21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 198 of 452
Hall on Columbia FB1028, a British popular song from the mid-1930s.AI summary
Columbia FB1028 Voice
Hall recorded 'Olga Pulloffski the Beautiful Spy' and 'Popeye the Sailor Man' for Columbia, likely novelty or comic songs from the late 1920s or early 1930s.AI summary
Columbia FB1054 Music Hall
A pianist credited as Hall on Columbia, recording a Kern standard and a popular song of the 1930s.AI summary
Columbia FB1056 Voice
Hall performing 'Red Sails in the Sunset' and 'Curly Head' on Columbia (FB1100), popular songs of the swing era.AI summary
Columbia FB1100 Voice
Hall performing two light popular songs on Columbia's FB series—'Say the Word and It's Yours' and 'Everything's in Rhythm With My Heart'. The artist is unidentified.AI summary
Columbia FB1195 Voice
Hall on Columbia FB1220, with 'There's No Time Like the Present' and 'Just Bits and Pieces' — an unidentified vocalist on a major British label's mid-range series, likely mid-1930s.AI summary
Columbia FB1220 Voice
Hall performing two light popular songs, 'Got a Brand New Suit' and 'Love is a Dancing Thing', on Columbia. The artist is unidentified in the catalogue, and the titles suggest British popular song of the 1930s–40s.AI summary
Columbia FB1280 Voice
Hall recorded 'The Music Goes 'Round and Around', a hit novelty song of 1935, and 'The Broken Record', a comedy number, for Columbia's FB-series budget label. The artist's full name and biographical details are not clearly documented.AI summary
Columbia FB1288 Voice
Hall performing the novelty instrumental numbers 'Eccentric' and 'Three Brass Bells' on Columbia FB1818, likely from the early 1930s.AI summary
Columbia FB1818 Instrumental
Hall and Flanagan & Allen performing 'Underneath the Arches' on Columbia. Flanagan & Allen were famous British music-hall comedians, and 'Underneath the Arches' became one of their signature songs.AI summary
Columbia CB481 Music Hall
Hall, with Flanagan and Allen, performing 'Underneath the Arches' and 'A Bungalow a Piccolo and you' on Columbia. 'Underneath the Arches' was the signature song of Flanagan and Allen, one of the most famous British comedy duos of the 1930s-40s.AI summary
Columbia CB481 Music Hall
A performer or band credited only as 'Hall' on Columbia; titles suggest novelty or spoken-word broadcast material.AI summary
Columbia CB716 Dance
Columbia CB747 Dance
Flanagan and Allen, a well-known British comic duo, recorded with Hall for Columbia in the 1930s.AI summary
Columbia CB569 Music Hall
Hall and Ryan performing popular songs on Imperial, a British budget label.AI summary
Imperial 1514 Voice
The Hallé Orchestra, conducted by Sir John Barbirolli, recorded Albéniz's 'España' for His Master's Voice. Barbirolli was one of the greatest British conductors of the 20th century, and his recordings with the Hallé are highly regarded. This DB-series 78 preserves a classic orchestral reading from the 1930s–40s electrical era.AI summary
His Master's Voice DB21615 Orchestra
The Hallé Orchestra under Sir John Barbirolli recorded Bax's Symphony No. 3 (parts 10+) for His Master's Voice, catalogue C7593. This is a significant classical recording by a major British orchestra and conductor, likely from the late 1930s or early 1940s.AI summary
His Master's Voice C7593 Classical
The Hallé Orchestra under conductor John Barbirolli, performing Arnold Bax's Third Symphony, parts 1 and 2, on HMV C7593. A significant classical recording of a major British symphony by one of Britain's most important orchestras.AI summary
His Master's Voice C7593 Classical
The Hallé Orchestra conducted by John Barbirolli performing Arnold Bax's Symphony No. 3, part 12, His Master's Voice C7593. Barbirolli was one of Britain's leading conductors; Bax is a major British symphonist. This is a significant classical recording from the mid-20th century.AI summary
His Master's Voice C7593 Classical
The Hallé Orchestra under Sir John Barbirolli, performing Arnold Bax's third symphony on His Master's Voice C7593 (part 7), recorded in the electrical era (post-1925).AI summary
His Master's Voice C7593 Classical
The Hallé Orchestra under Sir John Barbirolli, recorded in the electrical era (post-1925), performing the third symphony by Sir Arnold Bax on His Master's Voice C7593 (part 8).AI summary
His Master's Voice C7593 Classical
The Hallé Orchestra under John Barbirolli recorded the premiere of Arnold Bax's Third Symphony on His Master's Voice. This is a landmark British orchestral recording documenting the first recording of a major twentieth-century symphony.AI summary
His Master's Voice C7593 Classical
Credited to 'Hallett' on Regal, a budget British label, performing novelty or popular songs with the standard comedic treatment of the era.AI summary
Regal 8658 Voice
Hamilton Allen performing 'Wake Up' on HMV catalogue Ho4462 — an unusual catalogue prefix not corresponding to a standard HMV commercial series. The artist is not widely documented; the HMV 'Ho' prefix warrants identification before sale.AI summary
His Master's Voice Ho4462 Voice
Hamilton Harris on Aco 15880, performing light entertainment material. Aco was a minor British label; the artist is not widely documented.AI summary
Aco 15880 Voice
Sir Hamilton Harty, a celebrated British conductor, led the orchestra in William Walton's Symphony for Decca on the X-series, an early electrical recording line; Walton's symphonic works are important to British concert music history.AI summary
Decca X109/110 Classical
Decca X111 Classical
Untitled
Decca X112
G&T 2-2983 Voice
Hamilton Hill recorded these two sentimental ballads for Fav, an obscure or short-lived British label; the catalogue numbers suggest the 1920s or early 1930s.AI summary
Favorite 65145/52
Hamilton Hill on two songs: 'No Wedding Bells for me' and 'Bonnie Jean'. Released on Bek (Beka) 40348/9, a minor British label of the 1910s-20s.AI summary
Beka 40348/9 Voice
Hamilton Hill with Don't Put Your Umbrella Up and Shadowland on Favorite 65145/52.AI summary
Favorite 65145/52
Hamilton Hill on John Bull B 41 — 'Hang Out the Front Door Key' and 'Call Round Any Old Time' (with H Fay). John Bull B is an extremely obscure British label; catalogue number 41 is very low. Hamilton Hill is not a widely traced name in standard references, and an untraced artist on a very low-numbered unknown label warrants investigation.AI summary
John Bull 41 Music Hall
Hamilton Hill recorded 'Dick my Soldier Boy' for Zonophone, a British marque with a long history from the 1890s onward; the artist and exact period are not immediately identifiable from the title alone.AI summary
Zonophone 42257 Music Hall
Hamilton Hill recorded 'My Irish Daisy' for Zonophone 42396, a mid-range catalogue number suggesting a 1920s-1930s pressing; the artist remains unidentified in standard sources.AI summary
Zonophone 42396 Music Hall
Hamilton Hill recorded 'In Sweet Loveland' and 'Eyes of Blue' for Zonophone, catalogue 21, dating to the early 1900s. Hill was a minor British or American singer of the era.AI summary
Zonophone 21 Voice
Hamilton Hill on the GC label, a short-lived British imprint of uncertain date and provenance.AI summary
Gramophone Company 3-2355
Hamilton Hill on Zonophone 42306 — 'Stowaway.' Hamilton Hill is not a widely traced artist in standard references. Zonophone catalogue number 42306 is a high number, placing this in a later phase of the Zonophone catalogue, likely post-1910; later Zonophone pressings are more common than the early low-number series.AI summary
Zonophone 42306 Voice
Jazz ensemble credited as Hamm, performing 'Sugar Foot Stomp' and 'Black Bottom' on His Master's Voice B5173. Identity of the ensemble is unclear.AI summary
His Master's Voice B5173 Jazz
Hamm on Victor, a US label, performing two songs with domestic (American) titles and credits.AI summary
Victor 19915 Dance
An artist credited as 'Hamm' recorded 'Sugar Foot Stomp' and 'Black Bottom' for His Master's Voice, probably in the mid-1920s. The repertoire suggests a jazz or hot dance side.AI summary
His Master's Voice B5173 Jazz
Hamp on His Master's Voice B5328. The artist is likely a pseudonym or house name. The titles suggest popular light material of the 1920s-1930s era, but without identification, this is a routine HMV dance or vocal side.AI summary
His Master's Voice B5328 Voice
Hamp recorded 'Dawning' and Shilkret's 'Dainty Miss' for His Master's Voice in the 1920s dance idiom.AI summary
His Master's Voice B5434 Dance
His Master's Voice B8800 Jazz
His Master's Voice B9395 Jazz
Hampton's instrumental jazz ensemble performs two 'stomp' numbers on His Master's Voice B8800, likely early 1930s.AI summary
His Master's Voice B8800 Jazz
Handler performing 'Cryin for the Moon' and '(Carroll) Hugs and Kisses' on Columbia 4381, a dance-series pressing from the early 1920s. The artist is unidentified.AI summary
Columbia 4381 Dance
Handy's Orchestra on Columbia 2914, 'Moonlight Blues' / 'Southern Nights'. Likely led by W.C. Handy, the blues and jazz pioneer, or a group trading on his name.AI summary
Columbia 2914 Jazz