235 shellac records · mostly British pressings, 1900s–1950s
235 records matching · page 1 of 5
1st Life Guards Band performing 'Reminiscences of Wales' (two parts) on Scala 1619. The Life Guards is a British cavalry regiment with a long musical tradition; regimental bands were recorded for patriotic and ceremonial repertoire.AI summary
Scala 1619 Orchestra
The 1st Life Guards Band performing an operatic selection ('Bohemian Girl') on Scala 1644, part of a two-sided arrangement; Scala specialised in concert and orchestral material.AI summary
Scala 1644 Orchestra
The 1st Life Guards Band recording Gilbert & Sullivan selections (HMS Pinafore) for Scala 1654, likely 1920s military or institutional recording.AI summary
Scala 1654 Opera
1st Life Guards Band on Scala 1660, a selection from Gilbert and Sullivan's 'Iolanthe'; a military band recording of operatic repertoire from a minor British label.AI summary
Scala 1660 Orchestra
The 1st Life Guards Band performing a selection from the operetta Gypsy Love on Scala 31, a minor British label. The Scala label and low catalogue number suggest early 1920s.AI summary
Scala 31 Orchestra
The 1st Life Guards Band performing orchestral Scottish selections on Scala 81, a very low catalogue number indicating one of the earliest issues for the label.AI summary
Scala 81 Orchestra
A Blackwell and E Fox-Bennett performing 'Swing Song' and a duet with J Reeve and C Davidson on 'Ring o' Roses' on Scala, an obscure British label from the 1920s-1930s.AI summary
Scala 457 Instrumental
A Foster on Scala, a small British label, with 'Tata my bonnie Maggie darling' and 'It's nice to get up in the morning'.AI summary
Scala 393 Voice
A Gilbert on Scala, a small British label, with titles 'I've Only Come Down for the Day' and 'A Member of the Blue Hungarian Band'—likely comic or music-hall material.AI summary
Scala 542 Music Hall
An artist credited as Abbey on Scala, a small British label; a popular song from the 1920s–30s.AI summary
Scala 1667 Voice
Abbey on Scala 7083, with 'Nights in the Wood' and 'Riviera Rose' — unidentified vocalist on a small British label, early 1930s.AI summary
Scala 7083 Voice
Abbey recorded two selections, 'April Blossoms' and 'Barcelona', for Scala Records, catalogue 7183. Scala was a small British label.AI summary
Scala 7183 Instrumental
Ada Thornton performs two hymns on Scala 153, a minor British label of the 1920s or 1930s.AI summary
Scala 153 Voice
Alec Kennedy, a Scottish vocalist, on Scala with 'Charlie Charlie' and 'It's Lovely to Be in Love'; Scala was a minor British label from the interwar period.AI summary
Scala 795 Voice
Alf Willis performing 'Your Old Umbrella' and 'You Ought to See the Water Squirting Out' on Scala, a small British label.AI summary
Scala 261 Music Hall
Alhambra Theatre Orchestra on Scala 859, a selection from 'The Bing Boys Are Here', a wartime or post-war theatrical medley; Scala was a small British label.AI summary
Scala 859 Orchestra
Angelo Roselli sings Ave Maria and Serenade on Scala 5042.AI summary
Scala 5042 Voice
Anonymous 'Laughing Record' and 'Laughing Song' on Scala 7025, a novelty piece of British or European origin.AI summary
Scala 7025 Comic
Anonymous recording on Scala Records with 'Saw Mill River Road' and 'Barney Google', American novelty material from a minor British label.AI summary
Scala 7028 Dance
Scala 274 Instrumental
Arthur Gilbert performing two topical numbers—"My Meatless Day" and "Sugar"—on Scala, a small British label. The titles suggest wartime or period comedy material, but the artist is otherwise unidentified.AI summary
Scala 980 Music Hall
Arthur Peel, a British comedian and novelty singer, recorded 'I Parted My Hair in the Middle' and 'Watching the Trains Go Out' for Scala, a minor British label.AI summary
Scala 566 Comic
Arthur Peel recorded comic and dialect pieces for Scala, a small British label; 'If tha knows nowt-say nowt' is in Yorkshire dialect, reflecting the music-hall tradition.AI summary
Scala 528 Music Hall
Arthur Wakefield on Scala Records, performing two comic songs: 'Keep your hand on your ninepence' and 'I should like a Girl'. Scala was a small British label of the 1920s.AI summary
Scala 166 Music Hall
An anonymous band recording of 'Smiler Rag' and 'Temptation Rag' on the Sc label, a small British imprint of the early 1900s.AI summary
Scala 208 Instrumental
An unnamed band performing 'The Turkey Trot' and 'The Bogie Walk' on Scala, a small British label, likely from the 1920s.AI summary
Scala 83 Dance
A band on Scala, a small British label. The catalogue number 473 suggests early-to-mid 1930s. The titles are popular songs of the period, but the artist is unidentified.AI summary
Scala 473 Dance
A band performing the 'Light Cavalry Overture' on Scala 5015, a military or classical repertoire piece from the 1930s. Scala was a small British label; no band name is credited.AI summary
Scala 5015 Orchestra
A band recording of 'Love's Dream After the Ball' and 'Amina', two light orchestral and operatic selections, pressed on Scala. Neither the orchestra nor the conductor is credited.AI summary
Scala 75 Orchestra
An unnamed band performing two pieces on Scala, a minor British label: the instrumental 'Indian Dawn' and the popular song 'Why Do I Love You'.AI summary
Scala 7148 Orchestra
An orchestra performs 'Night Ride of the Cossacks' and 'Every Step towards Killarney' on the Scala label, catalogue 7180.AI summary
Scala 7180 Orchestra
An uncredited band performing American patriotic marches on Scala, a small British label; very early catalogue number.AI summary
Scala 12 Orchestra
Anonymous band recording 'Bells of St Malo' and 'Laughing Water' on Scala 17, a very early British label. The low catalogue number and period titles suggest early 1920s issue.AI summary
Scala 17 Orchestra
A band performing 'There's a Girl in Havana' and 'Oh You Beautiful Doll' on Scala, an obscure British label from the 1920s-1930s.AI summary
Scala 253 Dance
Pantomime comedy sketches or songs, parts 3 and 4, released on the obscure British label Scala 452.AI summary
Scala 452 Comic
An unnamed band performing 'He'd have to get out & get under' and 'On Broadway' on Scala, a British budget label. The first title is a novelty song from the World War I era.AI summary
Scala 579 Dance
A band recording of the national anthems of the Triple Entente (France, Russia, Britain) with 'La Marseillaise' as a featured item, on the Scala label. Such patriotic compilations were common from the 1910s onwards.AI summary
Scala 598 Orchestra
Band performance on Scala Records, a minor British label, featuring pantomime medleys.AI summary
Scala 634 Orchestra
A band and Vintilescu recorded 'Beauties Kiss Waltz' and 'Rose Mousse Waltz' for Scala 57. These are instrumental waltzes on a small British label; Scala was a minor imprint.AI summary
Scala 57 Instrumental
Béla Berke's String Orchestra on Scala, a minor British label; the pieces are light continental-style orchestral selections from the 1920s or early 1930s.AI summary
Scala 151 Orchestra
Bellwood & Burr performing 'I'm Forever Blowing Bubbles', a popular novelty song of the 1920s, on the Scala label. Little information is available about these performers.AI summary
Scala 204 Voice
Bellwood and Burr with Down the Trail of Home Sweet Home and, by R. Carr, City of Laughter, City of Tears on Scala 269.AI summary
Scala 269 Voice
Ben Albert singing two novelty or popular songs on Scala, a small British label of the early 1930s.AI summary
Scala 182 Voice
Scala 220 Music Hall
Harry Bidgood, a British performer, recorded 'Baby Face' and 'Am I Wasting My Time on You' for Scala, a small British label of the mid-to-late 1920s; both are standard popular songs from the dance-music era.AI summary
Scala 802 Dance
Bidgood's Band is not readily identified; this Sc-label disc from an unclear era carries two popular numbers, 'Who' and 'D'ye Love Me'.AI summary
Scala 793
Scala 520 Music Hall
Billy Merson, the British music-hall comedian and performer, recorded 'Lighthouse Keeper' and 'Don't Blame Me' on the Scala label, catalogue 520. Merson was a popular variety and revue performer of the 1910s-1920s.AI summary
Scala 520 Music Hall