576 shellac records · mostly British pressings, 1900s–1950s
576 records matching · page 8 of 12
Lotte Lehmann, one of the greatest lyric sopranos of the 20th century and a towering interpreter of Lieder and opera. Parlophone R20014 records 'Dei Primo Piento' and 'In Questa Reggia', capturing a legendary voice.AI summary
Parlophone R20014 Opera
Lotte Lehmann, the celebrated Austrian lieder and operatic soprano, performing Leonore's Aria (two parts) on Parlophone PXO1013. Lehmann was one of the preeminent vocal artists of the 20th century.AI summary
Parlophone PXO1013 Opera
Lotte Lehmann, the great Austro-German mezzo-soprano, singing Schubert's 'Aufträge' and 'Nussbaum' on Parlophone RO20071, a foreign repertoire series of the 1930s.AI summary
Parlophone RO20071 Opera
Lotte Lehmann, the celebrated Austrian soprano and Lieder specialist, performs two of the most famous German art songs: Schubert's 'An die Musik' and 'Du Bist die Ruh'. This Parlophone recording captures one of the greatest interpreters of the repertoire.AI summary
Parlophone RO20051 Classical
Lotte Lehmann, an internationally celebrated soprano, recorded 'We All Believe in One God' and 'Come Holy Ghost' for Parlophone—sacred vocal music from one of the greatest singers of the 20th century.AI summary
Parlophone 20320 Voice
Lotte Lehmann, the celebrated Austrian mezzo-soprano of the lieder and operatic repertoire, performing German art song on Parlophone.AI summary
Parlophone PO163 Classical
Lotte Lehmann was a celebrated Austrian-American soprano and lieder interpreter; these are Schubert songs recorded for the British Parlophone label, preserving her intimate vocal art on disc.AI summary
Parlophone RO20061 Opera
Lotte Lehmann, the legendary Austrian mezzo-soprano and lieder interpreter, recorded both sides as "Arabella" for Parlophone, likely two movements from Richard Strauss's opera of that name.AI summary
Parlophone RO20237 Opera
Lotte Lehmann was an Austrian dramatic soprano (1888–1976) of international standing, celebrated for her Lieder and Wagner roles; this Parlophone pressing of sacred vocal music is from the late acoustic or early electrical era.AI summary
Parlophone RO20309 Opera
Lotte Lehmann and Jan Kiepura in duets from the third act of Puccini's 'Tosca' on Parlophone.AI summary
Parlophone R20048 Opera
Lotte Lehmann, Richard Tauber and others from the German operatic world recorded the Finale of Act 2 from Die Fledermaus on Parlophone PXO1032, a deluxe issue.AI summary
Parlophone PXO1032 Opera
Louis Armstrong recorded 'Knockin' a Jug' and 'High Tension' for Parlophone, a major British label. 'Knockin' a Jug' is one of Armstrong's most famous early recordings, originally made in 1925 and featuring Joe Oliver on cornet and pianist Earl Hines.AI summary
Parlophone R1064 Jazz
Louis Armstrong, the jazz pioneer, recorded these two songs for Parlophone UK; 'I Got Rhythm' is his famous arrangement of the Gershwin standard, and 'Lawd You Made the Night Too Long' is a jazz vocal.AI summary
Parlophone R1207 Jazz
Louis Armstrong on Parlophone, performing 'Ain't Misbehavin'' and 'Tiger Rag' (arranged by Tommy Dorsey). This is one of the greatest jazz recordings ever made — Armstrong's definitive version of 'Ain't Misbehavin'' from the Hot Chocolates show, recorded in 1929. UK pressings of Armstrong's earliest Parlophone sides are scarce and highly sought.AI summary
Parlophone R462 Jazz
Louis Armstrong, the jazz giant and trumpeter whose innovations defined jazz itself, appears here on Parlophone with two of his finest recordings from the early 1930s — a UK pressing of music that shaped the era.AI summary
Parlophone R1207 Jazz
Louis Armstrong, the jazz pioneer, recorded 'Body and Soul' and 'You Can Depend on Me' for Parlophone, a UK pressing of Armstrong's classic 1930s sides.AI summary
Parlophone R1355 Jazz
Louis Armstrong's hot jazz ensemble recorded for Parlophone in the late 1920s; these are early Armstrong sides from his canonical period, a cornerstone of jazz history.AI summary
Parlophone R1494 Jazz
Louis Armstrong on Parlophone R1170, performing "Between the devil and the deep blue sea" and "Kicki the gong around".AI summary
Parlophone R1170 Jazz
Louis Armstrong performing two classic jazz standards on Parlophone R1100: 'Shine' and 'If I Could Be With You One Hour'. These are reissues of earlier Armstrong recordings, Parlophone being a major British outlet for his work.AI summary
Parlophone R1100 Jazz
Louis Armstrong, jazz's greatest innovator, recorded these two classics — "Ain't Misbehavin'" and "Tiger Rag" — and this Parlophone pressing is a UK issue of a legendary session. Armstrong recordings are among the most collected of all jazz 78s.AI summary
Parlophone R462 Jazz
Louis Armstrong recorded these two classic jazz standards for Parlophone's R series. 'Shine' was a favourite Armstrong showstopper; Parlophone R1100 is an early catalogue number suggesting an acoustic or very early electrical pressing, making UK copies of this particular issue scarce.AI summary
Parlophone R1100 Jazz
Louise Helletsgruber, an operatic soprano, on Parlophone E10932 performing Gounod's "Jewel Song" (from *Faust*) and Goethe's "Ballad of the King in Thule." A European singer recorded for Parlophone in the 1920s–30s.AI summary
Parlophone E10932 Opera
Louise Helletsgruber was an Austrian mezzo-soprano active in European opera houses and on record in the 1930s–50s. This Parlophone E-series pressing of the Jewel Song from Faust and a Schubert art song documents her operatic repertoire.AI summary
Parlophone E10932 Opera
Luciano Tajoli, the Italian popular singer, recorded 'Arriverderci Roma' and 'Maruzzella' for Parlophone; both are Italian standards and 'Arriverderci Roma' was a major European hit.AI summary
Parlophone PO217 Voice
Luis Russell, a Cuban-American jazz pianist and bandleader active in New York in the late 1920s–early 1930s, recorded 'Song of the Swanee' and 'What's the Use of Cryin' Baby' for Parlophone. Russell led a significant jazz orchestra and recorded influential New Orleans-influenced jazz.AI summary
Parlophone R1669 Jazz
Parlophone R2928
Humphrey Lyttelton and his band, performing two jazz pieces on Parlophone R4184, likely from the late 1950s.AI summary
Parlophone R4184 Jazz
Lyttelton (full name not given) recorded 'It Makes my love come down' and 'Blues for an Unknown Gipsy' for Parlophone. The titles suggest dance or novelty sides from the 1930s.AI summary
Parlophone R3424 Dance
M Michailow performing two classical piano pieces—Précieuse and Polonaise—on Parlophone's prestigious E-series.AI summary
Parlophone E10059 Classical
M Michailow recorded 'Poem' by Fibich and 'Solveig's Song' (Grieg) for Parlophone, catalogue P1040, dating to the 1920s. Michailow was a Russian or Eastern European pianist or instrumental performer; the identity is uncertain from the credit.AI summary
Parlophone P1040 Classical
Magda Hain performing two songs—'Capri Fischer' and 'Move du fliegst in die Heimat'—on Parlophone, catalogue DPW7. Possibly a continental European vocalist or cabaret artist recorded for the British market.AI summary
Parlophone DPW7 Voice
Magda Szemere performing Sarasate's 'Zigeunerweisen' across two sides on Parlophone E10030. Szemere is not a widely documented name in general violin discography; the Parlophone E-series is a standard interwar pressing.AI summary
Parlophone E10030 Instrumental
Mandy Miller, a British child performer and singer of the 1950s, recorded 'Little Snowman, Little Snowgirl' and 'Snowflakes' for Parlophone. Miller had a brief chart career with novelty and seasonal songs in the mid-1950s.AI summary
Parlophone R3595 Voice
Marek Weber was a German conductor and composer-arranger, popular in the 1920s–30s for sophisticated dance-band and orchestral recordings. 'Foxtrot Mondain' and 'Ecstasy' are typical of his salon dance and orchestral arrangements. This Parlophone P1067 pressing is from that era.AI summary
Parlophone P1067 Dance
Marek Weber and his orchestra perform the Rosenkavalier waltz on Parlophone E10100 — likely a 1920s or early 1930s pressing of this Strauss classic in orchestral arrangement.AI summary
Parlophone E10100 Orchestra
Marek Weber's orchestra performing popular standards on Parlophone, one of the major British labels. This side captures the Continental dance-band style that Weber specialised in.AI summary
Parlophone P1162 Dance
Marek Weber's Orchestra, a popular European dance band, performing two dance pieces on Parlophone — 'Whispering' and 'Lison Lisette' — likely from the 1920s.AI summary
Parlophone P1179 Orchestra
Marek Weber and his orchestra in two light orchestral pieces on Parlophone: "Babillage" and "La Lettre de Manon", from the late 1920s.AI summary
Parlophone P1033 Orchestra
Marek Weber and his orchestra, a European dance ensemble, recorded these light instrumental pieces on Parlophone. Weber was an Austrian conductor and composer active in popular and dance music during the 1920s–1930s.AI summary
Parlophone P1036 Orchestra
Marek Weber Orchestra performing 'Eldgaffeln' and 'Electric girl' on Parlophone E10026; Weber was a German dance-orchestra leader active in the 1920s–1930s.AI summary
Parlophone E10026 Dance
Margherita Salvi on Parlophone E10731, performing Verdi's 'Violetta's Aria' and a classical piano piece. Salvi was an Italian soprano of the early 20th century.AI summary
Parlophone E10731 Opera
Maria Minazzi, soprano, recorded two aria standards—'Manon' and 'La Rondine'—for Parlophone; likely a continental vocalist recorded for European release.AI summary
Parlophone RO30004 Opera
Maria Sandra performing the African-American spiritual 'I Got a Home in Dat Rock' and 'I Know de Lord's Laid His Hands on Me' on Parlophone R528, a British pressing from the late 1920s.AI summary
Parlophone R528 Voice
Maria von Basilides, an Austrian mezzo-soprano known for Lieder and sacred music, performing Bach's 'Ave Maria' and 'Geistliches Wiegenlied' on Parlophone E10989. Basilides was a noted concert artist of the 1920s and 1930s.AI summary
Parlophone E10989 Classical
Marius François Gaillard, a French pianist, recorded Debussy's *Suite Bergamasque* (Prelude and Clair de Lune) for Parlophone's E-series, a prestige British label of the 1920s–1930s. Debussy's piano works are central to the classical piano repertoire, and Gaillard was a respected French virtuoso.AI summary
Parlophone E11202 Classical
Mary Morgan performing two untitled or unidentified songs on Parlophone R4154. Nothing is known of the artist.AI summary
Parlophone R4154 Voice
Maurice Winnick's band, a major British dance band of the 1930s-40s, performs 'Rose Marie' and 'Indian Love Call' on Parlophone. Winnick was a bandleader of standing and his records are collected by dance enthusiasts.AI summary
Parlophone F435 Dance
Maurice Winnick was a British bandleader and violinist who led successful orchestras and recorded prolifically from the 1920s onwards. This Parlophone A-series side, 'Poor little Angeline' and 'Please believe me', represents mid-period dance material.AI summary
Parlophone A6540 Dance