770 shellac records · mostly British pressings, 1900s–1950s
770 records matching · page 3 of 17
Billy Merson, a celebrated music-hall star and comedian, recorded for Regal: 'The Spaniard that blighted my Life' and 'I'm so spiteful', both character songs typical of his comic tradition.AI summary
Regal 6488 Music Hall
Billy Merson, a British music-hall comedian and singer, performs two of his novelty songs on Regal. Merson was active from the Edwardian era through the 1920s and was known for comic patter and character songs.AI summary
Regal 7417 Music Hall
Billy Reid, a prolific Scottish composer and performer, on Regal—a cheap British marque of the 1930s–40s. 'Auf Wiedersehen, My Dear' was one of his popular sentimental songs of the era.AI summary
Regal MR567 Voice
Regal MR2837 Personalities (Prs)
Billy Russell's comedy monologue "On behalf of the Working Classes", recorded for Regal in two parts, captures the British comic style of the interwar years.AI summary
Regal MR2838 Music Hall
Billy Whitlock on Regal Records, performing two early-twentieth-century dances — 'Jollity One Step' and 'Happy Days Schottische' — instrumental dance-music typical of the 1920s.AI summary
Regal 7124 Instrumental
Billy Whitlock recorded 'Wiggle woggle' and 'Appy Albert two step' for Regal, a cheap British marque of the 1920s–1930s.AI summary
Regal 7391 Dance
Billy Whitlock performing novelty two-step pieces on Regal, a budget British label of the early 1930s.AI summary
Regal 7411 Dance
Billy Whitlock recorded piano pieces 'Silver Moonbeams' and 'Evening Echoes' for Regal in the 1930s, instrumental salon or light-classical fare typical of the period.AI summary
Regal 7516 Instrumental
Billy Whitlock, a popular British entertainer of the 1920s–30s, recorded 'Full of Vim' for Regal; the B-side is a piano intermezzo. Whitlock was known for his energetic comedy songs and performances on the British music-hall circuit.AI summary
Regal 7572 Music Hall
Billy Williams performs 'When Father papered the Parlour' and 'When Mother backed the Winner of the Derby' on Regal 6860. Both are British music-hall novelty songs with domestic humour. Billy Williams was a prolific Irish-British recording artist of the 1920s–1930s.AI summary
Regal 6860 Music Hall
Billy Williams on Regal performing 'Molly McIntyre' and 'It's Mine When You've Done with It', popular and novelty songs.AI summary
Regal 6644 Voice
Billy Williams on Regal 6001, performing 'Wake up John Bull' and 'I'll lend you my best girl'. Billy Williams was a popular British comedian and singer.AI summary
Regal 6001 Music Hall
Billy Williams performing comic or novelty songs with Scottish and domestic themes on Regal, a budget British label.AI summary
Regal 6008 Music Hall
Billy Williams, a British comedian and singer, recorded two songs for Regal, a British budget label, in the early 1930s.AI summary
Regal 6010 Music Hall
Billy Williams on Regal 6011, a vocal recording from the interwar period on the Regal label, a British subsidiary of Decca.AI summary
Regal 6011 Voice
Billy Williams, a Scottish entertainer, singing two comic Irish-themed songs on Regal Records, a budget British label active in the 1920s-30s.AI summary
Regal 6019 Music Hall
Billy Williams singing 'Where Does Daddy Go When He Goes Out' and 'Wait Till I'm as Old as Father' on Regal 6642.AI summary
Regal 6642 Music Hall
Billy Williams on Regal 6643, performing 'It's a grand old Song is Home Sweet Home' and 'Kangaroo Hop'. Billy Williams was a popular British comedian and singer.AI summary
Regal 6643 Music Hall
Billy Williams recorded for Regal, the budget British label of the early 1930s, singing 'Molly McIntyre' and 'It's Mine When You've Done with It', with the latter suggesting comic or novelty content.AI summary
Regal 6644 Voice
Billy Williams, a British performer, in two novelty numbers on Regal, a major British label: "Call me early in the Morning" and "Oh for another day at Margate".AI summary
Regal 6645 Music Hall
Billy Williams performing Irish and Scottish novelty songs on Regal, a budget British label.AI summary
Regal 6011 Voice
Billy Williams on Regal 6010, 'Take me back to USA' and 'Why can't we have the Sea in London'. The label notes this copy is signed on the label.AI summary
Regal 6010 Music Hall
The Biltmore Hotel band with Georgia and, by a band, No Use Crying on Regal 9213.AI summary
Regal 9213 Dance
The Birmingham City Police Band on Regal, a cheap British marque, recording march and novelty material: 'Tiger's Tail March' and 'Watermelon Fete'. Local or regional police band recording, typical of 1920s–30s output.AI summary
Regal 7717 Instrumental
Birmingham City Police Band recorded "Tiger's Tail March" and "Watermelon Fete" for Regal 7717, a British budget label.AI summary
Regal 7717 Instrumental
The Blue Lyres recorded light vocal material for Regal, a British budget label. The pairing of 'How Deep Is the Ocean' with a German-language number suggests a varied repertoire typical of early 1930s light entertainment.AI summary
Regal MR771 Voice
The Blue Lyres, a dance band, recorded 'Marching Along Together' and 'Let's All Dance the Polka' on Regal; a minor ensemble of the 1920s–30s dance-music era.AI summary
Regal T6204 Dance
Bob Dyer, the American-born entertainer who became an Australian radio and television quiz host, with The Coat and the Pants Do All the Work and The Ediket Song on Regal C24128.AI summary
Regal C24128 Comic
Bob Willis recording 'Never No More Hard Time Blues' and 'San Antonio Rose' on Regal ME79, a mid-to-late 1930s British pressing. Willis led a Western Swing band and was a major figure in American country-swing music.AI summary
Regal ME79 Country
Boyd Senter performing two jazz and novelty numbers on Regal MR1316. Senter (1891–1977) was an American saxophonist and novelty performer; 'Wabash Blues' and 'I'm in the Jailhouse Now' are jazz standards.AI summary
Regal MR1316 Jazz
The Bram Martin band performing two dance novelties for Regal, a British budget label.AI summary
Regal MR2258 Dance
The Bram Martin Band was a British dance ensemble recording popular dance numbers and light orchestral arrangements. 'Wedding of the Rose' and 'Ah Sweet Mystery' are typical light-music repertoire; this Regal MR2316 pressing is from a cheap British marque.AI summary
Regal MR2316 Orchestra
Bram Martin and his band performing 'Thanks' and 'Harbour Lights' on Regal MR2353, a UK dance recording from the 1930s–1940s.AI summary
Regal MR2353 Dance
Bram Martin band, 'Love please stay' and 'Taking a stroll around the park', on Regal MR2393; Bram Martin was a British bandleader of the interwar period but details of this specific recording are limited.AI summary
Regal MR2393 Dance
Bram Martin's orchestra, a minor British or European dance ensemble, recorded two light selections on Regal in the late 1930s-1940s.AI summary
Regal MR2258 Dance
Brennan performing 'Lay your Head on my Shoulder' and 'Goodnight little Girl of my Dreams' on Regal 1069, sentimental vocal numbers on a cheap British marque.AI summary
Regal 1069 Voice
The Broadway Bellhops performing 'Goodnight' and 'Say it again' on Regal 8628, a British dance label of the late 1920s–early 1930s.AI summary
Regal 8628 Dance
Browning and Starr recorded 'Lulu's Back in Town' and 'Truckin'' on Regal; a minor dance or novelty act of the 1930s not widely documented in standard references.AI summary
Regal MR1892 Dance
Bud and Jo Billings were performers in the American country and folk idiom; these Regal sides from the 1930s reflect the early recording of rural and novelty material in Britain.AI summary
Regal MR756 Country
Buddy Williams on Regal Records, performing two Australian novelty songs — 'Beneath the Queensland Moon' and 'Dear Old Aussie Blues' — charming regional material suggesting an Australian artist or the Australian export market.AI summary
Regal G25284 Voice
Buddy Williams singing 'Overlander Trail' and 'Oer Hilltop and Hollow' on Regal G25052, a British budget label of the 1930s–40s. The titles suggest country or Western repertoire.AI summary
Regal G25052 Voice
Buddy Williams on Regal Zonophone, singing 'Gambling Polka Dot Blues' and 'I Can't Stand Still in a Cell', recorded in the 1930s or early 1940s.AI summary
Regal G25342 Voice
Buddy Williams recorded 'Always Call Me Darling' and 'Riding Down the Wallaby Trail' for Regal; the Australian title suggests Australian repertoire, likely from the 1940s–1950s.AI summary
Regal G25286 Voice
Buddy Williams performing the comic recitations "The Face on the Bar Room Floor" and "Wingie the Railway Cop" on Regal, a British budget label of the 1930s. Williams was a comedian and singer of music-hall material.AI summary
Regal 24545 Music Hall
Regal 6505 Music Hall
The C Doerr Band credited on Regal 8711, performing 'Just a cottage small' and 'When it's June down there'; Regal was a secondary label within the Columbia group.AI summary
Regal 8711 Dance
C Penrose and L Hope performing Irish comedy-song repertoire ('The Prodigal's Return', 'An Irish Courtship') on Regal 8284 from the mid-1920s.AI summary
Regal 8284 Music Hall