795 shellac records · mostly British pressings, 1900s–1950s
795 records matching · page 14 of 17
Robert Carr recorded "Come Back to Me" and "Until" for Winner 2129, a small British imprint active mainly in the 1920s and 1930s.AI summary
Winner 2129 Voice
Robert Carr on Winner 2421, a British ballad singer, with 'Where my Caravan has rested' and 'Only once more'.AI summary
Winner 2421 Voice
Robert Carr, a ballad singer, recorded for Winner in the early 1930s. This sentimental vocal arrangement of the Irish classic 'Mother Machree' reflects the period's taste for nostalgic and maternal themes.AI summary
Winner 2566 Voice
Robert Carr on Winner label, a cheap British marque, singing 'The Young Royalist' and 'Lighterman Tom', likely from the 1920s-30s.AI summary
Winner 2020 Voice
Robert Carr, a British tenor, on Winner, a budget label of the 1920s–1930s. Carr recorded numerous sides for small labels; this recording remains obscure.AI summary
Winner 2826 Voice
Robert Carr and Stanley Kirkby performing 'We Were Sweethearts' on Winner 2247, a British pressing from the mid-1920s. Both were prolific session singers.AI summary
Winner 2247 Voice
Robert Carr performing two sentimental popular songs on Winner, a budget British label.AI summary
Winner 2317 Voice
Robert Carr on Winner 2247, a British vocalist on a cheap marque, with 'We were Sweethearts' and the traditional 'When we went to School together'.AI summary
Winner 2247 Voice
Robert Carr, a British baritone vocalist active in the 1920s and early 1930s, recorded two sentimental ballads for Winner: 'The Rosary', a well-known religious standard, and 'Sincerity', credited to Frank Ranalow.AI summary
Winner 2267 Voice
Robert Carr was a British ballad singer active in the 1920s and 1930s. This Winner pressing pairs two sentimental songs: 'Little Grey Home in the West', a period favourite, and S. Hempsall's 'Two Eyes of Grey'.AI summary
Winner 2317 Voice
Robert Carr on Winner 2257 with 'Little Shepherdess of Devon' and 'When the Convent Bell is ringing'.AI summary
Winner 2257 Voice
Rolando with 'Got a Date with an Angel' and 'Mausie' on Winner 5396, a budget British label.AI summary
Winner 5396 Dance
Rolando performing 'Goodnight' and 'Pardon Madame' on Winner 5361 — a ballad recording on a small British label.AI summary
Winner 5361 Voice
Rolando Orch recorded 'Just Once for All Time' and 'Live Laugh and Love' for Winner, a small British label.AI summary
Winner 5414 Orchestra
Rolando Salon Dance Orchestra recorded 'Got a Date with an Angel' and 'Mausie' for Winner, a small British label; a European or Latin dance ensemble of uncertain nationality.AI summary
Winner 5396 Dance
Ronald Gourley recorded novelty material for Winner, a British budget label of the 1920s-30s.AI summary
Winner 4975
Ronald Gourley, an unrecorded vocalist or comedian, recorded a novelty dog sound-effect comedy item and a romantic piece on Winner Records, a tiny British budget label.AI summary
Winner 5647 Comic
Ronald Gourley recorded 'Tale of the Woods' and 'Half a Dozen What Nots' for Winner W16. Winner was a budget British dance label of the 1920s-1930s.AI summary
Winner W16 Instrumental
Ronald Gourley was credited on Winner 4975, recording "My Arabian Maiden" and "Little Willie Wagtail", sentimental vocal material. Winner was a budget British label active from the 1920s into the 1950s.AI summary
Winner 4975 Voice
The Royal Court Orchestra is not readily identified; this Winner disc from the early 1930s carries two popular instrumental numbers, 'I'm Just Wild About Harry' and 'Fire-Flicker'.AI summary
Winner 3731 Orchestra
Ruby Helder recorded sentimental ballads for Winner, a cheap British imprint, in the late 1920s or early 1930s; 'My Dreams' and 'Marguerite' are drawing-room songs.AI summary
Winner 2182 Voice
Rudy Starita, an Italian-American jazz bandleader, recorded sentimental selections on Winner records in the early 1930s. Starita led a dance band during the early swing era but is now largely forgotten outside specialist circles.AI summary
Winner W36 Dance
Rudy Starita, the Trinidadian xylophonist and bandleader, performing instrumental novelty numbers on Winner, a British budget label of the late 1920s or 1930s.AI summary
Winner 5355 Instrumental
Ruth Etting, the American torch singer and Broadway star, on Winner 5373 with 'Without that Gal' and 'Nevertheless', likely from the late 1920s.AI summary
Winner 5373 Personalities (Prs)
S Daye performing 'I remember you from Somewhere' and 'A Cottage for Sale' on Winner 5162, sentimental popular songs on a cheap British label from the late 1920s or early 1930s.AI summary
Winner 5162 Voice
S. Kirkby and H. Graham recorded 'Say it with music' and 'Ma' for Winner 3659, likely late 1920s or 1930s.AI summary
Winner 3659 Voice
S. Read performed Irish sentimental songs for Winner, a cheap British budget label active in the 1920s–1930s.AI summary
Winner 2720 Voice
The Salsa Dance Band performing 'Love is the Sweetest Thing' and 'I Don't Want to Go to Bed' on Winner Records, a British budget label. The group and repertoire suggest a 1930s dance-band recording, despite the misleading name.AI summary
Winner 5537 Dance
Salvatore Scala recorded two banjo solos, including variations on 'My Old Kentucky Home', for Winner Records. Scala was a solo instrumentalist and this illustrates the variety of solo performers recorded on Winner's budget label.AI summary
Winner 4533 Instrumental
Salvatore Scala, a banjo player, recorded 'Lolly Pops' and 'Pickins' for Winner 4452. A minor dance recording on a budget British label.AI summary
Winner 4452 Instrumental
Sam Browne performing popular ballads on Winner in the early 1930s. Browne was a prolific light-music vocalist of the period.AI summary
Winner 5113 Voice
Sam Browne was a British crooner and popular radio vocalist in the 1930s–1940s. This Winner pressing (5560) captures him in popular ballad repertoire. Winner was a cheap British label and Sam Browne's records are fairly common.AI summary
Winner 5560 Voice
Sam Hempsall performing popular sentimental ballads on Winner, a budget British label of the late 1920s.AI summary
Winner 2018 Voice
Sam Lanin's band recorded 'Stealing' and 'Wimmin' (credited to Bailey's Lucky 7) for Winner 3697. Lanin was a prolific American bandleader and violinist of the 1920s.AI summary
Winner 3697 Dance
A vocal comedy record by Samuels on Winner, a cheap British marque of the early 1930s.AI summary
Winner 3800 Comic
Samuels Band's instrumental sides on Winner, a cheap British label popular for dance and novelty material.AI summary
Winner 3975 Instrumental
Scala Dance Band performing two orchestral dance numbers on Winner, a British dance-music label of the 1920s–30s.AI summary
Winner 5538 Dance
Sgt Hunt performs 'Killarney' and a descriptive 'Post Horn Galop' on Winner 2531, from the acoustic era. Winner was a budget British label active from the 1900s.AI summary
Winner 2531 Instrumental
Shakespeare & Rutterford recorded two instrumental pieces for Winner in the 1930s, a cheap British marque.AI summary
Winner 4151 Instrumental
Sissle and Blake, the famous African American song-and-dance team, recorded 'Why?' and 'Oh Boy What a Girl' for Winner, catalogue 4337. Noble Sissle (vocalist and bandleader) and Eubie Blake (pianist and composer) were pioneers of African American music and theatre in the 1920s-1930s, and their recordings are highly sought.AI summary
Winner 4337 Jazz
Sissle and Blake, the pioneering African American songwriting and recording duo, performing 'Ukelele Baby' and 'Ukelele Lullaby' on Winner—jazz-age material from the 1920s.AI summary
Winner 4356 Jazz
The Sleep Hall Collegians, a generic British dance band of the late 1920s, on Winner, a budget label, performing light popular material.AI summary
Winner W125 Dance
Southern Rag-a-Jazz recorded 'Do You Ever Think of Me' and 'My Mammy' for Winner, catalogue 3592, likely early 1920s.AI summary
Winner 3592 Dance
Southern Rag-a-Jazz, a dance band, recorded for Winner 3625, performing 'Crooning' and 'Coal Black Mammy'. Winner was a British label. This appears to be from the 1920s jazz age.AI summary
Winner 3625 Jazz
The St Hilda Colliery Band, a Welsh male-voice colliery ensemble, recorded 'Coriolanus' and other vocal and orchestral numbers for Winner, a cheap British marque. Colliery bands are sought by collectors of working-class cultural history and British brass tradition.AI summary
Winner 3472 Brass band
St Hilda Colliery Band, a British brass band from County Durham, recorded the Coriolanus overture for Winner, a small British label; this is an amateur brass-band recording of classical repertoire.AI summary
Winner 3472 Brass band
Stanley Kirkby on Winner with sentimental Irish-inflected vocal material from an unidentified era. Kirkby was a prolific studio vocalist for smaller labels.AI summary
Winner 2635 Voice
Stanley Kirkby recorded 'My pal Harry' and 'Then I'll be happy' for Winner, catalogue 4410, likely from the early 1930s.AI summary
Winner 4410 Voice