21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 166 of 452
Fred Elizalde was a British bandleader whose hot dance recordings for Vocalion in the late 1920s are highly regarded among collectors of early British jazz; this disc carries two of his sides.AI summary
Vocalion X10028 Dance
Fred Elizalde, a British jazz bandleader and pianist, performing 'Music and Moonlight' and 'Shy Anna' on Brunswick 158. Elizalde's Savoy Hotel sides from the late 1920s are highly sought by hot-jazz collectors.AI summary
Brunswick 158 Jazz
Fred Elizalde, the Spanish-born dance bandleader who recorded extensively in London, performing 'My Pet' and 'Chanson' on Brunswick 183, an early catalogue number. Elizalde led one of the most important British dance bands of the late 1920s; low Brunswick numbers indicate early pressing.AI summary
Brunswick 183 Dance
Fred Elizalde, the Spanish-born pianist and bandleader, recorded 'Tiger Rag' and 'Dixie' for Brunswick, likely from 1927 or the late 1920s. Elizalde led one of the most important British dance bands of the era and recorded extensively for Brunswick.AI summary
Brunswick 147 Jazz
Fred Elizalde, a renowned Savoy Ballroom bandleader and hot-jazz musician, leading his orchestra in a 'Gold Diggers of 1933' medley on a Decca M-series 'album' or extended issue.AI summary
Decca M440 Jazz
Fred Elizalde, a British bandleader and pianist, recorded 'Clarinet Marmalade' and 'Sugar' for Brunswick in 1928–1929. Elizalde was a central figure in the British hot-jazz and dance-band movement of the late 1920s, and his Savoy Hotel broadcasts were influential in spreading jazz taste in Britain.AI summary
Brunswick 02330 Jazz
Fred Elizalde, British bandleader of the late 1920s Savoy Hotel orchestra, on Brunswick 202. Elizalde's hot-jazz sides are sought by collectors of 1920s British dance-band music, and early Brunswick catalogue numbers are scarce.AI summary
Brunswick 202 Jazz
Fred Elizalde, the British-born hot-dance bandleader, recorded 'Rhythm Step' and 'Paree' for Brunswick in the late 1920s on one of the earliest Brunswick 78s.AI summary
Brunswick 114 Dance
Fred Elizalde, a Filipino bandleader based in Britain, recorded "Roam On My Little Gypsy Sweetheart" and the jazz composition "Chopinata" for Brunswick 186 in the late 1920s. Elizalde's Savoy Hotel recordings and jazz sides are collected by hot-dance enthusiasts.AI summary
Brunswick 186 Dance
Fred Elizalde, a pioneering Spanish jazz bandleader who recorded in London, recorded 'Clarinet Marmalade' — a hot-dance and early jazz recording for His Master's Voice; Elizalde's Savoy sides are eagerly collected.AI summary
His Master's Voice B5315 Jazz
Fred Elizalde's orchestra recorded "I Ain't Got Nobody" and "Marvellous" for Brunswick catalogue 138. Elizalde was a Filipino-British bandleader and pianist who led one of the most important hot dance orchestras of the late 1920s, with a strong Savoy Hotel residency and influence on British jazz development.AI summary
Brunswick 138 Jazz
Fred Elizalde's Savoy Havana Band, one of the most important early British jazz ensembles of the late 1920s, performing on Brunswick.AI summary
Brunswick 146 Jazz
Fred Elizalde on Decca F2810, performing two popular songs from the early 1930s. Elizalde was a Spanish bandleader and pianist who led one of the most sophisticated hot-dance orchestras of the late 1920s and early 1930s, known for his progressive arrangements and recordings at the Savoy Hotel in London.AI summary
Decca F2810 Dance
Fred Elizalde, a British bandleader and composer known for hot dance and jazz sides, recorded for Decca in the mid-1930s with romantic song titles.AI summary
Decca F2810 Jazz
Fred Elizalde's Savoy Havana Band on Decca, the pioneering British hot-jazz ensemble of the late 1920s.AI summary
Decca F3034 Jazz
Fred Elizalde was a Spanish bandleader and pianist active in 1920s London; this Decca recording pairs 'Nobody's Sweetheart' and 'Allah's Holiday'.AI summary
Decca F3229 Jazz
Fred Elizalde and his orchestra with 'I've got the World on a String' and 'My Bluebird's singing the Blues' on Decca (F3589), representing the Spanish pianist's hot dance sound of the early 1930s.AI summary
Decca F3589 Dance
Fred Elizalde was a Spanish bandleader and composer resident in London who led one of Britain's most progressive jazz orchestras in the late 1920s and early 1930s; this Decca pressing of 'Allah's Holiday' and 'Nobody's Sweetheart' dates from his peak years and is sought by collectors of hot dance and early British jazz.AI summary
Decca F3229 Jazz
Fred Elton recorded 'The funny little bunny Sonny had' and 'Should a Woman tell' for Zonophone, a secondary British label. Elton was a minor British music-hall singer of the 1900s-1910s.AI summary
Zonophone 1309 Music Hall
Zonophone 1322 Music Hall
Fred Elton, 'The Islander' and 'The Bulldog's Bark', on Winner Records, a budget British label active from the 1920s onwards.AI summary
Winner 2100 Music Hall
Fred Emney and Shale on Columbia 2600, a theatrical sketch or comedy turn titled 'Parlour Scene'.AI summary
Columbia 2600 Comic
Fred Feibel Quartet performing the swing standards 'Jeepers Creepers' and 'I Go for That' on Columbia FB2173, a 1930s British dance recording.AI summary
Columbia FB2173 Jazz
Fred Gaisberg was the pioneering recording engineer and talent scout for the Gramophone & Typewriter Company, and an important figure in recording history. G&T 9323 records him singing 'Abide with Me', a rarity.AI summary
G&T 9323 Voice
Fred Gibson with Down by the Old Oak Tree and I Want to Be Alone with Mary Brown on Homochord D1262.AI summary
Hom D1262 Instrumental
Fred Gibson recorded two novelty or comic pieces, 'Hippopotamus' and 'Buying a Stamp', for Broadcast, a minor British label.AI summary
Broadcast 287 Comic
Fred Gibson recorded 'This is the Way the Puff puff goes' and a side credited to B Desmond, 'Why is the Bacon so tough', for Broadcast, catalogue 333, a minor British label of the late 1920s–early 1930s.AI summary
Broadcast 333 Comic
Fred Gibson recorded 'San Fari Ann' and 'Come on Papa' for Columbia, a major British label.AI summary
Columbia is1287
Fred Gibson recorded 'Poor Papa' and 'Oh Charley Take It Away' for Columbia, dance or comic songs of the 1920s.AI summary
Columbia is1916 Dance
Fred Gibson performing two traditional or novelty songs, 'Riley's Cow Shed' and 'Photo of the girl I left behind', for Aco 15482, a vocal record from the early 1930s.AI summary
Aco 15482 Voice
Fred Gibson in popular songs on Aco 16028, a British budget label.AI summary
Aco 16028 Voice
Fred Gibson performing 'Let's all join the Mustard Club' and 'I've never seen a straight Banana' on Aco, a British budget label, catalogue 16124.AI summary
Aco 16124 Music Hall
Fred Granger on Winner 4031, performing 'Dear Old Lady' and 'Pasadena'. Winner was a budget British label; Granger's recording career is not well documented.AI summary
Winner 4031 Voice
Fred Hamm performed 'Sugar Foot Stomp' and the 'Black Bottom', hot dance numbers typical of late 1920s British dance recordings. This His Master's Voice pressing documents the brief fashion for these American jazz dances.AI summary
His Master's Voice B5173 Dance
Fred Harrison performing two novelty or comic songs—'Cover it over quick Jemima' and 'That funny little Bobtail Coat'—on the Fest label, catalogue 7018.AI summary
Festival 7018 Comic
Fred Harrison recorded novelty ragtime sides for Winner in the late 1920s; 'Ragtime Navvy' and 'Ragtime Ragshop' suggest comic or descriptive pieces.AI summary
Winner 2304 Music Hall
Fred Harrison recorded 'PC Forty Nine' and Ted Yorke's 'Everybody's doing it at the Seaside' on the Apollo label, a small British imprint.AI summary
Apollo 306 Music Hall
Fred Harrison performing novelty material on Winner, a cheap British budget imprint, with 'Any old Iron' a music-hall standard.AI summary
Winner 2241 Music Hall
Fred Harrison on Winner 2297, performing 'PC 49' and 'Toodle-oodle-ay'. PC 49 was a popular British radio comedy series and detective character.AI summary
Winner 2297 Comic
Fred Hartley on Decca, performing two Italian songs: 'Du ca nun chiagne' and 'Canta pe me' (Valente)—likely an accordion or vocal specialist in the Italian-ballad tradition.AI summary
Decca 3871 Voice
Untitled
Fred Hartley was a British xylophone and percussion virtuoso popular in the 1930s and 1940s; this Decca side represents a specialist instrumental performer from the dance-band era, though catalogue details are incomplete.AI summary
Decca F3859 Instrumental
Fred Hartley Quintet on Film 362, performing light popular and sentimental numbers. Film Records was a British label; the quintet appears to have been a minor ensemble.AI summary
Filmophone 362 Instrumental
Fred Hillebrand performing 'Man on the Flying Trapeze', the Victorian novelty song, on the Pan label, an obscure British imprint.AI summary
Panachord 25667 Music Hall
Fred Kitchen recorded 'Private Potts' parts 1 and 2 for Columbia in the early 1920s. Kitchen was a music-hall entertainer known for character songs and comic monologues.AI summary
Columbia 1635 Music Hall
Fred Kitchen on Regal, a British budget label, performing a comic monologue or comic song, popular in the 1920s–30s music-hall tradition.AI summary
Regal 6554 Music Hall
Fred Kitchen performing novelty music-hall numbers 'How to cook a Sausage' and 'Oh happy married Life' on Regal; the title suggests period comic material.AI summary
Regal 6470 Music Hall
Fred Lennox Band on Columbia Records (budget CB series), performing two light dance numbers typical of the early 1930s — 'You Didn't Know the Music' and a Guy Lombardo arrangement, suggesting dance-hotel repertoire.AI summary
Columbia CB415 Dance
Fred Mayne with Any Old Iron and It's a Treat to Be Alive on Phoenix 624.AI summary
Phoenix 624 Music Hall