269 shellac records · mostly British pressings, 1900s–1950s
269 records matching · page 5 of 6
Lucien La Rivière, a performer, recorded "I've Never Seen a Smile Like Yours" and "Painting the Clouds with Sunshine" for Piccadilly, a British budget label of the early 1930s.AI summary
Piccadilly 435 Voice
An artist credited as Mackey recorded two popular dance-music numbers on Piccadilly 326, likely early 1930s. Piccadilly was a budget label and the specific artist is not identifiable.AI summary
Piccadilly 326 Dance
Credited to Mackey on Piccadilly, a cheap British label of the 1930s. 'There's a Rainbow round my Shoulder' was a popular song of the period. Mackey's identity is not established.AI summary
Piccadilly 215 Voice
Mackey performing two popular numbers for Piccadilly in the early 1930s.AI summary
Piccadilly 238 Voice
Mackey on Piccadilly, a cheap British marque of the 1930s–40s. 'You're the Cream in My Coffee' is a standard of the late 1920s, but the artist is not identified in standard discographies.AI summary
Piccadilly 326 Voice
Mackey on Piccadilly 366, with 'Louise' and 'I'll See You Again' — light vocal material on a cheap British marque, early 1930s.AI summary
Piccadilly 366 Voice
Mackey performing 'Ain't Misbehavin' and 'Naomi' on Piccadilly 412, a budget British marque.AI summary
Piccadilly 412 Dance
Maxim Turganoff, credited on Piccadilly 5116, performs 'Elegie' and 'Chanson Hindoue'. Piccadilly was a cheap British label of the early 1930s.AI summary
Piccadilly 5116 Instrumental
Maxim Turganoff performing classical miniatures 'Elegie' and 'Chanson Hindoue' on Piccadilly. Turganoff was a Russian cellist or string player active in Britain during the 1920s–1930s.AI summary
Piccadilly 5116 Classical
Credited to McDermott on Piccadilly, an early-1930s cheap British label, this disc of 'Oh Donna Clara' and 'Kiss Waltz' is light sentimental material from an unidentified source.AI summary
Piccadilly 677 Voice
McDermott on Piccadilly, a cheap British marque of the 1930s–40s. 'Oh Donna Clara' and the 'Kiss Waltz' are European-flavoured popular songs, but the artist is not traceable in standard discographies.AI summary
Piccadilly 677 Voice
McDermott recorded light vocal material for Piccadilly, a cheap British marque of the 1930s. 'Oh Donna Clara' and 'Kiss Waltz' are sentimental popular songs of this period.AI summary
Piccadilly 677 Voice
McDermott recorded light vocal material for Piccadilly, a cheap British marque of the 1930s. 'Oh Donna Clara' and 'Kiss Waltz' are sentimental popular songs of this period.AI summary
Piccadilly 677 Voice
Morrison recorded 'Casabianca' and 'Columbo' for Piccadilly, a cheap British budget label of the 1930s.AI summary
Piccadilly 194 Dance
Credited to Morrison on Piccadilly, a cheap British marque of the 1930s–40s.AI summary
Piccadilly 232 Voice
Morrison performing two popular dance numbers for Piccadilly, a budget British label of the early 1930s.AI summary
Piccadilly 233 Dance
Nat Travers performing 'What is a Mammy Daddy' and 'He's moved to a bigger House now' on Piccadilly 306.AI summary
Piccadilly 306 Comic
Nat Travers on Piccadilly 686, performing 'What is Home without a Mother' and 'Won't yer buy some Beer', popular songs of the music-hall tradition.AI summary
Piccadilly 686 Music Hall
Nobby Clark recorded 'Our Little Nipper' and 'My Old Dutch' for Piccadilly, a cheap British marque active in the 1920s–30s.AI summary
Piccadilly 538 Music Hall
The Noel Fonora Orchestra with Destiny and Skaters Waltz on Piccadilly 455.AI summary
Piccadilly 455 Orchestra
Norris on Piccadilly 661, performing 'My Sweet Temptation' and 'Love Found Me'. Piccadilly was a cheap British budget label of the 1920s–30s, often used for reissues and minor artists.AI summary
Piccadilly 661 Voice
Norton Green recorded 'I May Be Crazy' and 'Lily of Laguna' for Piccadilly 433, a British Piccadilly label pressing.AI summary
Piccadilly 433 Voice
The O'Gorman Brothers on Piccadilly 575 recorded 'You Can't Beat the Old Fashioned Razor' and 'Proverbs'; Piccadilly was a cheap British marque of the 1920s–30s.AI summary
Piccadilly 575 Music Hall
The O'Gorman Brothers on Piccadilly 598, performing 'Missing the Train' and 'Irish Spree', Irish popular songs on a budget British label.AI summary
Piccadilly 598 Voice
The O'Gorman Brothers recorded Irish novelty and comic material for Piccadilly, a cheap British budget label of the early 1930s.AI summary
Piccadilly 620 Music Hall
The Piccadilly Band performing 'Oh Mo'nah' and 'Magic of a waltz with you' (credited to Leon) on Piccadilly 895, a small British label of the 1920s-1930s.AI summary
Piccadilly 895 Dance
A dance band recording on the Piccadilly label, a cheap British marque operating from the late 1920s. The Piccadilly Dance Band was a house band recording numerous sides under that name.AI summary
Piccadilly 147 Dance
Pierce & Roslyn recorded the Hawaiian-flavoured novelty 'Here Comes the Showboat' and 'Aloha' with Hawaiian harp for Piccadilly 379 in the early 1930s. The Hawaiian harp suggests an attempt to capitalise on the brief Hawaiian music craze of that era.AI summary
Piccadilly 379 Hawaiian
Reg Marcus with Problems and Rabbits on Piccadilly 632.AI summary
Piccadilly 632 Personalities (Prs)
Ruth Etting, the American stage and recording star, performing 'Have you forgotten' and 'Just one more Chance' on Piccadilly. Etting was a major Broadway and recording artist of the 1920s–1930s, famous for her torch songs. UK Piccadilly pressings of her work are less common than her American releases.AI summary
Piccadilly 846 Voice
Sam Mayo, a Cockney music-hall comedian popular in the Edwardian era, recorded 'Baby' and 'Johnnie' on Piccadilly 540. Piccadilly was a cheap British budget label of the late 1920s–1930s, widely pressed for retail; Mayo's recordings on such imprints are plentiful and of modest collector value.AI summary
Piccadilly 540 Music Hall
Sam Mayo performing 'Rabbit & Pickled Pork' and 'Gravy' (the latter composed by G Crowther) on Piccadilly, catalogue 438. An unidentified or minor performer on Piccadilly, a cheap British label of the 1930s.AI summary
Piccadilly 438 Music Hall
Selby on Piccadilly 160, singing 'Kitty's Kisses' and 'Why Do I Love You', both standards of the 1920s. Piccadilly was a cheap British budget label.AI summary
Piccadilly 160 Voice
Selby recorded 'When the Lilac blooms again' and 'Blue Shadows' for Piccadilly, catalogue 221, a cheap British label of the 1930s.AI summary
Piccadilly 221 Voice
Selby performing 'Louisiana' and 'Mistakes' on Piccadilly 184, a budget British marque.AI summary
Piccadilly 184 Voice
Selby performing two songs from the 1929 film 'Broadway Melody' for Piccadilly 314, a cheap British budget label of the early 1930s.AI summary
Piccadilly 314 Voice
Selby, recorded 'When Polly walks through the Hollyhocks' and 'Bright Eyes' for Piccadilly 364, a cheap British marque of the 1930s.AI summary
Piccadilly 364 Dance
Selby on Piccadilly 388, an unknown artist on a budget British label of the early 1930s.AI summary
Piccadilly 388 Dance
Selby recorded 'I lost my Gal again' and 'It's an old Spanish Custom in the Moonlight' for Piccadilly Records, a cheap British label of the late 1920s.AI summary
Piccadilly 729 Dance
Selby performs 'Louisiana' and 'Mistakes' on Piccadilly 184. Piccadilly was a cheap British budget label of the 1930s–1950s, common and mass-produced.AI summary
Piccadilly 184 Dance
The Selby Band recorded 'I Never Thought You Wonderful Until Today' and 'Duck Foot Sue' for Piccadilly 528.AI summary
Piccadilly 528 Dance
Shakespeare (likely a dance band, not the Bard) recorded two popular songs of the era for Piccadilly, a cheap British label: 'Daybreak' and 'Lady of Spain', the latter a tune still familiar today.AI summary
Piccadilly 268 Dance
Shakespeare on Piccadilly 150, performing 'Baby's Blue' and 'Roll Away Clouds', likely 1920s–30s.AI summary
Piccadilly 150 Voice
An unidentified artist credited to Shakespeare performing popular ballads 'You're in my Heart' and 'All by yourself in the Moonlight' on Piccadilly, a British budget label.AI summary
Piccadilly 188 Voice
Shakespeare on Piccadilly 268, 'Daybreak' and the dance number 'Lady of Spain' (Embassy 6), from the 1930s–40s.AI summary
Piccadilly 268 Dance
Credited to Shakespeare on Piccadilly, a cheap British label. The catalogue number 391 places this in the label's mid-run of the 1930s. The titles are popular sentimental songs, but the artist is not identified.AI summary
Piccadilly 391 Voice
Simon Wurm and his orchestra on Piccadilly, a British budget label. Wurm was a prolific recording bandleader; Piccadilly issues survive in quantity and command little premium value.AI summary
Piccadilly 483 Dance
Suzanne Bertin in two vocal pieces on Piccadilly, a cheap British marque of the early 1930s: "Waltz song Romeo and Juliet" and "Reves de Printemps".AI summary
Piccadilly 5018 Opera