45 shellac records · mostly British pressings, 1900s–1950s
45 records matching
Ada Jones, a prolific American singer of the 1900s–1920s, recorded 'I'll Be There with Bells On' and 'My Little Kangaroo' on Phoenix label 259, a small British imprint. Phoenix pressings are scarce; Jones was one of the first women to record extensively.AI summary
Phoenix 259 Voice
An unidentified band recorded a 'Hullo Ragtime' medley selection on two sides for Phoenix, a minor British label.AI summary
Phoenix 080 Dance
A band recording of 'Plantation Pastimes' and 'Dancing on the Housetops' on Phoenix 083, a British budget label of the 1920s or early 1930s.AI summary
Phoenix 083 Dance
An unnamed dance band on Phoen 149, performing 'Baby's Sweetheart' and 'Love's Treasure'. Phoen was an obscure British label.AI summary
Phoenix 149 Dance
Beth Tate with I Wish I Belonged to You and Call Me Up Some Rainy Afternoon on Phoenix 35.AI summary
Phoenix 35 Voice
Phoenix 585 Music Hall
Billy Williams, the Australian-born music hall singer, with I'll Lend You My Best Girl and Wake Up, John Bull on Phoenix 038.AI summary
Phoenix 038 Music Hall
Phoenix 041 Music Hall
Billy Williams recorded for Phoenix, a minor British label of the early 1930s, singing 'Mrs B' and 'Here We Are Again', light popular material.AI summary
Phoenix 040 Voice
Billy Williams, the Australian-born music hall singer, with I've Found Kelly and You're the One on Phoenix 041.AI summary
Phoenix 041 Music Hall
Billy Williams singing 'I Wish It Was Sunday Night' and 'I Do Wish That I Was a Ladies Man' on Phoen, an obscure British label.AI summary
Phoenix 069 Music Hall
Billy Williams recorded for Phoenix, a minor British label of the early 1930s; 'Let's All Go Mad' and 'Take Me Where There Are No Yes About' are novelty or comic titles from this period.AI summary
Phoenix 090 Voice
Billy Williams was a British popular singer of the 1920s-1940s. 'Take me back to USA' and 'Why can't we have the Sea in London' are novelty and topical songs. This Phoen (Phoenix) pressing represents a small British imprint.AI summary
Phoenix 091 Voice
Phoenix 092 Personalities (Prs)
Billy Williams performing comic songs 'Father papered the Parlour' and 'Don't go out with him Tonight' on Phoenix, a small British label. The artist is unidentified.AI summary
Phoenix 37 Music Hall
Billy Williams credited on Phoenix, an obscure small British label; the titles suggest comic or novelty songs of the early 1930s.AI summary
Phoenix 38 Comic
Billy Williams recorded "Rosetta" and "I'm the Man that Buried Flanagan" on the Phoen label, a minor British imprint. The second title suggests music hall or novelty material; Williams's other recordings are largely unknown to general discographies.AI summary
Phoenix 39 Music Hall
Billy Williams, the Australian-born music hall singer, with My Lass from Glasgow Town and I Never Heard Father Laugh So Much Before on Phoenix 71.AI summary
Phoenix 71 Music Hall
Burlington Orchestra recorded Waldteufel's "Roses from the South" and "Estudiantina Waltz" for Phonix (Phoenix) 017, a small British label.AI summary
Phoenix 017 Orchestra
Chas Andrews on Phoenix (Phoe) 0104, a tiny British label, performing 'Low Back'd Car' and 'Eileen Allanah'.AI summary
Phoenix 0104 Voice
Cooper Mitchell is not identified in standard discographies. 'The Bottom Drawer' and 'Phyllis and the Puppy' are recorded on Phoen 1015, a small British label.AI summary
Phoenix 1015 Music Hall
Ernest Strong recorded two sentimental ballads for Phoenix, a small British budget label of the early 1930s. 'Where the Blue Danube Flows' is a Strauss-inspired waltz; very little is known of the artist.AI summary
Phoenix 0174 Voice
Fred Mayne with Any Old Iron and It's a Treat to Be Alive on Phoenix 624.AI summary
Phoenix 624 Music Hall
Fred Needham performing 'Happy Though Married' and Spindler's 'Band Rehearsal' on Phoenix, an obscure British label from the 1920s.AI summary
Phoenix 216 Instrumental
George Bastow, the music-hall comedian of 'The Galloping Major', sings 'My Husband's Left Me Again' and 'Mary Ann, She's After Me' on Phoenix.AI summary
Phoenix 318 Music Hall
George d'Albert performing 'Strip the Bed and have another Look' and 'Make the most of the little Bit you've got' on Phoenix, catalogue 139. An unidentified performer on a small British label.AI summary
Phoenix 139 Music Hall
H Long performing two popular songs on the Phoen (Phoenix) label, a minor British imprint. The artist is unidentified, and neither song appears to be a major standard.AI summary
Phoenix 189 Voice
Harry Long recorded 'You Made Me Love You' and 'When the Midnight Choo Choo Leaves for Alabam' for Phoen Records 141, a small or short-lived British label.AI summary
Phoenix 141 Voice
Harry Long performing two popular song-dances on Phoenix Records, a small British label of the early 1930s.AI summary
Phoenix 072 Dance
H.B. Long recorded 'The international rag' and 'Dixie days' for Phoenix Records, an obscure British label. The titles suggest novelty or ragtime-influenced material from the early 1930s.AI summary
Phoenix 0179 Instrumental
Imperial Guards Band recorded "Gladiator March" and "Invincible Eagle March" for Phonix (Phoenix) 011, a small British label.AI summary
Phoenix 011 Instrumental
Jimmy Palmer Orchestra on Phinx 101, performing 'Dancin' Shoes' and 'Toot Tootsie'. Phinx was an obscure British label.AI summary
Phoenix 101 Dance
King Howard recorded instrumental pieces—a gavotte and 'Liselotte'—for the obscure Phoenix label, catalogue 165.AI summary
Phoenix 165 Instrumental
Lucy Chalmers recorded 'Rip That Melody' and 'Archie Don't Be So Stiff and Starchy' for Phoen 169, a small British budget label. Artist details are obscure.AI summary
Phoenix 169 Music Hall
Mark Sheridan was a popular Edwardian music-hall comedian, best remembered today for 'I Do Like to Be Beside the Seaside'; Phoenix was a small British label.AI summary
Phoenix 352 Music Hall
May Moore Duprez, the music-hall singer billed as 'the Jolly Little Dutch Girl', sings 'If I Should Fall in Love with You' and 'Hans Across the Sea' on Phoenix.AI summary
Phoenix 302 Music Hall
A quartette performs two well-known Christmas carols on Phoen, a small and obscure British label from the early 1930s.AI summary
Phoenix 550 Classical
Tom Wootwell performing 'How Dare They?' (dated 1912) and 'Wait a Minute' on the Phoen label — possibly Phoenix — catalogue 358. As with other Phoen/Phoenix discs in this collection, the label is obscure and the pressing warrants investigation before sale.AI summary
Phoenix 358 Music Hall
W Green on Phoen catalogue 059, a light dance or novelty recording. Phoen was an obscure British label, possibly from the 1920s-30s era.AI summary
Phoenix 059 Dance
W Green performing 'That Chiming Rag' and 'Ragtime Goblin Man' on Phoenix, an obscure British label from the 1920s.AI summary
Phoenix 062 Instrumental
W Green playing two ragtime pieces on Phoenix Records, a British minor label active in the 1920s-early 1930s.AI summary
Phoenix 062 Instrumental
Warwick Green recorded 'Ragtime curate' and 'Everybody's doing it at the seaside' for the Phoe label, catalogue 112, likely early 1920s.AI summary
Phoenix 112 Music Hall
Warwick Green recorded 'Ragtime curate' and 'Who killed ragtime' for the Phoe label, catalogue 75, likely early 1920s.AI summary
Phoenix 75 Music Hall
Warwick Green Accordion Band on Phoe (10) with 'At the devil's ball' and 'Trail of the lonesome pine'; an accordion ensemble on an obscure British label, likely 1920s–1930s.AI summary
Phoenix 10 Instrumental
Will Dunn on Phoenix, an obscure British label. The artist and label are unidentified in standard discographies.AI summary
Phoenix 140 Music Hall