jazz enthusiast of the 1920s-30s.AI summary
Parlophone F458 Jazz
Harry Roy and his band performing 'Goosey' and 'Beer Barrel Polka' on Parlophone. Roy was a well-known British bandleader and entertainer of the 1930s-1940s, famous for his dance-band arrangements and comic timing.AI summary
Parlophone F1452 Dance
Harry Roy Band on Parlophone, a British bandleader known for hot dance music in the 1930s, with 'Heigh Ho' and 'Two Lovely People'—syncopated dance sides from the early 1930s.AI summary
Parlophone F1082 Dance
Harry Roy and his band, a prominent British dance orchestra of the 1930s, recorded novelty numbers for Parlophone's early F-series.AI summary
Parlophone F109 Dance
Harry Roy and his orchestra, one of Britain's leading dance bands, recorded these two big-band sides for Parlophone in the late 1930s; Roy was known for his exuberant showmanship and this is a typical example of his style.AI summary
Parlophone F1204 Dance
Harry Roy was a prominent British dance bandleader and entertainer of the 1930s; this Parlophone recording pairs 'I'm Just Wild About Harry' with 'Talk to Me'.AI summary
Parlophone F1415 Dance
Harry Roy's band on Parlophone F1452 from the 1930s or 1940s.AI summary
Parlophone F1452 Dance
Harry Roy's band was one of the most sophisticated British dance orchestras of the 1930s and 1940s, known for their tight swing style. This Parlophone F-series side shows the quality of Roy's output, and his recordings remain actively collected.AI summary
Parlophone F1478 Dance
Harry Roy was a prominent British bandleader of the 1930s–40s, known for his theatrical and novelty-oriented approach to dance music. This Parlophone recording pairs two popular standards.AI summary
Parlophone F1596 Dance
Harry Roy's dance band on Parlophone's F series with "Goody Goodbye" and "I Want the Waiter", typical British swing-era entertainment.AI summary
Parlophone F1679 Dance
Harry Roy's band on two popular songs, Parlophone F pressing from the late 1930s. Roy led one of Britain's most prolific dance orchestras.AI summary
Parlophone F2090 Dance
Harry Roy was a British dance bandleader of the 1930s–40s, known for novelty numbers and comedy records; this Parlophone disc from the mid-1930s carries two light numbers.AI summary
Parlophone F2107 Dance
Harry Roy and his band, a popular British dance orchestra of the 1930s, play two ballads—'Avalon' and 'Margie'—on Parlophone. Roy was a prolific recording artist and remained popular throughout the swing era.AI summary
Parlophone F483 Dance
Harry Roy was a well-known British bandleader and entertainer of the 1930s, here recorded by Parlophone with two popular standards from the musical *Pennies from Heaven*. Roy's band was one of the most commercially successful British dance orchestras of the decade.AI summary
Parlophone F666 Dance
Harry Roy's band, one of the most popular British dance orchestras of the 1930s, recorded 'From Monday On' and 'She's Funny That Way' for Parlophone; Roy was a celebrated and prolific recording artist.AI summary
Parlophone F668 Dance
Harry Roy and his orchestra recorded these two sides for Parlophone in the 1930s; Roy's energetic and humorous approach to dance music made him popular across Britain.AI summary
Parlophone R1938 Dance
Parlophone F1299
Parlophone F205
Harry Roy and his band were a leading British dance orchestra of the 1930s; this Parlophone F-series recording pairs novelty and comic titles, and Roy's sides are sought by dance-band enthusiasts.AI summary
Parlophone F130 Dance
Harry Roy was a dance-band leader and entertainer active from the late 1920s through the 1950s; this early Parlophone side captures his swing style.AI summary
Parlophone F131 Dance
Harry Roy's band was one of the most sophisticated British dance orchestras of the 1930s and 1940s. This Parlophone F-series side captures the band's tight swing style. Roy remains actively collected by British dance-music enthusiasts.AI summary
Parlophone F2107 Dance
Harry Roy and his orchestra recorded these two spirited sides for Parlophone in the 1930s; Roy was known for exuberant, rhythmic dance music and this is a characteristic example.AI summary
Parlophone F411 Dance
Harry Roy and his band on Parlophone F484 with 'That's a Plenty' and 'Someday Sweetheart'. Roy was a celebrated British dance-band leader and saxophonist of the 1920s–30s era.AI summary
Parlophone F484 Dance
Helene Cals, a vocalist, sings two arias on Parlophone. The E series catalogue number places this in the late 1920s-1930s electrical era.AI summary
Parlophone E10990 Opera
Henriette Renié on Parlophone E11089, with 'La Source' and 'Contemplation', solo works for harp. Renié was a French harpist and composer of the late 19th and 20th centuries, celebrated for her virtuoso performances and interpretations of both classical and contemporary repertoire.AI summary
Parlophone E11089 Classical
Henriette Renié was a celebrated French concert harpist of the late 19th and early 20th centuries. This Parlophone E series pressing preserves two of her compositions performed on the harp, the instrument for which she was known.AI summary
Parlophone E11089 Classical
Herman Darewski was a British bandleader and composer; this Parlophone disc from the early 1930s carries 'Memory Lane', a sentimental instrumental number.AI summary
Parlophone F1530 Dance
Humphrey Lyttelton, the British jazz trumpeter and bandleader, recording 'Shake It and Break It' and 'Jail Break' for Parlophone R-series (R3667), likely early 1950s.AI summary
Parlophone R3667 Jazz
Humphrey Lyttelton, the British jazz trumpeter and bandleader, performing 'Hand Me Down Love' and 'Here and Gone' on Parlophone R4428. Lyttelton led a major British traditional jazz revival band from the late 1940s onwards and is collected for his trad jazz sides.AI summary
Parlophone R4428 Jazz