21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 192 of 452
Decca F10614 Personalities (Prs)
Gracie Fields, the celebrated Lancashire entertainer, recorded 'Church Bells on Sunday Morning' and 'Chump Chop and Chips' for Decca; Fields was a major British stage, film and recording star of the 1930s–50s.AI summary
Decca F9194 Personalities (Prs)
Rex 9022
Grady Martin, a Nashville session guitarist and bandleader, recorded country and country-pop sides for Brunswick; his "Slew Foot Five" suggests a rural dance band of the 1950s.AI summary
Brunswick 05080 Country
Graeme Bell's Australian jazz group recording 'Tiger Rag' and 'Ain't Gonna Give Nobody None of My Jelly Roll' on Pacific. Bell was a pioneering Australian jazz musician.AI summary
Pacific HC90.002 Jazz
Graeme Bell's Australian Jazz Band, whose British tour of the late 1940s gave the trad revival a boost, plays 'Shim-Me-Sha-Wabble' and 'South' on Esquire.AI summary
Esquire 10-007 Jazz
Graeme Bell, the Australian jazz pianist and bandleader, with Creole Belles and Just a Closer Walk with Thee on Ampersand 1201.AI summary
Ampersand 1201 Jazz
Graham Moffat was a Scottish comedian and performer popular in early 20th-century British variety and music hall. This Home label pressing (Hom4317) features two of his comic monologues: 'Erchie on Servants' and 'Sandy's Wedding Day', presented in the Scottish dialect comedy style for which he was famous.AI summary
Hom 4317 Comic
The Gramophone Concert Quartette on HMV 204000/3, performing 'Goodnight Beloved' and 'When Hands Meet'. HMV's Gramophone Concert Quartette was a house vocal ensemble; this is a double-catalogue classical or art-song recording from the early HMV catalogue.AI summary
His Master's Voice 204000/3 Voice
Odeon eon170.097
Odeon eon170.097 Classical
Odeon R20108 Orchestra
Gray Gordon's Tic Toc Rhythm was a British dance band of the 1930s, recorded here on Regal. 'Can't Get Indiana Off My Mind' and 'Never Took a Lesson in My Life' were popular dance numbers of the period.AI summary
Regal MR3380 Dance
Graziella Pareto was an Italian mezzo-soprano opera singer who recorded for the Gramophone & Typewriter Company in the acoustic era. 'Rigoletto' (Verdi) is from the most popular opera; GCL (Gramophone Company Limited) pressings of major opera singers are highly collectable.AI summary
GCL 053151 Opera
Graziella Pareto performing Donizetti's "Lucia di Lammermoor" aria for GCL (Gramophone Concert Label) 053154. Pareto was an Italian soprano of the early 1900s known for operatic roles.AI summary
GCL 053154 Opera
Great Little Thomas recorded material for Fav., a minor British label. The title suggests minstrel entertainment material, typical of early 20th-century popular recording.AI summary
Favorite 60018/9
'Great Little Thomas' performing minstrel songs on the Fav (Favorite) label, a budget British imprint, with the catalogue number suggesting multiple sides.AI summary
Favorite 60021/2
'Favorite Minstrels', a two-part recording credited to 'Great Little Thomas' on the Fav label, catalogue 60023/4, likely from the 1910s–1920s. The artist and label are both obscure.AI summary
Favorite 60023/4
Great Little Thomas performing 'Favorite Minstrels' (Parts 7 and 8, two sides), for Fav (Favorite) Records, a British imprint.AI summary
Favorite 60025/6
The Great White Way (likely a dance band) on HMV B1673, performing 'Runnin' Wild' and 'Gone'. 'Runnin' Wild' is a jazz standard from the early 1920s; this is a British dance-band version.AI summary
His Master's Voice B1673 Dance
Green performing 'Happy in the Morning' and 'Whispering' on His Master's Voice JH25.AI summary
His Master's Voice JH25 Voice
Popular vocal songs by Green on Brunswick, a major international label with British pressings.AI summary
Brunswick 7521 Voice
Green Bros on Tower 272, a small British label, performing a dance side from the 1920s.AI summary
Tower 272 Dance
The Green Brothers band was a minor American dance orchestra; this Zonophone side captures two light dance pieces from the 1920s or early 1930s.AI summary
Zonophone 5754 Dance
Greening with Why Sell Kippers and, by P. Bernard, Choo Choo Train to Tennessee on Whiteheads M158.AI summary
Whiteheads M158 Voice
Greening performing 'No One Knows What It's All About' and 'Me and the Boy Friend' on Columbia 3598, an early 1920s British pressing.AI summary
Columbia 3598 Voice
Greening recorded 'Sweet Little You' and 'Shanghai' for Columbia 3612; these appear to be popular song and dance sides from the 1920s, but without further information about the artist, they remain unidentified.AI summary
Columbia 3612 Dance
Greening performing 'In a Street of Chinese Lanterns' and 'Mediterranean Blues' on Curry's 322, a novelty or dance recording on an obscure British label.AI summary
Curry's 322 Dance
Greening recorded 'Dream Daddy' and 'Golden West' for Regal, catalogue 8297, a budget British label of the 1920s–1930s.AI summary
Regal 8297 Voice
Credited to Greening on Regal, a cheap British label of the early 1930s. The catalogue number MR46 suggests an early Regal Merophone issue. Artist and recording are not identified in standard reference works.AI summary
Regal MR46 Dance
Greening for Columbia, performing the novelty 'I'll Take Her Back If She Wants to Come Back' and the topical 'Eat More Fruit'.AI summary
Columbia 3572 Voice
Greening, a prolific British bandleader, performing 'Sweet Little You' and 'Shanghai' on Columbia 3612.AI summary
Columbia 3612 Dance
Greening performing 'Pretty Things' and 'Totem Tom Tom' on Columbia 3642, an early 1920s novelty or dance recording.AI summary
Columbia 3642 Voice
Greening performing 'Nobody Knows What a Red Head Mamma Can Do' and 'San Francisco' on Columbia 3656, from the early 1920s.AI summary
Columbia 3656 Voice
Greening recorded two popular songs for Columbia's early catalogue, including 'Caterina' and 'There Are Some Things You Never Forget' with the Columbians dance band.AI summary
Columbia D5236 Voice
Greening performing 'Miss Annabelle Lee' and 'I'm coming Virginia' for His Master's Voice, B5455. Both pieces are popular songs; Greening is unidentified.AI summary
His Master's Voice B5455 Voice
Greening performing 'Nobody Knows What a Red Head Mamma Can Do' and 'San Francisco' on Columbia, circa early 1920s.AI summary
Columbia 3656 Voice
A performer credited as Greening on DuoA Records performing 'I Wonder How I Look When I'm Asleep' and 'When You Played the Organ' — an unidentified vocalist on an obscure label, likely 1920s.AI summary
Duophone A5 Voice
Greening in 'Lingering Lips' and 'Tell me Tonight' on DuoUB 2081, a small British label.AI summary
Duophone UB2081 Voice
Greening on Winner 4713, a British cheap label pressing of the early 1930s; the titles suggest a popular dance or novelty side of the period.AI summary
Winner 4713 Dance
Credited to Greening on Imperial, an obscure British dance label of the early 1930s; no information available on the artist or the sides.AI summary
Imperial 1367 Dance
Greening on Imperial, a small British label of the 1920s–30s.AI summary
Imperial 1545 Voice
Greening on Imperial Records with 'On the midnight Special' and 'Barcelona'. The catalogue number suggests a later Imperial pressing.AI summary
Imperial 1590 Voice
Greening performs two novelty songs on Imperial, a small British label, catalogue 1804.AI summary
Imperial 1804 Comic
Greening on Imperial 1847, two specialty instrumental or novelty numbers 'Mediterranean Blues' and 'Persian Rosebud', likely from the 1920s–30s.AI summary
Imperial 1847 Instrumental
Imperial 1848 Dance
Greening on Oliver 194, with 'Ma Look at Charlie' and 'Under the Double Eagle' — unidentified performer on a small British label, likely early 1930s.AI summary
Oliver 194 Dance
Greening Band performing operetta numbers on Regal in the early 1930s.AI summary
Regal 8832 Orchestra