21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 161 of 452
Frank Ferera's Hawaiians, a prolific Hawaiian group of the 1920s and 1930s, recorded "When your Hair has turned to Silver" and "I'm alone because I love you" for Imperial Records.AI summary
Imperial 2462 Hawaiian
Frank Froeba, an American jazz pianist and bandleader, recorded two swing-era dance numbers for Columbia in the early 1940s.AI summary
Columbia DB5029 Jazz
Frank Gallup on His Master's Voice POP509, a novelty or comic side from the post-war period. The POP series was HMV's popular label from the 1950s.AI summary
His Master's Voice POP509 Comic
Frank Hale on Fine Arts, a small obscure British label, performing light popular material; the catalogue number suggests an early 1920s pressing.AI summary
FineArts 115/6 Voice
Frank Holmes recorded 'Nature Boy' and 'Greensleeves' for Towers of London, a tiny and obscure British label with very low catalogue numbers, suggesting an early or short-lived operation.AI summary
Towers of London 002
Frank Howard performs 'Down Where the Swanee River Flows' on Zonophone 190 — a catalogue number this low places this among the very earliest British Zonophone pressings, probably around 1900–1902. Howard is not a widely recognised recording name, but a Zonophone pressing with a three-digit number below 200 is a historically significant early acoustic document.AI summary
Zonophone 190 Voice
Frank La Forge recorded Grieg's 'Concerto Adagio' for Victor 70043. La Forge was a pianist and accompanist of the early 20th century; this appears to be a piano recording of Grieg's famous concerto movement.AI summary
Victor 70043 Classical
Columbia 26025
Frank Lee's Tara Céilídhe Orchestra performed 'Liverpool Hornpipe' and Irish Jigs for Rex 15006. This is an Irish céilídhe ensemble, likely recorded in the 1920s–30s.AI summary
Rex 15006 Instrumental
Frank Leo on Zonophone 1553, performing 'Arry & Family at the Zoo' Parts 1 and 2, a comedy sketch in the British music-hall tradition with Cockney or working-class characters.AI summary
Zonophone 1553 Music Hall
Frank Leo recorded two novelty or comic songs for Winner Records, a cheap British label of the 1920s–30s: 'We are going to have a nice Afternoon' and 'We are all equal in the Sea'.AI summary
Winner 2606 Comic
'Arry and family at the zoo' on Zonophone 1553, a novelty comedy recording by Frank Leo and party, likely from the 1920s or early 1930s.AI summary
Zonophone 1553 Comic
Rena 1277
Frank Lucker, credited on Piccadilly, a British budget label of the 1920s–30s, performing popular sentimental songs.AI summary
Piccadilly 552 Voice
Frank Lucker, an obscure artist, recorded these two traditional American religious songs for Piccadilly, a cheap British marque of the 1920s–1930s, known for budget releases.AI summary
Piccadilly 552 Voice
Frank Luther, a minor American recording artist, performing 'Unwanted children' and '7 years with the wrong man' on the Melot label, a very small British or independent imprint.AI summary
Meloto 12633 Voice
Frank Luther with I Know Everything and, with Zora Layman, The Wrong Man and the Wrong Woman on Panachord 25679.AI summary
Panachord 25679 Country
Frank Luther was an American singer and guitarist popular in the 1920s–1930s, active in both popular song and Western repertoire; this Brunswick pressing features typical material of the period.AI summary
Brunswick 3927 Voice
Frank Luther recorded Christopher Robin stories (sides 1-4) for Rex 9134/5; Luther was an American singer and actor known for recording folk, novelty and children's material in the 1930s and 1940s.AI summary
Rex 9134/5 Voice
Frank Lynne recorded two comedy or character songs for Fest, an obscure British label of the early 1900s.AI summary
Festival 7066 Music Hall
Frank Marvin with Slu Foot Lou and Yodeling the Blues Away on Brunswick 384.AI summary
Brunswick 384 Country
Frank Marvin on Brunswick with 'They Cut Down the Old Pine Tree' and 'I'm Gonna Yodel My Way to Heaven'—two novelty or country-vocal sides from the early acoustic or early electric era.AI summary
Brunswick 05052 Country
Frank Marvin was a yodeller and Western-themed entertainer active in the 1920s–1930s. Brunswick was a major American and British label, and this record represents the popular yodelling novelty tradition of the period.AI summary
Brunswick 25064 Country
Frank Marvin performing two popular songs on Brunswick — 'My Baby Just Cares for Me' and 'You're Simply Delish' — likely from the 1930s.AI summary
Brunswick 01052 Voice
Frank Mazziotta on "The Sleighride" and "Danse des Satyrs" for Odeon 032032. Mazziotta was a pianist and composer of light orchestral music, active in the early-to-mid 20th century.AI summary
Odeon 032032 Instrumental
Frank Messina is untraced. This MacG pressing, a minor British label, carries two novelty song titles; the artist and pressing date cannot be identified.AI summary
Frank Moulding singing 'Babylon' and 'When I Survey the Wondrous Cross' on Belt 1375, an obscure British label of the 1920s–30s. The second title is a well-known hymn.AI summary
Beltona 1375 Voice
Frank Mullings was a British dramatic tenor (1881–1953) celebrated for opera and Lieder; this Columbia pressing of two Victorian and Irish vocal numbers reflects his repertoire during his long career.AI summary
Columbia 2715 Opera
Frank Mullings was a celebrated Welsh tenor and a principal singer at London's Covent Garden in the early 20th century; this Columbia side captures him in two major opera arias.AI summary
Columbia L1349 Opera
Frank Mullins recorded 'Oh Vision Entrancing' and 'Elanore' for Columbia in the early electrical era. Mullins was a tenor singer in the light-music and operetta tradition of the 1920s–30s.AI summary
Columbia 627 Voice
Frank Munn on Brunswick 3682. Munn was an American tenor and recording artist active in the 1940s-1950s, and Brunswick was a major international label. This pressing captures him performing popular ballads, and his recordings are moderately available to collectors of mid-century American popular song.AI summary
Brunswick 3682 Voice
Frank Munn, a tenor vocalist, recorded 'Adeste Fidelis' and 'Joy to the World' (choir) for Perfection Records 12845. Munn was a popular radio and recording vocalist of the 1920s–30s; both sides are Christmas hymns.AI summary
Perf 12845 Voice
Frank Newman performing 'Everybody's Songs' on Oc Records, a small or regional British label. Without further identification this record remains difficult to place.AI summary
Octacros 1302 Misc.
Broadcast 902
A rare Octacros label pressing by Frank Newman of Plaza Rugby, performing two patriotic French marches from the World War I era or just after; Octacros was an obscure British subsidiary label with a very short pressing history.AI summary
Octacros 1172 Instrumental
Frank Signorelli and colleagues recorded these ragtime and novelty standards for Stinson, an American independent label, in the 1940s–50s.AI summary
Stinson 365 Jazz
Frank Sinatra on Columbia, performing 'You'll Never Know' and 'Sunday, Monday, or Always' — the American popular singer at the start of his recording career.AI summary
Columbia DB2149 Voice
Frank Sinatra recorded 'Goodnight Irene' (the Huddie Ledbetter folk standard) and Orson Welles' 'The Harry Lime Theme' (from *The Third Man*). The label reads 'dub', suggesting this may be a private dubbing or test pressing rather than an issued commercial disc.AI summary
dub Voice
Frank Sinatra, recorded for Columbia during his early solo career (1943–1952), singing "Nancy" (a sentimental ballad dedicated to his daughter) and "A Friend of Yours". Columbia DB-series pressings of Sinatra's early material are widely available.AI summary
Columbia DB2202 Voice
Frank Sinatra performing 'Cradle Song' and 'There's No You' on Columbia DB2190 — a popular-song recording from Sinatra's early major-label period.AI summary
Columbia DB2190 Voice
Frank Sinatra on Columbia, performing two standards from his extensive catalogue — Sinatra was the world's most popular male vocalist of the 1940s–50s.AI summary
Columbia DB2224 Voice
Frank Sinatra performing two numbers from the 1949 Rodgers and Hammerstein musical 'South Pacific' on Columbia DB2313, a British pressing. 'Oh What a Beautiful Mornin' and 'The Girl That I Marry' are core standards from the show.AI summary
Columbia DB2313 Voice
Columbia LB104 Personalities (Prs)
Frank Sinatra performing "My Blue Heaven" and "Goodnight Irene" on Columbia, from his early solo career in the mid-1940s, before his mid-1950s peak at Capitol Records.AI summary
Columbia DB2737 Voice
Columbia DB2365
Frank Sinatra recorded 'When your lover has gone' and 'I should care' for Columbia Records catalogue 36791. These are early Sinatra recordings of popular ballads.AI summary
Columbia 36791 Voice
Frank Sinatra recorded 'When Your Lover Has Gone' and 'She's Funny That Way' for Columbia's 'DB' series in the late 1940s. These sophisticated ballads showcase Sinatra's interpretive gifts during his peak years.AI summary
Columbia DB2186 Voice
Columbia DB2202