795 shellac records · mostly British pressings, 1900s–1950s
795 records matching · page 9 of 17
A dance-band side by Harry Wilson on Winner, a cheap British label; routine popular material from the 1920s–30s.AI summary
Winner W100 Dance
Winner 3709 TEST
Winner 129 TEST
Henry King and his orchestra were a popular British dance band; these Columbia recordings from the late 1920s were mass-produced for the UK market and remain common today.AI summary
Winner W83 Orchestra
Herbert Rule was a popular British music hall comedian and singer of the early 1900s; this Winner pressing captures two of his comic numbers, 'I do like cheap Sea Trips' and 'The Spaniard that blighted my Life'.AI summary
Winner 2204 Music Hall
Herbert Rule recorded 'Everybody's tired of doing it' and 'Woolloomooloo' for Winner, a British label active in the 1920s–30s.AI summary
Winner 2269 Voice
HM 1st Life Guards Band, the British military ensemble, performing 'Jakerloo' and 'Dardanella' on Winner, a budget British label.AI summary
Winner 3395 Orchestra
His Majesty's 1st Life Guards Band on Winner 3404, a military band recording from the early 1930s on a British budget label; such military band records were mass-produced.AI summary
Winner 3404 Orchestra
Winner 3413 TEST Orchestra
The HM Irish Guards Band was the military brass band of the Irish Guards regiment. This Winner label recording of two marches, 'Light Cavalry' and 'Punjab March', represents the standard military band repertoire of the 1920s and 1930s.AI summary
Winner 2756 Instrumental
HM Irish Guards Band on Winner 2801, performing "Regimental Marches".AI summary
Winner 2801 Instrumental
The HM Irish Guards Band on Winner with two Irish melodies, 'Handel Wakes' and 'Eileen Alannah'.AI summary
Winner 2918 Orchestra
The HM Irish Guards Band performing marches and patriotic songs on Winner, a budget British label of the early 1930s.AI summary
Winner 2979 Orchestra
Winner 3253 TEST Opera
Winner 3363 TEST Orchestra
His Majesty's Scots Guards Band recorded selections from Gounod's Faust (parts 1 and 2) for Winner 2038, a British military band recording of the early era.AI summary
Winner 2038 Orchestra
Honeyboy and Sassafras on Winner Records, a cheap British budget label, with two novelty or comic songs.AI summary
Winner W92 Comic
Howard (artist unidentified) on Winner 3741. The titles suggest popular ballad material; the artist and label context are unclear.AI summary
Winner 3741 Voice
Hudson performing two pieces on Winner, a British budget label: 'Magic Notes' and 'Tom Thumb's Drum'.AI summary
Winner 5415 Instrumental
Hudson on Winner 4748 with 'I Wonder How I Look When I'm Asleep' and 'So Blue'. Winner was a British label of the 1920s–1930s; Hudson is not identified.AI summary
Winner 4748 Voice
Hudson performs 'Varsity Yale Blues' and 'Castillian Nights' on Winner, catalogue 4773.AI summary
Winner 4773 Dance
Hudson performing 'There's a rickety-rackety Shack' and 'Did you mean it' on Winner. Hudson is not otherwise identified and the artist may be a pseudonym.AI summary
Winner 4792 Voice
Winner 4804 Dance
Hudson on Winner 4848, performing oriental-themed popular songs of the early 1920s. Winner was a British label active in that period, but neither the artist nor these specific titles are identifiable from standard sources.AI summary
Winner 4848 Voice
Hudson recorded 'All by Yourself in the Moonlight' and 'For Old Time's Sake' for Winner, a British budget label of the 1920s and 1930s.AI summary
Winner 4876 Voice
Hudson recorded 'Daybreak' and 'Sleepy Town' for Winner, a British budget label that pressed dance and popular music through the 1920s-30s. Nothing is known of this artist beyond this catalogue entry.AI summary
Winner 4878 Dance
Credited to Hudson on Winner catalogue 4887, a ballad recording. Winner was a British budget label active from the 1920s through the 1950s.AI summary
Winner 4887 Voice
Hudson, credited to Winner Records (a cheap British marque of the 1920s–30s), performing two sentimental popular songs.AI summary
Winner 5114 Voice
Hudson performing 'Blue is the Night' and 'Cheer up and smile' on Winner, catalogue 5161. An unidentified performer on a small British label.AI summary
Winner 5161 Voice
Hudson recorded a 'Sally selection' medley for Winner, a low-cost British label of the 1920s–30s.AI summary
Winner 5175 Orchestra
Hudson (artist unidentified) on Winner 5176, a small British label. The titles are popular ballad material; neither artist nor label can be placed with confidence.AI summary
Winner 5176 Voice
Hudson on Winner, a cheap British marque of the 1920s–30s.AI summary
Winner 5196 Voice
Hudson recorded 'There's Always Tomorrow' and 'When Your Hair Has Turned to Silver' for Winner, a minor British label.AI summary
Winner 5253 Voice
Credited to Hudson on Winner, a British budget label active from the 1920s through 1930s; no information available on the artist or these sides.AI summary
Winner 5284 Dance
Hudson on Winner Records with 'Walking my Baby back Home' and 'City Lights'.AI summary
Winner 5313 Voice
Hugo Thompson recorded for Winner, a cheap British marque of the 1920s and early 1930s, performing 'Ould Orange Flute' and 'No Surrender'—both popular traditional Orange Order and Ulster songs.AI summary
Winner 4838 Voice
Hurlingham recorded 'Sally' and 'I'm Getting Better Every Day' for Winner, catalogue 3721. Hurlingham may be a band or an individual; Winner was a budget British label of the late 1920s-30s.AI summary
Winner 3721 Dance
The Hurlingham Club band was a British society dance ensemble, recorded by Winner, a budget label of the 1920s-1930s. These are light dance and novelty numbers typical of ballroom repertoire.AI summary
Winner 4053 Dance
The Hurlingham Club band, a British society dance ensemble, recorded for Winner Records in the late 1920s.AI summary
Winner 4053 Dance
The Hurlingham Club band on Winner, performing 'Not Yet Suzette' and 'What'll I Do'. Winner was a budget British label; this dance-band side is likely from the 1920s-30s.AI summary
Winner 4075 Dance
The Hurlingham Club Band on Winner 3793, performing 'I ain't Nobody's Darling' and 'Dancing Time', dance-band recordings on a budget British label.AI summary
Winner 3793 Dance
Hurlingham Club Band performing 'Blue' and 'Love Days' on Winner 3850, from the 1920s–30s dance era.AI summary
Winner 3850 Dance
The Hurlingham Club Band on Winner: 'Cara' and 'When Lights are low', catalogue 4030 — dance band material from an amateur or semi-professional ensemble.AI summary
Winner 4030 Dance
Hurlingham Club Band recorded 'Why Did I Kiss That Girl' and 'Heather Bells' for Winner, a British budget label, polite dance music of the late 1920s.AI summary
Winner 4052 Orchestra
The Hurlingham Club Band, a society dance ensemble, on Winner 4078, with 'It Had to Be You' and 'Chili Bom Bom' — dance-floor material from the late 1920s or early 1930s.AI summary
Winner 4078 Dance
Ivor Foster performing two musical pieces on Winner, a budget British label.AI summary
Winner 2015 Voice
Ivor Foster performing sentimental ballads on Winner, catalogue 2869. Winner was a budget British label of the 1920s-30s; Foster is unrecognised.AI summary
Winner 2869 Voice
Ivor Foster performing sentimental ballads on Winner, a budget British label of the early 1930s.AI summary
Winner 2978 Voice