21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 107 of 452
Eddie Condon (likely; the credit may be abbreviated), the American jazz guitarist and bandleader, on His Master's Voice with 'I'm Gonna Stomp Mr Henry Lee' and 'That's a Serious Thing'; Condon's hot-jazz recordings are collected.AI summary
His Master's Voice B4987 Jazz
Zez Confrey (composer and pianist) recorded 'New Hampshire' and 'Marcheta' (The Great White Way) for His Master's Voice, catalogue B1713; Confrey was a ragtime-influenced American composer and recording artist of the 1920s.AI summary
His Master's Voice B1713 Instrumental
Confrey (likely Zez Confrey, the American novelty piano composer and performer) recording 'True Blue Sam' and 'All Muddled Up' for His Master's Voice B1554, dating to the mid-1920s.AI summary
His Master's Voice B1554 Instrumental
Connecticut Collegians, partial titles on Eclipse Records 257; the band was associated with early jazz and novelty dance music of the 1920s, though this label and specific recording are not widely documented.AI summary
Eclipse 257 Jazz
Eclipse 632
Eclipse 109
Eclipse 21
Eclipse 40
Eclipse 40
Eclipse 48
Eclipse 535
Eclipse 552
Eclipse 662
Eclipse 683
Eclipse 684
Eclipse 791
Eclipse 855
Eclipse 95
Connie Boswell, the American jazz and popular vocalist, performing 'I've Got a Feelin' You're Foolin'' and 'You Are My Lucky Star' on Brunswick — a vocal novelty or pop side from the early 1930s.AI summary
Brunswick 02068 Voice
Connie Boswell was an American popular singer and member of the Boswell Sisters trio; this Brunswick side from the early 1930s captures her sophisticated vocal style in the popular song register.AI summary
Brunswick 02677 Voice
Connie Boswell was an American jazz and popular vocalist, sister of the famous Boswell Sisters; this Brunswick recording captures her singing two sentimental ballads from her solo career in the 1930s.AI summary
Brunswick 1382 Voice
Connie Foley, an Irish traditional singer, recorded 'Galway Shawl' and 'Eileen McMahon' for Copley, a small British label of the early 1930s. Irish traditional music on minor labels is often scarce.AI summary
Copley 9-124 Voice
Connie Francis for MGM, performing 'I Never Had a Sweetheart' and 'Little Blue Wren'. Francis was an American pop singer of the 1950s–60s, though this particular MGM recording and its pairing with a folk song are unusual for her later chart style and warrant checking.AI summary
MGM 945 Voice
Connie Francis recorded 'Who's sorry now?' and 'You were only fooling' for MGM 975; Francis was a major American pop star of the 1950s, and 'Who's sorry now?' became one of her signature songs.AI summary
MGM 975 Voice
Conrad Janis and the Tailgate Jazz Band, New Orleans-style hot jazz, performing two parts of 'When the Saints Go Marching In' on Circle Records, a small American jazz label.AI summary
Circle 3015 Jazz
Conrad Janis and the Tailgate Jazz Band, a revivalist New Orleans jazz ensemble, recorded 'When the Saints Go Marching In' for the independent Circle label.AI summary
Circle 3015 Jazz
Constance Carpenter was a British stage actress and singer who appeared in West End musicals of the 1920s and 1930s. HMV JH72 is from the JH prefix series, which was used for budget or subsidiary issues. The reverse is credited to the Rosato Band with Julie Gillespie. A specialist item for enthusiasts of the British inter-war musical stage.AI summary
His Master's Voice JH72 Music Hall
Continental Five, a dance ensemble, recorded 'Sheik of Araby' and 'Rio Nights' for Imperial, a minor British label of the late 1920s–early 1930s.AI summary
Imperial 1037 Dance
Continental Five on Imperial Records with 'Ma' and 'Ram Sami' (Band), from a minor British label of the 1920s-30s.AI summary
Imperial 1038 Dance
Conway Twitty with I Need Your Lovin' and Born to Sing the Blues on Mercury 71086.AI summary
Mercury 71086 Rock
Coon Sanders and his Original Nighthawk Orchestra, a popular dance band, on Regal 7765, performing 'Some Little Bird' and 'Wimmin' (Happy Six), likely mid-1920s.AI summary
Regal 7765 Dance
Coon Sanders, an American jazz orchestra leader, recorded two numbers on His Master's Voice in the late 1920s, including "I Ain't Got Nobody", a standard vehicle for jazz innovation.AI summary
His Master's Voice B5383 Jazz
Coon Sanders, an American bandleader, recorded 'Night Hawk Blues' and 'Red Hot Mamma' for Victor. Sanders led the Nighthawk Orchestra and was active in the 1920s as a jazz and dance bandleader.AI summary
Victor 19316 Jazz
Coon Sanders and his Nighthawk Orchestra, a popular American dance band, recorded 'Yes Sir That's My Baby' and 'Sometime' for the Victor label in the 1920s. This is a mass-market dance record from a well-known ensemble of the jazz age.AI summary
Victor 19745 Dance
The Coon-Sanders Original Nighthawk Orchestra, a celebrated American dance band of the 1920s, recorded these sides for His Master's Voice. Both titles are popular song numbers typical of the dance-band repertoire.AI summary
His Master's Voice B6199 Dance
Coon-Sanders Original Nighthawk Orchestra on HMV B5121, with 'Deep Henderson' and 'Hi-Diddle-Diddle' — Kansas City jazz-dance-band sides by an influential American ensemble of the 1920s, on a major British label.AI summary
His Master's Voice B5121 Jazz
Coon-Sanders, a famous American jazz orchestra active in the 1920s and early 1930s, recorded these two jazz numbers for His Master's Voice B5538. The band was known for their sophisticated hot-jazz arrangements.AI summary
His Master's Voice B5538 Jazz
The Coon-Sanders Orchestra, an American dance band of the 1920s and 1930s, recorded "Blue Foot" and "The Wail" for the Victor label; this is a US pressing.AI summary
Victor 21305 Dance
Cooper Mitchell is not identified in standard discographies. 'The Bottom Drawer' and 'Phyllis and the Puppy' are recorded on Phoen 1015, a small British label.AI summary
Phoenix 1015 Music Hall
Cootie Williams, the great Harlem jazz trumpet player, performing two jazz sides—'Somebody's Gotta Go' and 'Round Midnight'—on the Hit label, an American independent imprint of the 1940s. UK pressings of American jazz on small labels are often scarce.AI summary
Hit 7119 Jazz
Cootie Williams, an American jazz trumpeter and bandleader, on Regal Records MR3609, performing 'West End Blues' and 'G-Men'—hot jazz sides from one of the classic jazz soloists.AI summary
Regal MR3609 Jazz
Cootie Williams, Duke Ellington's celebrated trumpet player, recording 'Everything but You' and 'House of Joy' for Capitol. Williams is an important jazz soloist.AI summary
Capitol 215 Jazz
Cootie Williams' orchestra recorded 'Ain't Misbehavin' and 'Blues in My Condition' for Regal MR3596. Williams was a Duke Ellington associate and a significant jazz trumpet player.AI summary
Regal MR3596 Jazz
Cor Steyn recorded a 'Popular Selection' for Decca F6244, described as two sides. An unrecognised artist on a standard Decca popular release.AI summary
Decca F6244 Instrumental
Winner 2153 Misc.
Corelli Windeatt's Band recorded 'Please do it again' and 'Forget me Not' for Winner Records, likely in the mid-to-late 1920s. Windeatt led a British dance orchestra.AI summary
Winner 3706 Dance
Corelli-Windeatt band's 'Mr Misery' and 'Mazie' on Winner 3618. Winner was a cheap British dance and popular music label of the 1920s–1930s; Corelli-Windeatt was likely a session ensemble.AI summary
Winner 3618 Dance
Corinne Morgan recorded 'So Long, Mary' on GC (Gramophone Company), an early British label, catalogue number -3818. Morgan is not well documented in standard discographies.AI summary
Gramophone Company GC-3818 Voice