21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 109 of 452
Credited to Cotton on Regal, a British budget label, performing 'She was only Somebody's Daughter'.AI summary
Regal 658 Voice
Cotton performing 'Sunny Skies' and 'Ramona' on Piccadilly, a British budget label of the early 1930s.AI summary
Piccadilly 108 Voice
Untitled
Cotton, artist and titles unknown, on Columbia CB237—insufficient information to catalogue or value.AI summary
Columbia CB237
Untitled
A Cotton recording on Columbia (artist name, side titles, and catalogue details are incomplete); insufficient information survives to identify the artist or repertoire.AI summary
Columbia CB258
Untitled
A Cotton recording on Columbia's CB series, catalogue number CB267; artist and titles not recorded in the catalogue data.AI summary
Columbia CB267
Untitled
Cotton on Regal Melodeon MR127. No titles recorded.AI summary
Regal MR127
Untitled
An unidentified artist credited as Cotton released a record for Regal whose titles are not recorded.AI summary
Regal MR156
Cotton and Morpheus performing 'Tain't no Sin' and 'Hlo Baby' on Brunswick, the major American label's British pressing, catalogue 4667.AI summary
Brunswick 4667 Dance
Cotton and Morpheus performing 'I Wonder How It Feels' and 'I Don't Mind Walkin' in the Rain' on Brunswick 01004, an early Brunswick catalogue number from the mid-1920s.AI summary
Brunswick 01004 Voice
Cotton and Morpheus on "I Get the Blues When It Rains" and "Wake Up! Chill'un, Wake Up!" for Brunswick 5010. Both titles suggest blues or early rhythm and blues material; Brunswick was a significant American label of the 1920s–1930s.AI summary
Brunswick 5010 Jazz
The Cotton Band performing two novelty pieces on Regal, the British budget label: 'Oh Mooky Mooky Oh' and 'Dreamy Serenade'.AI summary
Regal 1360 Dance
The Cotton Band, a British dance ensemble, recorded "Sailin' on the Robert E Lee" and "Open Up Dem Pearly Gates" for Regal, a British budget label of the 1920s-1930s.AI summary
Regal 556 Dance
The Cotton Pickers, a 1920s jazz and dance ensemble, performing 'Milenberg Joys' and 'If You Hadn't Gone Away' on Brunswick.AI summary
Brunswick 2937 Jazz
The Cotton Pickers, a dance ensemble, on 'Got to cool my Doggies now' and 'I wish I could shimmy like my Sister Kate'. Released on Brunswick 2338 in the mid-1920s. This is a rare and valuable American jazz recording; UK copies are extremely uncommon.AI summary
Brunswick 2338 Jazz
The Cotton Pickers, an African-American jazz or dance band, performing two pieces on Brunswick. The titles suggest 1920s-era jazz or dance music, and the band is likely one of the many semi-professional or regional groups recording during this period.AI summary
Brunswick 2380 Jazz
The Cotton Pickers were a jazz ensemble; this Brunswick pressing of 'You Tell Her I Stutter' and 'Way Down Yonder in New Orleans' is a hot-jazz recording from the late 1920s.AI summary
Brunswick 2404 Jazz
Cotton Pickers, a dance band, recorded 'My Sweetie Went Away' and the comic novelty 'Duck's Quack' for Brunswick, catalogue 2461. Brunswick was a major label and Cotton Pickers a standard dance outfit of the late 1920s–early 1930s.AI summary
Brunswick 2461 Dance
The Cotton Pickers on Brunswick, this pressing of 'Walk Jenny Walk' and 'Mama Goes Where Papa Goes' is another example of their 1920s jazz output.AI summary
Brunswick 2490 Jazz
Cotton Pickers performing 'Do Yo Dooty Daddy' and 'Blue Rose' on Brunswick. Cotton Pickers recordings from this era are typically jazz or jazz-inflected dance sides.AI summary
Brunswick 2532 Jazz
Count Basie's orchestra with '9:20 Special' and 'Basie Boogie' on British Parlophone.AI summary
Parlophone R2836 Jazz
Count Basie's 'Hallelujah I Love Her So' and 'Tell Me Your Troubles' on Roulette. Basie is canonical; Roulette pressings are common.AI summary
Roulette 4103 Jazz
Count Basie performing 'Jitters' and 'Royal Garden Blues' on Parlophone DPE118, a British release of the great swing orchestra.AI summary
Parlophone DPE118 Jazz
Count Basie and his orchestra with 'It's Torture' and 'I Want a Little Girl' on American OKeh.AI summary
Okeh 5773 Jazz
Count Basie with Hallelujah I Love Her So and Tell Me Your Troubles on Roulette 4103.AI summary
Roulette 4103 Jazz
Count Basie, the legendary American jazz bandleader, performing two big-band swinging numbers on Parlophone, a British pressing of American jazz.AI summary
Parlophone R2951 Jazz
Count Basie with Tell Me Your Troubles and Hallelujah I Love Her So on Roulette 4103.AI summary
Roulette 4103 Jazz
Count Basie's 'Royal Garden Blues' and 'Song of the Islands' on Mercury 89061. Basie is canonical; Mercury swing sides are common.AI summary
Mercury 89061 Jazz
Count Basie's 'Shoeshine Swing' and 'Lady Be Good' are prized early sides from the debut period of his band in the mid-1930s, issued here on UK Vocalion.AI summary
Vocalion S68 Jazz
Count Basie, the legendary American jazz bandleader, on Columbia performing 'April in Paris' and 'Roll 'em Pete'. This is a later Basie recording on the LB series, from the 1950s.AI summary
Columbia LB10022 Jazz
Count Basie's orchestra on Parlophone, 'Moten Swing' and 'Louisiana'—two classic sides from the Kansas City swing orchestra that became one of the most important big bands in American jazz history.AI summary
Parlophone R2768 Jazz
Count Basie, the legendary jazz pianist and bandleader, on His Master's Voice. 'One O'Clock Boogie' and 'Meet Me at No Special Place' are recordings from his Basie orchestra.AI summary
His Master's Voice B9593 Jazz
Count Basie recording "Café Society Blues" and "St Louis Blues", titles that place this among his most-recorded repertoire, though the label and catalogue information are not recorded here.AI summary
Jazz
Count Basie's 'Taxi War Dance' and 'Twelfth Street Rag', on Parlophone R2862; these are reissues of Basie's early swing-era recordings, among the most influential big-band sides of the 1930s.AI summary
Parlophone R2862 Jazz
Count Mazzaglia Cutelli recorded this novelty instrumental for Decca, featuring Mickey Mouse cartoon character themes, likely from the mid-1930s when such licensed material was popular.AI summary
Decca F3175 Instrumental
Countess H. Morsztyn — an aristocratic amateur pianist not identifiable in standard discographic references — performing Chopin's Scherzo Op. 31 across two sides on HMV E317. Private or semi-private HMV pressings for named patrons or amateurs were made in very small quantities and are unusual survivals; the E-series designation requires checking.AI summary
His Master's Voice E317 Instrumental
Countess H. Morsztyn performing Chopin's Scherzo Op. 31 across two sides on HMV E317 — a duplicate of id 11387 in this collection. As with that disc, this appears to be a private or semi-private HMV pressing; both copies should be examined and compared.AI summary
His Master's Voice E317 Instrumental
His Master's Voice 4-2812
Courtland & Jefferies performing 'There's a Tramp Upon the Highway' and 'Kkkaty' on His Master's Voice B1006; the B series cataloguing and titles place this in the early 1920s.AI summary
His Master's Voice B1006 Voice
A novelty jazz-comedy number credited to Courtland & Jefferies on His Master's Voice catalogue B992, dating from the early 1920s. The catalogue number suggests an early pressing from this prolific label's dance and novelty series.AI summary
His Master's Voice B992 Dance
Cicely Courtneidge and Cyril Richard (or Cyril Webb), stars of the British revue 'Gay's the Word', recorded selections from this 1951 stage musical for Columbia. A theatrical cast recording from a notable West End success.AI summary
Columbia DB2808 Music Hall
Cicely Courtneidge and Graham Webb performing selections from 'Gay's the Word', a 1937 British musical comedy, on Columbia, catalogue DB2808.AI summary
Columbia DB2808 Music Hall
Cicely Courtneidge and Esmond Knight from the 1935 musical 'Gay's the Word', on Columbia: a medley of three orchestral selections and a separate ballad piece, capturing the theatrical production's spirit.AI summary
Columbia DB2808 Opera
Cove & Charman, a duo credited on Curry's, a tiny or short-lived British label of the early 1930s. The titles suggest sentimental popular songs of that era. Nothing is known of either performer or the label beyond this catalogue entry.AI summary
Curry's 347 Voice
A comedy or novelty duet credited to Cove and Charman on Hom, a small and short-lived British imprint. The artists and label are unidentifiable from standard reference.AI summary
Hom 4139 Comic
Cove and Lewis on Homophone 4037 performing 'Baby Rose' and 'Oh! That Music'.AI summary
Hom 4037 Dance
Cove and Thompson with Oh Johnny Oh and I Wish I Had My Old Girl on Scala 1018.AI summary
Scala 1018 Voice
Cove and Thompson on Bek (a minor British label), singing 'The Mississippi Barbecue' and 'The Aba Daba Honeymoon', a novelty song that was popular in the 1920s. Bek pressings are uncommon.AI summary
Beka 36008/40 Music Hall
Cove and Thompson recorded 'The Mississippi Barbecue' and 'The Aba Daba Honeymoon', a novelty number, for the Bek label. Without further detail on the artists and this small or short-lived label, neither can be confidently identified.AI summary
Beka 36008/41 Music Hall