815 shellac records · mostly British pressings, 1900s–1950s
815 records matching · page 6 of 17
Ernest Shand, the Edwardian music-hall comedian and banjo specialist, performs 'King Rufus' and 'Lullaby' on Zonophone 1069. The 1069 Zonophone number places this in the early British acoustic series, probably around 1906–1909; Shand is a recognised music-hall recording name and this is an early-period pressing.AI summary
Zonophone 1069 Music Hall
Zonophone 1121 Music Hall
Ernest Shand, the British music-hall comedian, singer, and banjo-comedian popular in the Edwardian era, performs 'The Husband's Strike' and 'Poor Noah Moore' on Zonophone 748 — an extremely early Zonophone number, placing this among the very earliest British Zonophone pressings, probably around 1900–1903. Shand is a recognised name in early British recording and a catalogue number this low is a document of the first years of British disc recording.AI summary
Zonophone 748 Music Hall
Ernest Shand was a British music-hall comedian and character performer who recorded extensively in the Edwardian era. Zonophone 809 is an early catalogue number, placing this around 1903–1905, in the single-sided Zonophone period. Shand's Zonophone sides at low catalogue numbers are genuinely early acoustic recordings and are becoming uncommon.AI summary
Zonophone 809 Music Hall
Ernest Shand, the Edwardian music-hall comedian, on Zonophone catalogue 857 — a moderately low number suggesting an early pressing — with 'I Went On My Way Rejoicing' and 'In Other Lands'. Zonophone pressings of Shand's work at low catalogue numbers are moderately uncommon.AI summary
Zonophone 857 Music Hall
Ernest Shand recorded 'The Husband's Strike' and 'Poor Noah Moore' for Zonophone. These titles suggest comic or music-hall material from the early 20th century.AI summary
Zonophone 748 Music Hall
Ernest Shand on Zonophone, performing 'That Broke Up the Party' and 'We Really Had a Most Delightful Evening', a light comedy or novelty number from the 1920s–30s.AI summary
Zonophone 809 Music Hall
E W Rushforth recorded 'Narcissus' and 'Stephanie' for Zonophone, likely in the 1920s; 'Narcissus' is an evergreen piano salon piece, and these are instrumental or light-music recordings.AI summary
Zonophone 1951 Instrumental
A miniature concert featuring F Banta, H Burr, B Murray and others, recorded for Zonophone—one of the earliest and most prolific British labels. This medley-style recording is from the acoustic era, early 1900s or earlier.AI summary
Zonophone A3534 Orchestra
F Cooper and H Payne performing 'Welcoming him in' on Zonophone X44122.AI summary
Zonophone X44122 Voice
F Oldham and T Handley on Zonophone 2912 with novelty songs 'Mamma's Gone, Young Pappa's Gone Old' and 'How'd Ya Like to Meet Me in the Moonlight'. Zonophone was a British label popular in the 1920s–1930s.AI summary
Zonophone 2912 Music Hall
F. Williams performing 'The Very First Girl I See' and 'Every Fellow's in Love with a Girl' (the latter credited to H. Forman) on Zonophone, a budget British label — a novelty vocal side from the 1920s.AI summary
Zonophone 102 Voice
F Williams singing two popular ballads for Zonophone, a British label, in the early 1920s based on the catalogue number.AI summary
Zonophone 212 Voice
F Williams on Zonophone 221, performing 'He's a Naughty Naughty Boy' and 'The Fireman'.AI summary
Zonophone 221 Music Hall
F. Williams performing the classic British music-hall song 'Miner's Dream of Home' and a Christmas piece on Zonophone 78, an early catalogue number indicating pressing from the 1900s–1910s era.AI summary
Zonophone 78 Music Hall
F Williams singing sentimental ballads 'If I should plant a tiny Seed of Love' and 'Come be my Rainbow' on Zonophone 90, a British label of the 1900s–1920s era.AI summary
Zonophone 90 Voice
F. Williams recorded 'I'm Afraid to Come Home in the Dark' and 'I'm Here if I'm Wanted' (credited to S. Kirkby) for Zonophone 92. Zonophone was the budget label of the Gramophone Company; this is an early catalogue number.AI summary
Zonophone 92 Voice
F Williams recorded sentimental ballads 'My Pretty Wallflower' and 'You Can't Do Without a Girl' for Zonophone T2015, a British pressing of the early era.AI summary
Zonophone T2015 Voice
F. Williams and Miss McCarthy recorded novelty and comedy material for Zonophone 127, an early British label from circa 1910–1920.AI summary
Zonophone 127 Music Hall
Zonophone 2707 Dance
Harry Firman, a British pianist and composer, recorded two sentimental favourites for Zonophone 2775.AI summary
Zonophone 2775 Voice
Firman with Talkie Hits in two sides on Zonophone 5439.AI summary
Zonophone 5439 Dance
Firman performing a 'Bow Bells selection' on Zonophone 6031, a London character or medley piece from the acoustic or early electric era.AI summary
Zonophone 6031 Instrumental
Firman with On the ZR 3 and After the Storm on Zonophone 2558.AI summary
Zonophone 2558 Dance
Firman on Zonophone 5012, performing 'Zulu Wail' and a novelty number, from the early 1920s.AI summary
Zonophone 5012 Dance
Firman recorded 'When You Were the Blossom of Buttercup Lane' and 'Tie a Little String Around Your Finger' for Zonophone, catalogue 5940, likely 1920s–30s.AI summary
Zonophone 5940 Voice
Firman on Zonophone 2470, 'You're in Kentucky sure as you're born' / 'Shine'.AI summary
Zonophone 2470 Voice
Zonophone 2481 Dance
Firman on Zonophone 2921, performing 'I love the Moonlight' and 'Desert Song', popular ballad material from the acoustic era.AI summary
Zonophone 2921 Voice
The Firman Band performing "What Can I Do" and "Love Parade Selection" on Zonophone 5582. Zonophone was one of the earliest and most prolific British recording labels.AI summary
Zonophone 5582 Orchestra
Florence Oldham on 'Everything's made for love' and 'Nesting Time', from Zonophone 2915. Zonophone was a British label active from the acoustic era through the early electrical period; Oldham is not a known major recording artist.AI summary
Zonophone 2915 Voice
Florence Oldham recorded 'Take your Finger out of your Mouth' and 'Whispering Pines of Nevada' for Zonophone. 'Take your Finger out of your Mouth' is a novelty song; Zonophone was a British label active in the 1920s and early 1930s. Nothing is known of Oldham.AI summary
Zonophone 2958 Comic
Florrie Forde, one of the most celebrated British music-hall stars of the Edwardian and interwar periods, on Zonophone with 'We're Irish and Proud of It Too' and 'My Bugler Boy'; UK copies of Zonophone catalogue 1416 from this era are scarce.AI summary
Zonophone 1416 Music Hall
Florrie Forde, a major British music-hall star of the Edwardian era, performing 'There's a Good Time Coming' and 'All the Time you're Longing for Killarney' on Zonophone 1467.AI summary
Zonophone 1467 Music Hall
Florrie Forde, one of Britain's best-loved music hall stars, recorded 'Follow the Footprints in the Snow' and 'Fiddle-dee-dee' for Zonophone, catalogue 898. Forde was a major Edwardian and Georgian-era performer known for comic and sentimental songs.AI summary
Zonophone 898 Music Hall
Florrie Forde, the Australian-born music hall star who became one of the most popular entertainers in Britain, performing 'The Empire Will Be Your Daddy' and 'Remember Where You Come Fra' on Zonophone, catalogue 1550. Forde was a major recording artist for British labels in the early 1900s–1920s.AI summary
Zonophone 1550 Music Hall
Florrie Forde, the Australian-born Music Hall star who dominated British variety from the 1890s through the 1920s, on Zonophone performing 'We're All Coming Ashore Tonight' and 'We've Got to Put Up with It Now'.AI summary
Zonophone 1749 Music Hall
Florrie Forde was a major British music hall star of the early 20th century, celebrated for her comic timing and broad appeal. This Zonophone recording captures two of her theatrical songs from the Edwardian era.AI summary
Zonophone 1766 Music Hall
Florrie Forde was a major British music-hall star with a recording career spanning the 1900s to 1920s; this Zonophone pressing of 'If He's a Pal to You' captures her in comic-sentimental song, characteristic of her stage style.AI summary
Zonophone 1814 Music Hall
Florrie Forde, the legendary British music hall star, recorded 'On the Ankle Watch Parade' and 'Sullivan will be there' for Zonophone—early acoustic recordings capturing one of the era's most famous entertainers.AI summary
Zonophone 1829 Music Hall
Florrie Forde was one of the greatest stars of British music hall and pantomime, a favourite in the 1900s and 1910s; this Zonophone pressing captures her performing two music-hall standards.AI summary
Zonophone 2118 Music Hall
Florrie Forde, the British music-hall star, on Zonophone 200: comic songs from her long career in variety and pantomime, recorded around the turn of the 1900s or early 1910s.AI summary
Zonophone 200 Music Hall
Florrie Forde, the British music-hall legend, on Zonophone with 'Poor John'; the high catalogue number (43143) suggests this is from a later phase of Zonophone's catalogue, possibly a later or reissued pressing.AI summary
Zonophone 43143 Music Hall
Florrie Forde, a major British music-hall star, recorded 'Up to one of your Tricks again' for Zonophone 43149. Forde was a prolific recording artist, and her earlier Zonophone sides are collectable.AI summary
Zonophone 43149 Music Hall
Florrie Forde, the Australian music hall star, recorded this patriotic First World War song for Zonophone. This high catalogue number places the disc in Forde's later recording period, likely the 1920s.AI summary
Zonophone 43203 Music Hall
Florrie Forde, the celebrated British music-hall star, on 'Flanagan', Zonophone 43209. Forde was one of the most popular singers of the early 20th-century British stage, famed for her powerful voice and comic delivery.AI summary
Zonophone 43209 Music Hall
Zonophone 43212 Music Hall
Florrie Forde, a leading British music-hall singer and comedian, recorded for Zonophone 55, an extremely early catalogue number. 'Always be as careful as you can' and 'Is everybody happy' are typical of her comedy and popular song repertoire. Forde was one of the great female music-hall entertainers of the Edwardian era.AI summary
Zonophone 55 Music Hall