21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 144 of 452
Ernest Shand, the Edwardian music-hall comedian, on Zonophone catalogue 857 — a moderately low number suggesting an early pressing — with 'I Went On My Way Rejoicing' and 'In Other Lands'. Zonophone pressings of Shand's work at low catalogue numbers are moderately uncommon.AI summary
Zonophone 857 Music Hall
Ernest Shand recorded 'The Husband's Strike' and 'Poor Noah Moore' for Zonophone. These titles suggest comic or music-hall material from the early 20th century.AI summary
Zonophone 748 Music Hall
Ernest Shand on Zonophone, performing 'That Broke Up the Party' and 'We Really Had a Most Delightful Evening', a light comedy or novelty number from the 1920s–30s.AI summary
Zonophone 809 Music Hall
Ernest Strong recorded two sentimental ballads for Phoenix, a small British budget label of the early 1930s. 'Where the Blue Danube Flows' is a Strauss-inspired waltz; very little is known of the artist.AI summary
Phoenix 0174 Voice
Ernest Tubb, the Texas Troubadour, recorded 'Seaman's Blues' and 'Waiting for a Train' for Brunswick. Tubb was one of the most influential country and western singers of the 1940s and 1950s.AI summary
Brunswick 04000 Country
Ernest van Dyck was a celebrated Belgian tenor who had a major career at Bayreuth and the Vienna Court Opera in the late nineteenth century, one of the foremost Wagner tenors of his generation. This Homophon disc, catalogue 8702/8390, contains two French songs. Van Dyck's recordings are of significant collector interest to students of early Wagnerian singing.AI summary
Hom 8702/8390 Opera
Ernest Van Dyck, a Belgian tenor of the late 19th century, performing two German Romantic lieder on Columbia. The catalogue number IRCC indicates this is a reissue or compilation pressing, not an original acoustic recording.AI summary
Columbia IRCC6 Opera
Ernest Van Dyck was a celebrated Belgian tenor, one of the outstanding Wagnerian singers of the late nineteenth century and a favourite of Bayreuth. This Columbia IRCC6 — 'Ich grolle nicht' from Schumann's Dichterliebe and 'Du bist wie eine Blume' — is a pressing on IRCC (International Record Collectors' Club), a series that reissued historically important acoustic recordings for collectors. The IRCC prefix makes this a deliberate reissue for the collector market rather than an original pressing.AI summary
Columbia IRCC6 Classical
Ernest Young gives talks on the British Empire, no. 2, in two parts on Columbia D40143.AI summary
Columbia D40143 Personalities (Prs)
Ernie Andrews sings two rhythm-and-blues or novelty numbers on the G&C label: 'Soothe Me' and 'Wrap It Up Put It Away'. The label is obscure and otherwise unidentified.AI summary
G&T 1 Voice
Ernie Golden and his band, an American dance orchestra, with 'Let's make believe' and 'Somebody and me' on Brunswick 3586 from the 1920s.AI summary
Brunswick 3586 Dance
Ernie Golden Band on Imperial, catalogue 1933. Imperial was a minor American label of the 1920s–30s, and Golden is an unrecognised artist, making British copies of this dance record scarce.AI summary
Imperial 1933 Dance
Ernie Lotinga, a British character comedian, performing 'Popper's Detective Agency' on Piccadilly, an economical British label from the 1930s.AI summary
Piccadilly 258 Comic
Ernie Lotinga recorded 'Drinkwater's Matrimonial Agency' for Brunswick, catalogue 01106. Lotinga was a British comedian and music-hall performer, and this is a comedy sketch or comic monologue recording of the type common in 1920s–30s British vaudeville.AI summary
Brunswick 01106 Music Hall
Ernie Mayne, credited on the Winner label with two comedy or novelty pieces, "What D'Yer Think of That?" and "Hello Old What's-a-Name"; Winner was a cheap British mass-market label of the 1920s–1930s.AI summary
Winner 3670 Comic
Ernie Mayne recorded 'Dirty Face' and 'Why does a Hen lay an Egg?' for Curry's, a minor British label. Curry's was active in the early 1930s and specialised in variety and comic material from minor entertainers.AI summary
Curry's 8060 Music Hall
Ernie Mayne, the music-hall comedian, with 'Goosey Gander' and 'Ten Little Fingers' on Favorite.AI summary
Favorite 886 Music Hall
Ernie Mayne was a large, jovial Edwardian music-hall comedian and singer known for novelty and comic songs. This Jumbo pressing (1315) — 'Goosey Goosey Gander' and 'Ten Little Fingers' — is typical of the children's-song material he sometimes recorded. Jumbo is an uncommon label; Mayne is a minor but documented music-hall name.AI summary
Jumbo 1315 Music Hall
Credited to Ernie Mayne on the TEST label, a British imprint of uncertain dating and provenance.AI summary
TEST Jazz
Ernie Mayne performing 'And the Fog grew thicker & thicker' and 'Goosey Gander' on Winner Records catalogue 2738. Winner was a British label active in the 1920s–30s; Mayne is not established in standard reference.AI summary
Winner 2738 Music Hall
Ernie Mayne recorded 'My Meatless Day' and 'Sugar' for Winner Records, a small British label of the 1920s–30s.AI summary
Winner 3111 Music Hall
Ernie Mayne performing two comedy novelty songs ('I like a C-hup of C-hocoa' and 'Sammy Salter sorted Sausages') on Winner, a minor British music hall label; the titles are typical of British novelty and comedy material of the 1920s–1930s.AI summary
Winner 3198 Music Hall
Ernie Mayne was a British comedian and singer of the interwar period; 'Nobody Loves a Fat Man' and its B-side are typical of the comic novelty songs that made up much of his catalogue on Winner, a cheap British label.AI summary
Winner 3261 Comic
Ernie Mayne recorded 'We Used to Gather at the Old Dun Cow' and 'A Great Big Plonking Kiss' for Winner, catalogue 3285. Winner was a budget British label of the 1920s–30s.AI summary
Winner 3285 Music Hall
Ernie Mayne on Winner Records, catalogue 3328, performing comic novelty songs 'Fried Fruit Fritters' and 'Shave yourself with Sunlight'. Winner was a minor British label.AI summary
Winner 3328 Comic
Ernie Mayne on Winner 3402, performing novelty music-hall comedy songs. The artist is unidentified in major discographies.AI summary
Winner 3402 Music Hall
Ernie Mayne recorded 'My Mary' and 'Chips & Fish' for Winner 3432, a British budget label of the 1930s. Artist details are obscure.AI summary
Winner 3432 Music Hall
Ernie Mayne performs 'Peanuts' and 'Our Little Garden Sub-bub' on Winner, a small British label of the 1920s–30s. Both titles suggest sentimental or whimsical songs.AI summary
Winner 3764 Music Hall
Ernie Mayne, a British music-hall comic singer, on Winner Records in the 1920s–30s, performing novelty seasonal songs.AI summary
Winner 3922 Music Hall
Ernie Mayne, a British music hall comic, on Winner Records, a minor British label of the 1920s-1930s; two comic novelty songs from Mayne's repertoire of patter and sentimental humour.AI summary
Winner 3971 Music Hall
Ernie Mayne on Winner, performing two comic novelty songs: 'No We Don't Keep Fish Only Kippers' and 'I Do Like a Little Bit of Turkey at Christmas Time'.AI summary
Winner 3922 Comic
Ernie Mayne recorded for Winner, a British label; these are novelty comic songs with speech effects, typical of 1920s–1930s music-hall material.AI summary
Winner 3371 Music Hall
Ernie Mayne on Winner Records, a British budget label: 'Love Love Love' and 'You can't get many Pimples'. Winner was a cheap imprint for early 1930s light comedy and popular songs.AI summary
Winner 2680 Comic
Ernie Mayne recorded 'Tale of my Husband's Shirt' and 'For Charity's Sake' for Winner, catalogue 2994. Mayne was a British music-hall or novelty singer; details are sparse.AI summary
Winner 2994 Music Hall
Ernie Mayne recorded novelty and comic material for Winner, a cheap British imprint. The titles suggest topical or novelty numbers. Winner was a mass-produced label, and such material survives in quantity.AI summary
Winner 3054 Comic
Ernie Mayne is not identified in standard discographies. 'All for the Sake of England' and 'Where's your Ticket for Coal' are recorded on Winner 3225, a small British label dating from the 1920s.AI summary
Winner 3225 Music Hall
Ernie Mayne, a British music hall entertainer, recorded two comic songs on Winner, a British label of the 1920s–1930s. The titles suggest topical or sentimental comedy.AI summary
Winner 3174 Music Hall
Ernie Mayne on Winner 3371, a British comic or novelty vocal from the 1920s–30s.AI summary
Winner 3371 Comic
Ernie Mayne on Winner 3420, a cheap British marque of the 1930s–1940s. Titles suggest a sentimental novelty number.AI summary
Winner 3420 Voice
Ernie Mayne, a British music hall comedian of the early 1900s, recorded 'My Wife Makes Me Call Her Teacher' for Winner Records. Winner was a cheap British label of the era, and Mayne's comedic monologues survive in scattered copies.AI summary
Winner 3539 Music Hall
Ernie Mayne, a British music-hall comedian, performing two novelty songs on Winner Records: 'The Roast Beef of Old England' and 'There you are then'.AI summary
Winner 3593 Music Hall
Ernie Mayne performing 'When my Ship comes home' and 'Are Yer going to have one?' for Winner 3652.AI summary
Winner 3652 Music Hall
Ernie Mayne, a British music-hall comedian, performing two comic songs on Winner Records, a cheap British label of the early 1930s.AI summary
Winner 3670 Music Hall
Ernie Mayne, a British music hall comedian of the early twentieth century, recorded 'Our Little Garden Suburb' and 'Peanuts' for Winner Records. The catalogue number places this in the late 1920s or early 1930s.AI summary
Winner 3764 Music Hall
A second Ernie Mayne coupling on Winner Records from slightly later in his recording career, following similar comic and novelty music hall repertoire.AI summary
Winner 4058 Music Hall
Winner 4292 Music Hall
Ernie Mayne on Winner Records, performing two comic songs from the early 1930s.AI summary
Winner 4384 Music Hall
Ernie Mayne was a British entertainer, likely active in music-hall and early broadcasting. 'How's your poor old Feet' and 'Pat-a-cake Baker's Man' are novelty and comic songs typical of the 1920s–30s variety tradition. This Winner pressing is from a British label.AI summary
Winner 4058 Music Hall