29 shellac records · mostly British pressings, 1900s–1950s
29 records matching
Alan Turner performs 'Until' and 'Your Eyes Have Told Me So' on Pelican (Pel), catalogue 43, a minor British label.AI summary
Pelican 43 Voice
A band recording of 'Crusader' and 'Imperial Edward March' on Pelican 5, a scarce small British label.AI summary
Pelican 5 Dance
An unnamed band performing 'Coronation Bells' and 'Bells of St Malo' on Pel, an obscure British label.AI summary
Pelican 12 Orchestra
An unidentified band performs 'Zampa Overture' (in two parts) on Pel 3, a scarce British label of the early acoustic era.AI summary
Pelican 3 Orchestra
A band plays a Carmen selection in two parts on Pelican 9.AI summary
Pelican 9 Orchestra
Billy Williams, a ballad singer of the early electric era, recorded two songs for Pelic, an obscure British label.AI summary
Pelican 56 Voice
Billy Williams recorded comic novelty songs 'Tickle Me Timothy' and 'Put a Bit of Powder on it Father' for Pel, a small British label. Nothing further is known of this artist or recordings.AI summary
Pelican 54 Comic
Billy Williams, the Australian-born music-hall star known as 'the Man in the Velvet Suit', sings 'Save a Little One for Me' on the Pelican label.AI summary
Pelican 57 Music Hall
Billy Williams on Pelic 56, credited with 'Old Grey Coat' and 'I Must Go Home Tonight'. Pelic was a small or short-lived British label; the artist and recordings are otherwise unidentified.AI summary
Pelican 56 Voice
Arthur Collins and Byron Harlan were an American duo famous for comic and novelty songs in the 1900s and 1910s; this is Paddle Your Own Canoe on Pelican 62.AI summary
Pelican 62 Comic
G.H. Chirgwin, the music-hall star famed for 'My Fiddle Is My Sweetheart', appears again here on Pelican, a reissue label.AI summary
Pelican 93 Music Hall
Harry Cove on Pelodeon (Pel), performing two novelty comic songs of the 1920s era. Pelodeon was a small British label, active briefly in the mid-to-late 1920s.AI summary
Pelican 72 Music Hall
Harry Cove credited on Pel, an unidentified British label; the titles suggest a comedy or novelty number typical of the 1920s–1930s.AI summary
Pelican 82 Misc.
Jack Charman, a British vocalist, on Pelic Records with 'Goodbye Summer' and 'Because I loved you so'.AI summary
Pelican 111 Voice
Jack Charman recorded 'Snooky Ookums' and 'On the Mississippi' (credited to the Ragtime Knuts) for Pelic Records, a minor British label. The material is ragtime novelty from the early 1920s or earlier.AI summary
Pelican 86 Dance
Jack Charman performing 'You made me love you' and 'On the Mississippi' on Pellet 94. An unidentified performer on an obscure British budget label.AI summary
Pelican 94 Voice
Jessie Broughton recorded two ballads for Pel, a very minor British imprint. Neither Broughton nor Pel are well documented in discographies or standard references.AI summary
Pelican 42 Voice
Len Spencer and Ada Jones, the popular American recording team of the early 1900s, in 'The Golden Wedding' and 'Peaches and Cream' on Pelican.AI summary
Pelican 64 Comic
P Jerome on Pel 51, performing hymns "Sun of my Soul" and "How firm a Foundation"; Pel was a minor British label and the artist is unidentified.AI summary
Pelican 51 Voice
Ragtime Knuts performing hot instrumental ragtime ('Down in Dear Old New Orleans' and 'Way Down South') on Pelican. An early ragtime recording on a small label.AI summary
Pelican 70 Ragtime
Ragtime Knuts performing 'Ragtime Goblin Man' and 'Hitchy Koo' on Pelic 66, a small British label of the 1910s–1920s.AI summary
Pelican 66 Instrumental
The Ragtime Knuts, a small-group ragtime ensemble, recorded these popular ragtime songs for Pelic, a small British imprint. The artist and label are not identifiable from standard reference.AI summary
Pelican 68 Dance
Ragtime Knuts perform two New Orleans-themed novelty pieces on Pelican (PelP) 70 from the early 1920s. Pelican was a minor British label.AI summary
Pelican 70 Instrumental
Robert Carr recorded 'Somewhere a Voice is calling' for Pel Records, an obscure British label. The artist is not well traced in recording histories.AI summary
Pelican 45 Voice
Robert Carr, a tenor singer, recorded these two sentimental ballads for the Pel label, a small and poorly documented British marque.AI summary
Pelican 48 Voice
Rose Hayes performing 'Mary used to love a Sailor' and 'Mary told the Story to the Soldier' on Pel 79, a small British label of uncertain date.AI summary
Pelican 79 Voice
Stanley Kirkby performing 'The Vacant Chair' and 'The Rustic Bridge' on Pel 37, a sentimental vocal recording on a small British label.AI summary
Pelican 37 Voice
Vess Ossman was one of the first true recording stars, a virtuoso banjoist whose ragtime sides date from the earliest years of the disc industry; this Pelican pressing reissues his material for a later audience.AI summary
Pelican 26 Ragtime
Vess Ossman, American banjo virtuoso. Pelican 18 ('St Louis Tickle' and 'Bill Simmons') records ragtime and instrumental jazz on a small label; scarce.AI summary
Pelican 18 Ragtime