795 shellac records · mostly British pressings, 1900s–1950s
795 records matching · page 2 of 17
Anonymous vocal side on Winner, a small British label, with 'Honolulu Blues' and 'I Love Me', likely a novelty or comic piece from the 1920s–early 1930s.AI summary
Winner 4018 Dance
ARC (likely the American Record Company) is credited on this Winner disc, a cheap British label, of 'Don't Let It Happen Again' and 'Sleepy Head', with titles suggesting novelty or sentimental material.AI summary
Winner W139 Voice
Arthur Lennard, an Edwardian music-hall comedian and recording artist, performing 'Sing Me a Ballad in Ragtime' and 'Upsey Daisy' on Winner catalogue 2377. Winner was a popular budget British label of the early recording era; Lennard's recordings on Winner are among the commoner of his label appearances.AI summary
Winner 2377 Music Hall
B. Whitlock and H. Bluff performing 'Whitlock's Boarding House', part 2, on Winner 2899. A comic monologue or sketch series.AI summary
Winner 2899 Comic
Bailey's Lucky 7 recorded 'Wimmin' and (Lanin) 'Stealing' for Winner 3697, a minor British dance label.AI summary
Winner 3697 Dance
Bailey's Lucky 7, a British dance band, on Winner 3797, performing two upbeat dance numbers. Winner was a cheap British marque; this appears to be a minor regional or semi-professional ensemble.AI summary
Winner 3797 Dance
Bailey's Lucky 7 performing 'Lovin' Sam' and 'Stuttering' on Winner 3798, a small British imprint.AI summary
Winner 3798 Dance
Bailey's Lucky 7, a small dance band, recorded 'Toot Toot Tootsie' and a Samuels composition for Winner Records. These are hot dance and novelty sides typical of late 1920s variety dance recordings on a budget British label.AI summary
Winner 3799 Dance
Bailey's Lucky 7, an unidentified small ensemble, recorded 'Lost' and 'Carolina Home' for Winner Records; both are unremarkable popular song titles of the 1920s–30s.AI summary
Winner 3862 Dance
Bailey's Lucky 7, recorded on Winner, a small British label. 'Homesick' and 'Japanese Moon' are sentimental popular songs typical of the 1920s–30s period, but the group is not identified in standard jazz or dance discographies.AI summary
Winner 3869 Dance
Bailey's Lucky 7 performing 'Are you lonely?' and 'After the Storm' on Winner, a British budget label.AI summary
Winner 4072 Dance
Bailey's Lucky 7, a small jazz ensemble, on Winner 3976, performing 'No No Nora' and 'Love Tales' (H. Lanin), likely mid-to-late 1920s.AI summary
Winner 3976 Dance
An unnamed band recorded two waltzes—'Sumurun Waltz' and 'Empire Waltz'—for Winner, a cheap British pressing house of the early 20th century. No artist credit is given.AI summary
Winner 2116 Instrumental
Unidentified band performing 'Valerie Waltz' and 'Evening News Waltz' for Winner, a small British label of the 1920s–30s.AI summary
Winner 2122 Dance
An unnamed band performing two operetta selections (from *Tales of Hoffmann* and *Thaïs*) on Winner Records, a British budget label of the 1920s-30s.AI summary
Winner 2131 Orchestra
An unidentified band on Winner, a cheap British label, playing waltz selections; catalogue number and format suggest 1920s–1930s.AI summary
Winner 2158 Dance
An unnamed band performing two Gilbert and Sullivan selections on Winner Records, a British budget label.AI summary
Winner 2192 Orchestra
An unnamed band on Winner playing ragtime and novelty instrumentals, typical of the 1920s dance and novelty catalogues.AI summary
Winner 2199 Dance
A band recording of Wagner's 'Rienzi Overture' in two parts on the Winner label, a budget British imprint. Classical arrangements for dance or light orchestras were common filler material.AI summary
Winner 2360 Orchestra
Band recording a selection from "Maritana", a 19th-century operetta, on Winner records in the early 1930s.AI summary
Winner 2385 Orchestra
Military or ceremonial band on Winner performing Gilbert and Sullivan's "Yeomen of the Guard" across two parts.AI summary
Winner 2413 Orchestra
A band arrangement of the William Tell Overture on Winner, a cheap British label of the early 1930s. These orchestral arrangements were routine repertoire for dance and light orchestras of the period.AI summary
Winner 2596 Orchestra
A band recorded two dance and march selections for Winner, a cheap British budget label of the early 1930s.AI summary
Winner 2023 Dance
A dance band credited to 'Band' on Winner, a British budget label of the early 1930s.AI summary
Winner 2027 Dance
A band performing 'Morning, Noon & Night Overture' in two parts on Winner — a concert overture or orchestral selection, likely from the 1920s.AI summary
Winner 2031 Orchestra
An unidentified band recorded Auber's Zampa Overture (Part 1 and Part 2) for Winner, a small British label, in the 1920s.AI summary
Winner 2033 Orchestra
An orchestra performing 'Fra Diavolo Overture' and the finale of Tchaikovsky's 1812 on Winner (2034); a classical orchestral coupling on a cheap British marque.AI summary
Winner 2034 Orchestra
An unnamed band on Winner 2035, performing 'Whispering of the Flowers' and 'Grasshopper Dance'. Winner was a budget British label active from around 1920 to the 1930s.AI summary
Winner 2035 Dance
An orchestral arrangement of 'The Chocolate Soldier', an Edwardian operetta, on Winner in two parts.AI summary
Winner 2037 Orchestra
An unidentified band performs the 'Grand March' from Wagner's Tannhäuser and the 'Pilgrims' March' on Winner, a cheap British budget label. The band and pressing details are not documented.AI summary
Winner 2039 Orchestra
An anonymous band performing operatic marches on Winner, a budget British label of the early 1920s.AI summary
Winner 2039 Orchestra
An orchestral arrangement of selections from 'Our Miss Gibbs' and 'The Quaker Girl', two Edwardian musical comedies, on Winner.AI summary
Winner 2040 Orchestra
A band recording of two marches and a novelty piece on Winner: 'March Past of the Brigade' and 'Fire Alarm'. The orchestra is not identified, and the disc dates from the early 1920s.AI summary
Winner 2041 Instrumental
An unidentified band perform two hymns on Winner 2042 from the acoustic era. Winner was a budget British label active from the 1900s.AI summary
Winner 2042 Voice
A band arrangement of Handel's Largo and Hallelujah Chorus on Winner, a British budget label. These are classical staples recorded as light-orchestral arrangements.AI summary
Winner 2043 Orchestra
An unnamed band recorded two baroque organ classics—Handel's 'Largo' and 'Hallelujah Chorus'—for Winner, a cheap British pressing house of the early 20th century. No artist credit is given.AI summary
Winner 2043 Classical
An unnamed band recorded 'Blue Blazes' and 'Liszt to the Rhapsody Rag' for Winner 3338. The second title suggests a classical-to-novelty medley popular in the early 1930s; the artist and band identity are unknown.AI summary
Winner 3338 Classical
A band recording of two marches on Winner, a British budget label: "Marche Lorraine" and "The Conqueror".AI summary
Winner 2692 Orchestra
An uncredited band performing two novelty or march selections on Winner 2886, typical repertoire for the label.AI summary
Winner 2886 Orchestra
An unidentified band recorded 'Blue Bird' and 'I Never Knew' for Winner (3564) in the late 1920s or early 1930s. The band name and artist are not given.AI summary
Winner 3564 Dance
A band performing 'Patchwork' parts 3 and 4 on Winner 3581.AI summary
Winner 3581 Orchestra
A band performance of 'Alexander's Ragtime Band' on Winner, a budget British label active in the early twentieth century.AI summary
Winner 2102 Dance
An unnamed band recorded 'Tinker's one or two step' and 'Oh you beautiful Doll' for Winner, a cheap British marque; the title repertoire is typical of early dance-band material from the 1920s.AI summary
Winner 2217 Dance
An unnamed band recorded 'Tonight's My Night with Baby' and 'Lulu Lou' for Winner, a small British label active in the 1920s–30s. Without artist identification these sides are difficult to place or value.AI summary
Winner 4512 Dance
An unnamed band recorded 'It Made You Happy When You Made Me Cry' and 'Blue Skies' for Winner 4641. Winner was a British label of the inter-war years.AI summary
Winner 4641 Dance
A dance band, unattributed, recorded two novelty dance numbers for Winner, a cheap British budget label of the 1920s and 1930s.AI summary
Winner 4859 Dance
An unlabeled or unidentified band recording on Winner 4450, performing 'Sweet Child' and 'Who's Who Are You'. Winner was a cheap British imprint of the 1920s–30s.AI summary
Winner 4450 Dance
A dance band side on Winner, a British budget label active in the 1930s.AI summary
Winner 4476 Dance