21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 162 of 452
Frank Sinatra recorded 'I Don't Know Why' and 'I Only Have Eyes for You' on Columbia DB-series; these are early Sinatra sides from the 1930s, released during his years with Tommy Dorsey and Columbia Records.AI summary
Columbia DB2226 Voice
Frank Sinatra recorded these ballads for Columbia's DB-series, a standard British release of the post-war era.AI summary
Columbia DB2283 Voice
Columbia DB2296
Capitol 14800
Columbia 292110
Frank Sinatra with Witchcraft and Tell Her You Love Her on Capitol CL14819.AI summary
Capitol CL14819 Voice
Frank Sinatra with Johnny Concho Theme and Hey Jealous Lover on Capitol CL14607.AI summary
Capitol CL14607 Voice
Frank Sinatra with How Little We Know and Five Hundred Guys on Capitol CL14584.AI summary
Capitol CL14584 Voice
Frank Sinatra, in his early Columbia years, sings 'Two Hearts Are Better Than One' and 'All Through the Day' on the Columbia label.AI summary
Columbia 36962 Voice
Frank Sinatra with Flowers Mean Forgiveness and You'll Get Yours on Capitol 14564.AI summary
Capitol 14564 Voice
Capitol CL14750
Frank Sinatra with Your Love for Me and Can I Steal a Little Love? on Capitol CL14696.AI summary
Capitol CL14696 Voice
Frank Sinatra, recorded for Columbia in the late 1940s, performing two standards: 'Five Minutes More' and 'How High the Moon'. Both are swing-era popular songs typical of his early career.AI summary
Columbia DZ445 Voice
Frank Sinatra, one of the greatest American popular singers, recorded 'You'll Never Walk Alone' and 'If I Loved You' for Columbia Records.AI summary
Columbia DB2705 Voice
Frank Sinatra and Pearl Bailey duetting on 'A Little Learnin' Is a Dangerous Thing' on Columbia 38362, a British pressing.AI summary
Columbia 38362 Voice
Frank St Clair on Beka 9811, a small British label. Beka was an early imprint with limited distribution; St Clair is not documented in major discographies.AI summary
Beka 9811 Music Hall
Frank Stanley was a popular American male vocalist of the early acoustic era (1900–1910); 'Bedouin Love Song' was a standard ballad of that period. Imperial catalogue 45573 places this as an early pressing from the acoustic or earliest electric era.AI summary
Imperial 45573 Voice
Frank Thomas was a British dance-band vocalist of the 1920s–1930s. 'I Wonder What's Become of Sally' and 'What Do You Do Sunday Mary' are popular songs of the era. This Columbia is11683 pressing is from an unidentified series, probably mid-1920s.AI summary
Columbia is1683 Voice
Frank Thomas performing two Irish comic songs on Columbia's early Irish series (IS prefix), suggesting a London or Irish pressing of the 1920s. The artist and repertoire are consistent with Irish novelty material of the period.AI summary
Columbia is1833 Music Hall
Frank Thomas performing "Always" and "When You and I Were 17" on Columbia is1861 catalogue. Thomas was a ballad singer of the early 1930s.AI summary
Columbia is1861 Voice
Frank Thomas recorded 'Mignonette' and 'You Ought to Know' for Columbia. These appear to be sentimental ballads from the acoustic or early electric era (catalogue IS1889 suggests early pressing). Frank Thomas is not a widely remembered vocalist.AI summary
Columbia is1889 Voice
Frank Thomas recorded 'When You and I Were Seventeen' and 'Always' for Columbia; limited biographical information is available about this artist.AI summary
Columbia is1861 Voice
Frank Titterton, the English tenor, sings Phyllis Has Such Charming Graces and Go Not Happy Day on Vocalion X9195.AI summary
Vocalion X9195 Voice
Vocalion D02053
Frank Trumbauer, the American jazz saxophonist and bandleader, recorded these jazz standards for Columbia. Trumbauer was a leading jazz soloist of the 1920s, known for his C-melody saxophone tone and influential recordings with Bix Beiderbecke.AI summary
Columbia 37807 Jazz
Frank Trumbauer, the jazz saxophonist and bandleader, recorded 'My Pet' and 'Lila' for Parlophone, catalogue R141. Trumbauer was a key figure in 1920s jazz and his recordings are widely collected.AI summary
Parlophone R141 Jazz
Frank Trumbauer performing 'Blue Moon' and 'Down t'Uncle Bill's' on His Master's Voice BD119, capturing the saxophonist's influential jazz style in the mid-1920s.AI summary
His Master's Voice BD119 Jazz
Frank Trumbauer, the pioneering C-melody saxophonist and key figure in 1920s hot jazz, on His Master's Voice BD158 performing 'Plantation Moods' and 'Troubled'.AI summary
His Master's Voice BD158 Jazz
Frankie Trumbauer and his orchestra play 'Deep Harlem' and 'Get Happy' on American OKeh.AI summary
Okeh 41431 Jazz
Frank Trumbauer, legendary jazz saxophonist, on Brunswick 01979 with two classic jazz standards from the hot jazz era. Trumbauer is a major figure in jazz history; Brunswick early catalogue numbers are scarce in UK copies.AI summary
Brunswick 01979 Jazz
Frank Trumbauer, an American saxophonist and bandleader famous for his C-melody sax and smooth jazz style, on Brunswick 7663, performing 'Swonderful' and 'Mayor of Alabam'—jazz standards from one of the 1920s-30s' most distinctive voices.AI summary
Brunswick 7663 Jazz
Frank Weir, a British accordionist and bandleader, recorded 'Almost Paradise' and 'Calypso Romance' for Parlophone—light orchestral and tropical-themed numbers from the 1950s.AI summary
Parlophone R4295 Calypso
Frank Weir recorded 'If you ever go Paree' and 'Mister Cuckoo' for Parlophone. Weir was a British harmonica player and light music artist of the 1950s.AI summary
Parlophone R4157 Instrumental
Frank Westfield recorded two concert-music standards—'In a Persian Market' and 'In a Monastery Garden'—for Parlophone; the artist is not well documented.AI summary
Parlophone E5727 Instrumental
Frank Westfield's orchestra performing a 'Country Girl' selection on Parlophone; a dance-band arrangement of a light-music medley.AI summary
Parlophone E6301 Orchestra
Frank Williams performing two popular songs—'Miner's Dream of Home' and '(Band) Ring Out the Bells for Christmas'—on the Twin label, catalogue 78. Twin was an obscure British marque of uncertain date.AI summary
Twin 78 Voice
Frank Wojnarowski, credited to the Dana label, recorded "Cium, Cium" and a piece titled "Bell".AI summary
Dana 564
Columbia DB281 Personalities (Prs)
Frank Wright and F. Bessinger on Perf 12138, early 1930s.AI summary
Perf 12138 Voice
Frankel performing 'So many memories' and 'Foolin' myself' for His Master's Voice, BD5308. Frankel is unidentified; the catalogue number and title suggest 1920s popular song material.AI summary
His Master's Voice BD5308 Voice
Frankie Avalon was an American teen idol and singer of the 1950s; this Reo label side represents early rock-and-roll and novelty material from his recording career.AI summary
Reo 8260 Rock
Frankie Avalon, the teen idol, with What Little Girl and I'll Wait for You on Renown N1030.AI summary
Renown N1030 Rock
Frankie Avalon, the American teen idol of the late 1950s, on His Master's Voice POP453. Avalon's 'Dede Dinah' and 'Ooh La La' were early recordings for the pop market.AI summary
His Master's Voice POP453 Rock
Frankie Carle was an American pianist and bandleader active from the 1920s onward, known for swing piano and soft pop. 'Stumbling' (at the piano) and 'Estelle' are popular piano pieces. This Columbia 35571 pressing is from the mid-1940s.AI summary
Columbia 35571 Instrumental
Frankie Carle at the piano performing 'Barcarolle' and 'Prelude in C-sharp Minor' on Columbia 35573, a solo piano recording of classical pieces.AI summary
Columbia 35573 Instrumental
Frankie Carle, a pianist and big-band leader, recorded 'After You've Gone' and 'I Can't Believe That You're in Love with Me' for Columbia in the 1940s. Carle was a popular swing-era sideman; this is a standard commercial dance recording.AI summary
Columbia 36333 Dance
Frankie Carle performing jazz piano on Columbia; Carle was an American pianist and bandleader of the 1930s–1950s.AI summary
Columbia 35572 Jazz
Frankie Carle, a pianist and bandleader popular in the 1940s, on Columbia. The catalogue number MC3371 suggests a middle-period pressing, likely from the late 1940s.AI summary
Columbia MC3371 Dance