21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 149 of 452
F. Nicholls with At Peace with the World and You and, by D. Sheppard, Anyone Can Smile on Guardsman 1974.AI summary
Guardsman 1974 Voice
F Oldham and T Handley on Zonophone 2912 with novelty songs 'Mamma's Gone, Young Pappa's Gone Old' and 'How'd Ya Like to Meet Me in the Moonlight'. Zonophone was a British label popular in the 1920s–1930s.AI summary
Zonophone 2912 Music Hall
F. Pascal performing 'Wibbly wobbly Walk' and 'Mister Cupid' on Apollo Records, a small British label. These are novelty or music-hall songs.AI summary
Apollo 286 Music Hall
F. Ranalow, a vocalist of the early 1900s, singing two light orchestral or music-hall numbers on Winner; likely Edwardian era.AI summary
Winner 2414 Voice
F Rich Band on Regal 8541, performing jazz and dance sides 'I'm Sitting on Top of the World' and 'Ida I Do'.AI summary
Regal 8541 Dance
F Rubsam recorded two classical instrumental pieces, a mazurka and a Yorks arrangement of 'Simplicity', for Regal Records. This represents light classical material on the British budget label.AI summary
Regal 6225 Classical
F Shepherd recorded two songs for Gramophone, a small or short-lived British imprint: 'Mamie May' and 'Maisie Lou', probably in the 1920s.AI summary
Grammavox 4103 (E58) Ragtime
F. Thomas performing 'That Night in Araby' on Columbia IS1942, a British pressing from the early 1930s. The artist is not readily identifiable in standard discographies.AI summary
Columbia IS1942 Voice
F Weissman conducting the Grand Symphony Orchestra in a Lehár medley on Odeon 3271, a central European pressing from the acoustic era.AI summary
Odeon 3271 Orchestra
F Why performing two popular songs—'The Little Irish Girl' and 'Young Tom of Devon'—on Gamophone, a minor British label. Identity and recording date of this artist are unclear.AI summary
Gamage G631 Voice
F. Williams performing 'The Very First Girl I See' and 'Every Fellow's in Love with a Girl' (the latter credited to H. Forman) on Zonophone, a budget British label — a novelty vocal side from the 1920s.AI summary
Zonophone 102 Voice
F Williams singing two popular ballads for Zonophone, a British label, in the early 1920s based on the catalogue number.AI summary
Zonophone 212 Voice
F Williams on Zonophone 221, performing 'He's a Naughty Naughty Boy' and 'The Fireman'.AI summary
Zonophone 221 Music Hall
F. Williams performing the classic British music-hall song 'Miner's Dream of Home' and a Christmas piece on Zonophone 78, an early catalogue number indicating pressing from the 1900s–1910s era.AI summary
Zonophone 78 Music Hall
F Williams singing sentimental ballads 'If I should plant a tiny Seed of Love' and 'Come be my Rainbow' on Zonophone 90, a British label of the 1900s–1920s era.AI summary
Zonophone 90 Voice
F. Williams recorded 'I'm Afraid to Come Home in the Dark' and 'I'm Here if I'm Wanted' (credited to S. Kirkby) for Zonophone 92. Zonophone was the budget label of the Gramophone Company; this is an early catalogue number.AI summary
Zonophone 92 Voice
F Williams recorded sentimental ballads 'My Pretty Wallflower' and 'You Can't Do Without a Girl' for Zonophone T2015, a British pressing of the early era.AI summary
Zonophone T2015 Voice
F. Williams and Miss McCarthy recorded novelty and comedy material for Zonophone 127, an early British label from circa 1910–1920.AI summary
Zonophone 127 Music Hall
Reo 8381 Rock
Fafa Lamos and his Violin and Orchestra on His Master's Voice GV179, with 'Gypsy Samba' and 'Granfino'. Lamos was a violinist of the 1930s–1950s.AI summary
His Master's Voice GV179 Instrumental
Fain & Dunn performing '& Then You Came Along' and 'There's Something About a Rose' on Perf, a short-lived British imprint.AI summary
Perfect 419 Voice
The Falcons Dance Band on Regal MR3800, performing "I've got you under my skin" and "Opus no 1".AI summary
Regal MR3800 Dance
Fanning and Fortune with Are You from Dixie? and Down Home in Tennessee on Guardsman 569.AI summary
Guardsman 569 Voice
Fanny Brice, the American vaudeville and radio star, performing 'I'd Rather Be Blue' and 'My Man' on His Master's Voice, catalogue B2975.AI summary
His Master's Voice B2975 Personalities (Prs)
Fanny Brice, the American vaudeville and Broadway star, performing 'My Man', her signature torch song, recorded for HMV in the early electric era.AI summary
His Master's Voice B25752 Personalities (Prs)
Fanny Brice was one of the most celebrated American comic performers of the early twentieth century, star of the Ziegfeld Follies and the inspiration for the musical Funny Girl. This Victor disc, catalogue 45323, contains 'Becky Is Back in the Ballet' and 'Sheik of Avenue B'. Brice recordings are collected by enthusiasts of early American comedy and vaudeville.AI summary
Victor 45323 Personalities (Prs)
Fanny Brice, the American star of stage and early cinema, performing 'I'd Rather Be Blue' and 'My Man' on His Master's Voice B2975. Brice was one of the most celebrated entertainers of the 1920s and 1930s, known for her Yiddish comedy and popular songs.AI summary
His Master's Voice B2975 Personalities (Prs)
Fanny Brice, the celebrated American comedienne and singer, recorded 'If you want the Rainbow' and 'Sweetheart of all my Dreams' for His Master's Voice catalogue B3004.AI summary
His Master's Voice B3004 Personalities (Prs)
Fanny Davies was a distinguished British pianist of the late 19th and early 20th century; she recorded the first movement of Schumann's Concerto in A Minor under the direction of conductor Ernst Ansermet. This is an unusually prestigious acoustic or early electric recording.AI summary
Classical
Fanny Elsta sang 'Du Grønne Glitrende Tre' and 'Jeg er så glad hver juleskveld', Norwegian songs, for Columbia GN122. An obscure non-English vocal recording from a minor Columbia catalogue series.AI summary
Columbia GN122 Voice
Farigoul performing 'Violette de Bretagne' and a Gavotte-Ninon arrangement on DisGabPar, a tiny or unidentified label with no catalogue number.AI summary
Disques Gabriel Parès Classical
Faron Young with I've Got Five Dollars and You're Still Mine on Capitol CL14655.AI summary
Capitol CL14655 Country
Geraldine Farrar and Giovanni Martinelli, two of the greatest singers of the early twentieth century, in a dramatic duet from Offenbach's opera on His Master's Voice DK108.AI summary
His Master's Voice DK108 Opera
Geraldine Farrar and Giuseppe Clement performing 'Au clair de la lune' on His Master's Voice B7-34002. Farrar was one of the most famous opera singers of the early 20th century; this novelty duet likely dates from the 1920s.AI summary
His Master's Voice B7-34002 Opera
Geraldine Farrar and Enrico Caruso were the most celebrated opera singers of the early twentieth century; this His Master's Voice acoustic recording of the famous death duet from Puccini's Madama Butterfly is a historic document of operatic art.AI summary
His Master's Voice 054126 Opera
Geraldine Farrar, the famous American soprano, and Antonio Scotti, the distinguished Italian baritone, recorded the duet 'La ci darem la mano' and a scene from Puccini's *La Bohème* for His Master's Voice—operatic repertoire by two celebrated early-20th-century singers.AI summary
His Master's Voice DK111 Opera
Fats Domino on Imperial Records 5114: 'Tired of Crying' and 'What's the Matter Baby'. Domino was one of the most influential rock and roll and R&B pioneers of the 1950s, and his early Imperial sides from the early 1950s are foundational to rock history.AI summary
Imperial 5114 Rock
Fats Domino on Imperial Records, an early rock and roll number by one of the genre's pioneers, likely mid-1950s.AI summary
Imperial 5145 Rock
Fats Domino recorded 'Poor me' and 'Trust in me' for Imperial, catalogue 5197, from the early 1950s.AI summary
Imperial 5197 Rock
Fats Domino performing 'Going to the River' and 'Mardi Gras in New Orleans' on Imperial Records catalogue 5231. Domino's Imperial sides from 1950–56 represent the foundation of rock and roll, featuring some of his most celebrated early recordings.AI summary
Imperial 5231 Rock
Fats Domino was an American pianist and singer, born in New Orleans, who became one of the pioneers of rock and roll in the 1950s, fusing rhythm-and-blues, boogie-woogie, and rock elements. 'You said you love me' and 'Rose Mary' are early Domino recordings on Imperial Records from the early 1950s.AI summary
Imperial 5251 Rock
Fats Domino performing 'Don't leave me this Way' and 'Something's wrong' on Imperial Records catalogue 5262. Domino's Imperial sides from 1950–56 represent the foundation of rock and roll.AI summary
Imperial 5262 Rock
Fats Domino, the pioneering African-American rock and roll artist, performing two early sides on Imperial 5301. Domino was one of the first rock and roll stars and these are among his earliest recordings.AI summary
Imperial 5301 Rock
Fats Domino recorded 'Troubles of my own' and 'All by myself' for Imperial, catalogue 5357, from the early 1950s before his major stardom.AI summary
Imperial 5357 Rock
Fats Domino recorded 'Yes My Darling' and 'Don't You Know I Love You' for Imperial Records. These are early rock and roll sides from the pioneer of that genre in the 1950s.AI summary
Imperial 5492 Rock
Fats Domino with Blue Monday-era rhythm and blues: Bo Weevil and Don't Blame It on Me on London 8256.AI summary
London 8256 Rock
Fats Domino with I'm in Love Again and My Blue Heaven on London 8280.AI summary
London 8280 Rock
Fats Waller, the New Orleans pianist, composer and entertainer, performing two of his own songs for HMV. B10050 is from Waller's most prolific recording period in the early 1930s, when his witty vocals and stride piano defined hot jazz entertainment.AI summary
His Master's Voice B10050 Jazz